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The fundamental questions of our origins, along with our evolutionary future, find new life in this extraordinary book. In this superb collection of essays, eminent scientist, Ian Tattersall takes up some of the most controversial questions in evolutionary history. He argues that far from being finely engineered organisms, we are in fact improvised beings, owing as much to chance as adaptation. Tattersall leads us around the world and into the far reaches of the past, and reveals the complexities of the science of human evolution.
This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.
Beneath the floorboards of a ruined house, an 18th-century memoir is discovered. It reveals the life story of William Congreve, the acclaimed English playwright. The lost manuscript is penned by his faithful servant, Jeremy, who tells how they lived together through fierce political division and triumphal nationalism in that era of war with France, the aftermath of the Glorious Revolution. Upon his death a monument in Stowe is erected to honour Mr Congreve. Atop a slender pyramid sits a monkey peering into a mirror, a court wit seeing reflected the ironies of polite society folding in on itself as Whigs and Tories feud with scant ground for compromise. Through the prisms of memory and art, award-winning author John Spurling reimagines this tumultuous period and brings to life historical figures Dryden, Vanbrugh, Swift, Pope and Lady Mary Wortley Montagu as never before.
Who's that eating a banana? Swinging from the shower curtain? Making faces in the mirror? Why, it looks like a monkey! But not to Mommy. Mommy knows it's her own monkey boy, and even monkey boys need their sleep. But first, they need to clean up their room and take a bath. Then she'll read a story. "Good night, Monkey Boy . . . and no more bananas!"
From the National Book Award-winning author of Just Kids and M Train, a profound, beautifully realized memoir in which dreams and reality are vividly woven into a tapestry of one transformative year. Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs--including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the Year of the Monkey." For Smith--inveterately curious, always exploring, tracking thoughts, writing--the year evolves as one of reckoning with the changes in life's gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the western landscape with her own dreamscape. Taking us from California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places, this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment set in. But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Riveting, elegant, often humorous, illustrated by Smith's signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.
Young readers may touch various surfaces on monkeys that are not the one someone is looking for, until at last the right one appears. On board pages.
An essential reconsideration of one of the most far-reaching theories in modern neuroscience and psychology. In 1992, a group of neuroscientists from Parma, Italy, reported a new class of brain cells discovered in the motor cortex of the macaque monkey. These cells, later dubbed mirror neurons, responded equally well during the monkey’s own motor actions, such as grabbing an object, and while the monkey watched someone else perform similar motor actions. Researchers speculated that the neurons allowed the monkey to understand others by simulating their actions in its own brain. Mirror neurons soon jumped species and took human neuroscience and psychology by storm. In the late 1990s theorists showed how the cells provided an elegantly simple new way to explain the evolution of language, the development of human empathy, and the neural foundation of autism. In the years that followed, a stream of scientific studies implicated mirror neurons in everything from schizophrenia and drug abuse to sexual orientation and contagious yawning. In The Myth of Mirror Neurons, neuroscientist Gregory Hickok reexamines the mirror neuron story and finds that it is built on a tenuous foundation—a pair of codependent assumptions about mirror neuron activity and human understanding. Drawing on a broad range of observations from work on animal behavior, modern neuroimaging, neurological disorders, and more, Hickok argues that the foundational assumptions fall flat in light of the facts. He then explores alternative explanations of mirror neuron function while illuminating crucial questions about human cognition and brain function: Why do humans imitate so prodigiously? How different are the left and right hemispheres of the brain? Why do we have two visual systems? Do we need to be able to talk to understand speech? What’s going wrong in autism? Can humans read minds? The Myth of Mirror Neurons not only delivers an instructive tale about the course of scientific progress—from discovery to theory to revision—but also provides deep insights into the organization and function of the human brain and the nature of communication and cognition.
A collection of science fiction and fantasy tales by the acclaimed author offers readers ten excursions into the realm of the fantastic and the mythic. Orson Scott Card's Monkey Sonatas: Fables and Fantasies is part of the Maps in a Mirrors series of the author's extraordinary range of collected fiction. Introduction Unaccompanied Sonata A Cross-Country Trip to Kill Richard Nixon The Porcelain Salamander Middle Woman The Bully and the Beast The Princess and the Bear Sandmagic The Best Day A Plague of Butterflies The Monkeys Thought ‘Twas All in Fun Afterword At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An “absorbing” look at how our species evolved, from the curator of human evolution at the American Museum of Natural History (Kirkus Reviews). What makes us so different from those other animals? How did we get this way? How do we know? And what exactly are we? These questions are what make human evolution a subject of general fascination. Ian Tattersall, one of those rare scientists who is also a graceful writer, addresses them in this delightful book. Tattersall leads the reader around the world and into the far reaches of the past, showing what the science of human evolution is up against—from the sparsity of evidence to the pressures of religious fundamentalism. Looking with dispassion and humor at our origins, Tattersall offers a wholly new definition of what it is to be human. “Unparalleled insight.” —Donald C. Johanson, author of Lucy: The Beginnings of Humankind
“A brilliantly crafted novel, brimming with heart.”―Tayari Jones, author of An American Marriage “Rich and compelling . . . Her characters are vividly, achingly real, including the tiny, furry one at the novel’s center.”―Ann Packer, author of The Dive From Clausen’s Pier “Stark and compelling . . . rigorously unsentimental yet suffused with emotion.”―Kirkus Reviews (starred review) Duncan Wheeler is a successful architect who savors the quotidian pleasures in life until a car accident leaves him severely paralyzed and haunted by the death of his young assistant. Now, Duncan isn’t sure what there is left to live for, when every day has become “a broken series of unsuccessful gestures.” Duncan and his wife, Laura, find themselves in conflict as Duncan’s will to live falters. Laura grows desperate to help him. An art conservator who has her own relationship to the repair of broken things, Laura brings home a highly trained helper monkey―a tufted capuchin named Ottoline―to assist Duncan with basic tasks. Duncan and Laura fall for this sweet, comical, Nutella-gobbling little creature, and Duncan’s life appears to become more tolerable, fuller, and funnier. Yet the question persists: Is it enough? Katharine Weber is a masterful observer of humanity, and Still Life with Monkey, full of tenderness and melancholy, explores the conflict between the will to live and the desire to die.