Download Free The Miromesnil Edition Of Guy De Maupassant Book in PDF and EPUB Free Download. You can read online The Miromesnil Edition Of Guy De Maupassant and write the review.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Miromesnil Edition Of Guy De Maupassant: Our Hearts. The Lancer's Wife. The Prisoners, And Other Stories; Volume 4 Of The Miromesnil Edition Of Guy De Maupassant; Guy De Maupassant Guy de Maupassant A. E. Henderson P. F. Collier & son, 1910
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
POVERTY After changing his five-franc piece Georges Duroy left the restaurant. He twisted his mustache in military style and cast a rapid, sweeping glance upon the diners, among whom were three saleswomen, an untidy music-teacher of uncertain age, and two women with their husbands. When he reached the sidewalk, he paused to consider what route he should take. It was the twenty-eighth of June and he had only three francs in his pocket to last him the remainder of the month. That meant two dinners and no lunches, or two lunches and no dinners, according to choice. As he pondered upon this unpleasant state of affairs, he sauntered down Rue Notre Dame de Lorette, preserving his military air and carriage, and rudely jostled the people upon the streets in order to clear a path for himself. He appeared to be hostile to the passers-by, and even to the houses, the entire city. Tall, well-built, fair, with blue eyes, a curled mustache, hair naturally wavy and parted in the middle, he recalled the hero of the popular romances. It was one of those sultry, Parisian evenings when not a breath of air is stirring; the sewers exhaled poisonous gases and the restaurants the disagreeable odors of cooking and of kindred smells. Porters in their shirt-sleeves, astride their chairs, smoked their pipes at the carriage gates, and pedestrians strolled leisurely along, hats in hand.
Chapter I "Tschah!" exclaimed old Roland suddenly, after he had remained motionless for a quarter of an hour, his eyes fixed on the water, while now and again he very slightly lifted his line sunk in the sea. Mme. Roland, dozing in the stern by the side of Mme. Rosemilly, who had been invited to join the fishing-party, woke up, and turning her head to look at her husband, said: "Well, well! Gerome." And the old fellow replied in a fury: "They do not bite at all. I have taken nothing since noon. Only men should ever go fishing. Women always delay the start till it is too late." His two sons, Pierre and Jean, who each held a line twisted round his forefinger, one to port and one to starboard, both began to laugh, and Jean remarked: "You are not very polite to our guest, father." M. Roland was abashed, and apologized. "I beg your pardon, Mme. Rosemilly, but that is just like me. I invite ladies because I like to be with them, and then, as soon as I feel the water beneath me, I think of nothing but the fish." Mme. Roland was now quite awake, and gazing with a softened look at the wide horizon of cliff and sea. "You have had good sport, all the same," she murmured. But her husband shook his head in denial, though at the same time he glanced complacently at the basket where the fish caught by the three men were still breathing spasmodically, with a low rustle of clammy scales and struggling fins, and dull, ineffectual efforts, gasping in the fatal air. Old Roland took the basket between his knees and tilted it up, making the silver heap of creatures slide to the edge that he might see those lying at the bottom, and their death-throes became more convulsive, while the strong smell of their bodies, a wholesome reek of brine, came up from the full depths of the creel. The old fisherman sniffed it eagerly, ...