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Lakota Winds narrates the battle of the Little Big Horn as seen through the eyes of the Sioux. It is a fast-paced story bringing to life that fateful encounter between Custer's 7th Cavalry and the Sioux and Cheyenne. Never again would Native Americans assemble in such numbers as they did on that day in 1876, and never again would they inflict such a punishing defeat upon the United States military. Lakota Winds recaptures these precious hours of Sioux heritage. Matowla, Tankala Pay-ta, Unci, Osota, and Ishna were all witnesses to this final episode of the era of the Plains Indian. These characters represent the thousands of Lakota and Cheyenne who were camped along the Greasy Grass (Little Big Horn River) that summer morning when Custer's troops attacked. Matowla, Pay-ta, Unci, and Ishna have been entrusted to act as vocal embassies for their historical counterparts. It will be their obligation to speak for a people whose voices have all but been stilled by the passage of time.
This book assesses what we really know about the Minoans' life and times, defining the essential characteristics of a distinctive Cretan culture and setting this within its contemporary historical context which included not only Greece but the Eastern Mediterranean and Egypt. The author discusses the major themes of daily life such as social and economic organization, agriculture, architecture and religion, drawing upon the latest archaeological research including examples of Linear B and the evidence of recent excavations to paint a broad chronological picture of a fascinating and important culture. J. Lesley Fitton is an Assistant Keeper in the Department of Greek Roman Antiquities in the British Museum.
Around 3500 BC, the Minoan civilization emerged in the Bronze Age Aegean, taking root on Crete and neighboring Aegean Islands. The development of a complex urban society started around 2000 BC, reaching its peak and later declining from approximately 1450 BC to around 1100 BC during the early Greek Dark Ages. This civilization marked Europe's inaugural advanced society, leaving behind monumental architectural complexes, intricate art, and written systems. Their economic prosperity was fueled by an extensive commercial network spanning much of the Mediterranean. Sir Arthur Evans, a British archaeologist, rediscovered the civilization in the early twentieth century and coined the term "Minoan," drawing inspiration from the legendary King Minos and associating it with the labyrinth of the Minotaur at Knossos. Historian Will Durant hailed the Minoans as "the first link in the European chain" and described them as pioneers in Europe. The Minoans constructed expansive palaces featuring advanced plumbing systems and towering frescoes, with the palace of Knossos ranking as the most impressive, followed by Phaistos. Despite the grandeur of these structures, the exact purpose of the palaces, along with other aspects of Minoan governance and religion, remains uncertain. Trade played a pivotal role in Minoan society, connecting Crete with Aegean and Mediterranean settlements, particularly in the Near East. Their cultural influence extended to the Cyclades, the Old Kingdom of Egypt, Cyprus with its copper resources, Canaan, the Levantine coast, and Anatolia, facilitated by traders and artists. The preserved city of Akrotiri on Santorini, though devastated by the Minoan eruption, offers a glimpse into Minoan artistry.
Thoroughly researched, Rodney Castleden's Minoans: Life in Bronze Age Crete here sues the results of recent research to produce a comprehensive new vision of the peoples of Minoan Crete. Since Sir Arthur Evans rediscovered the Minoans in the early 1900s, we have defined a series of cultural traits that make the ‘Minoan personality’: elegant, graceful and sophisticated, these nature lovers lived in harmony with their neighbours, while their fleets ruled the seas around Crete. This, at least, is the popular view of the Minoans. But how far does the later work of archaeologists in Crete support this view? Drawing on his experience of being actively involved in research on landscapes processes and prehistory for the last twenty years, Castleden writes clearly and accessibly to provide a text essential to the study of this fascinating subject.
The magnificent works of ancient Crete, Mycenae, and the Cycladic Islands are awe-inspiring in their richness and variety. Frescoes, jewelry, sculpture, gold funeral masks, ivories, and countless other beautiful artifacts--all the significant works of art and architecture that are our legacy from those great civilizations in the third and second millennia BC are described and illustrated in Dr. Higgins's distinguished survey. This fully revised and updated edition includes greater coverage of the breathtaking frescoes from Akrotiri on the island of Thera. Other recent findings are also illustrated and described in detail, such as the unique ivory figure from Palaikastro, objects from the palace of Mallia, and the intriguing discovery of Minoan frescoes in Egypt.
If you want to discover the captivating history of the Minoans, then keep reading... The Minoans continue to be an intriguing subject for modern audiences because they are like a puzzle missing half of its pieces. Individuals have a rough idea of what it might look like, but there could be surprises no one even thinks of because all traces of the image are gone. For archaeologists, historians, tourists, scholars, fans of mythology, and students of the ancient world, the Minoans are this broken puzzle. The Minoans were an ancient civilization that built their settlements on islands in the Aegean Sea. They lived almost 5,000 years ago and left behind traces of their lives but not enough for people to create a complete picture. Ever since the early 20th century, the Minoans have been a subject of interest thanks to the discoveries and excavations by Sir Arthur Evans, a British archaeologist who found the first Minoan ruins and named them after the mythological King Minos and his Minotaur. Evans was able to gain almost sole access to the lands of the Cretan government for excavation by paying for it with funds generated by his supporters in 1900. He and his crew unearthed the massive palace complex of Knossos, one of the most famous archaeological excavation sites in history. From the work of Evans and others, the puzzle of the Minoans has slowly gained more pieces. Through the study of material culture, modern audiences now know quite a bit about artistic techniques, favorite subjects, fashion, daily life, gender roles, and who the Minoans traded with. An observer can tell that the Minoans were a seafaring mercantile civilization, that they built magnificent urban centers, and that they had a form of proto-writing. In Minoans: A Captivating Guide to an Essential Bronze Age Society in Ancient Greece Called the Minoan Civilization, you will discover topics such as Where and When Did the Minoans Live? Known History of the Minoans before the Mycenaeans Society, Culture, and Daily Life Trade and Shipbuilding on the Mediterranean Sea Language and Linear A The Potential Predecessors of Greek Religion Art Architecture Theories about the Collapse of Civilization And much, much more! So if you want to learn more about the Minoans, scroll up and click the "add to cart" button!
Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.
A comprehensive, scholarly, engaging look at the meanings behind key architectural designs of ancient Minoan culture. Ever since Sir Arthur Evans first excavated at the site of the Palace at Knossos in the early twentieth century, scholars and visitors have been drawn to the architecture of Bronze Age Crete. Much of the attraction comes from the geographical and historical uniqueness of the island. Equidistant from Europe, the Middle East, and Africa, Minoan Crete is on the shifting conceptual border between East and West, and chronologically suspended between history and prehistory. In this culturally dynamic context, architecture provided more than physical shelter; it embodied meaning. Architecture was a medium through which Minoans constructed their notions of social, ethnic, and historical identity: the buildings tell us about how the Minoans saw themselves, and how they wanted to be seen by others. Architecture of Minoan Crete is the first comprehensive study of the entire range of Minoan architecture—including houses, palaces, tombs, and cities—from 7000 BC to 1100 BC. John C. McEnroe synthesizes the vast literature on Minoan Crete, with particular emphasis on the important discoveries of the past twenty years, to provide an up-to-date account of Minoan architecture. His accessible writing style, skillful architectural drawings of houses and palaces, site maps, and color photographs make this book inviting for general readers and visitors to Crete, as well as scholars.