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Every book tells a story . . . And the 70 titles in the Pocket Penguins series are emblematic of the renowned breadth and quality that formed part of the original Penguin vision in 1935 and that continue to define our publishing today. Together, they tell one version of the unique story of Penguin Books. Jorge Luis Borges wrote playful and deeply imaginative short stories that explore philosophy, paradox and the nature of existence, and Penguin Modern Classics introduced many of his most famous works, including Labyrinths, The Aleph and Fictions, to a wide audience. This collection includes seven of his most famous tales, which intrigue, inspire and mesmerize through their singular genius.
One of 2018’s Best Mysteries by Publisher’s Weekly One of the Best Audiobooks to Listen to in October by The Washington Post “This entry solidifies her status as a top-notch historical mystery author.” – Publisher's Weekly (starred review) “Richly detailed novel of life and crime in 18th century China.” –The Wall Street Journal Following the enthralling 18th century Chinese mysteries Jade Dragon Mountain and White Mirror, comes the next Li Du adventure in City of Ink. Li Du was prepared to travel anywhere in the world except for one place: home. But to unravel the mystery that surrounds his mentor’s execution, that’s exactly where he must go. Plunged into the painful memories and teeming streets of Beijing, Li Du obtains a humble clerkship that offers anonymity and access to the records he needs. He is beginning to make progress when his search for answers buried in the past is interrupted by murder in the present. The wife of a local factory owner is found dead, along with a man who appears to have been her lover, and the most likely suspect is the husband. But what Li Du’s superiors at the North Borough Office are willing to accept as a crime of passion strikes Li Du as something more calculated. As past and present intertwine, Li Du’s investigations reveal that many of Beijing’s residents — foreign and Chinese, artisan and official, scholar and soldier — have secrets they would kill to protect. When the threats begin, Li Du must decide how much he is willing to sacrifice to discover the truth in a city bent on concealing it, a city where the stroke of a brush on paper can alter the past, change the future, prolong a life, or end one.
September 1937Georgette Dorothy Aaron is expecting a bundle of joy, focusing on updating her house, writing books, and enjoying her family. What she's not doing is meddling. She's not sticking her nose in other people's business. She's not writing books about her neighbors. She's determined to turn over an old leaf and slide right back into the safety of being a wallflower. Georgette, however, gets stuck on her book, sick of the smell of drying paint, and decides to take a ramble. When she stops to check herself in the mirror, she doesn't expect to see something in the reflection. Nor does she expect what happens next. Book SIX in The Poison Ink Mysteries. Georgette Aaron might be a quiet housewife, but it's time for this woman to adventure. Are you ready to journey with her as she dives into another mystery? If so, you'll love Mrs. Parker! For fans of Carola Dunn, Jacqueline Winspear, Georgette Heyer, and Lee Strauss.A light, cozy historical mystery. No swearing, graphic scenes, or cliffhangers.The Poison Ink Mysteries1- Death By the Book2- Death Witnessed3- Death by Blackmail4- Death Misconstrued5- Deathly Ever After6- Death in the Mirror7- A Merry Little Death: A Christmas Story8- Death Between the Pages
Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.
The Printing Ink Manual was first published in 1961 under the auspices of the Society of British Printing Ink Manufacturers with the object of providing an authoritative work on printing ink technology. This, the fourth edition, continues that purpose and presents a comprehensive study of the current 'state of the art' in the ink industry. For those starting in the printing ink industry it is a textbook dealing with all aspects of the formulation and manufacture of printing ink. For the ink technician it is a practical manual and useful source of reference. For printers and users of printed material the manual supplies helpful information on the nature and behaviour of ink both on the printing press and as the finished print. Readers with a little scientific knowledge will have no difficulty in using the manual, but as in previous editions, sufficient chemistry and physics have been introduced to assist the advanced technician and research scientist.
Containing original essays; historical narratives, biographical memoirs, sketches of society, topographical descriptions, novels and tales, anecdotes, select extracts from new and expensive works, the spirit of the public journals, discoveries in the arts and sciences, useful domestic hints, etc. etc. etc.
In print for over thirty years, The Printing Ink Manual, published on behalf of the Society of British Printing Ink Manufacturers, is the industry 'bible' for all printing ink technologists, manufacturers, packaging and publishing printers all over the world. Thoroughly revised and updated throughout, the new material present in this fifth edition reflects the substantial developments that have taken place in recent years, including: The dramatic expansion in the use of lithographic inks with particular attention to cold-set, head-set, sheet-set, sheet-fed and web offset and metal decorating inks. The use of flexographic inks in newspaper printing Ink-jet inks: a complete new chapter has been added The most recent theories of high-speed measurements in the rheology of inks The European Quality Assurance Standards ISO 9000 The latest legislation on health, safety and the environment. £/LIST£ All chapters have been reviewed, updated and expanded wherever needed. Further important features include a listing of all the raw materials used regularly in the manufacture of printing inks, giving full information on their physical and chemical properties. Formulation technology is fully illustrated with practical examples and the significance of environmental issues and quality management is also covered in detail. Legislation, mainly European and from the United States, together with specifications set by world-wide end-users have established printing ink as a truly international product. Many of the chapters in The Printing Ink Manual have been written by authors working for international companies to ensure that the contents include the widest international practices and The Printing Ink Manual therefore represents an international reference source which is used throughout the world.
Told in alternating viewpoints, new couple Erica and Thomas face the devastating aftermath of a drunken party.
Borges and Black Mirror convenes a dialogue between one of the most influential writers of the twentieth century, the philosophical fabulist Jorge Luis Borges, and one of the most important writers and producers of the twenty-first century, Charlie Brooker, whose Black Mirror series has become a milestone in an age of “post-television” programming. The book’s introduction provides a detailed examination of the terms of engagement of Borges and Brooker and each of the chapters explores in a sustained way the resonances and affinities between one particular story by Borges and one particular episode of Black Mirror. The result is a series of essays that locate Brooker’s work with respect to a rich literary and philosophical tradition on the one hand and, on the other, demonstrate the relevance of Borges’s work for anyone who wishes to understand one of our most emblematic cultural artifacts in the age of Netflix.