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For Arthur Rowe the charity fair was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget twenty years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man.
ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR “The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem "If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox) The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite books of the year, this extraordinary novel from visionary science fiction writer Kim Stanley Robinson will change the way you think about the climate crisis. "One hopes that this book is read widely—that Robinson’s audience, already large, grows by an order of magnitude. Because the point of his books is to fire the imagination."―New York Review of Books "If there’s any book that hit me hard this year, it was Kim Stanley Robinson’s The Ministry for the Future, a sweeping epic about climate change and humanity’s efforts to try and turn the tide before it’s too late." ―Polygon (Best of the Year) "Masterly." —New Yorker "[The Ministry for the Future] struck like a mallet hitting a gong, reverberating through the year ... it’s terrifying, unrelenting, but ultimately hopeful. Robinson is the SF writer of my lifetime, and this stands as some of his best work. It’s my book of the year." —Locus "Science-fiction visionary Kim Stanley Robinson makes the case for quantitative easing our way out of planetary doom." ―Bloomberg Green
Dr. Randy Stinson and Dr. Timothy Paul Jones have been the primary architects of the theological foundations for whathas become known as “family-equipping ministry”—a recognition that the generations need one another and that parents have an inherent responsibility for the discipleship of their children.
"Is your gospel 3D? Western theology emphasizes legal forgiveness of sins, but people in the Majority World seek honor or spiritual power. In today's globalized world, Christians need a three-dimensional gospel. Learn how the Bible speaks to cultures of guilt, shame, and fear, and enhance your cross-cultural ministry among the nations! The 3D Gospel is a concise book explaining the world's three primary culture types and how Christians can fruitfully minister cross-culturally. To equip believers with a dynamic view of gospel, The 3D Gospel explains the following aspects of guilt, shame, and fear cultures: The main cultural characteristics; How people function in everyday life; The biblical narrative of salvation; Doctrines of original sin and the atonement of Jesus; Definitions of 40+ theological categories; Key verses from scripture; Two separate evangelistic approaches; A contextualized form of Christian witness; Practical tips for relationships and communication."--HonorShame.com
In London during the Blitz, an amnesiac must outwit a twisted Nazi plot in this “master thriller” of espionage, murder, and deception (Time). On a peaceful Sunday afternoon, Arthur Rowe comes upon a charity fete in the gardens of a Cambridgeshire vicarage where he wins a game of chance. If only this were an ordinary day. Britain is under threat by Germany, and the air raid sirens that bring the bazaar to a halt expose Rowe as no ordinary man. Recently released from a psychiatric prison for the mercy killing of his wife, he is burdened by guilt, and now, in possession of a seemingly innocuous prize, on the run from a nest of Nazi spies who want him dead. Pursued on a dark odyssey through the bombed-out streets of London, he becomes enmeshed in a tangle of secrets that reach into the dark recesses of his own forgotten past. And there isn’t a soul he can trust, not even himself. Because Arthur Rowe doesn’t even know who he really is. “A storyteller of genius,” Graham Greene composed his serpentine mystery of authentic wartime espionage—and one the author’s personal favorites—while working for MI6 (Evelyn Waugh). But The Ministry of Fear “is more than a mere thriller . . . [it’s a] hypnotic moonstone of a novel” (The New York Times).
Kaddish Poznan chips the names off gravestones for a living, removing traces of disreputable ancestors for their more respectable kin. His wife Lillian works in insurance, earning money when people live longer than they fear. As Argentina's Dirty War unfolds around them, their sometimes hilarious misadventures are soon replaced by something much darker. A visit to the dreaded Ministry of Special Cases is only the start of Englander's stunning vision of a nation in the hold of corruption and torture, a place where absurdity, despair and hope are the end products of a bureaucracy run out of control.
"Rich and compelling. . .Lynskey’s account of the reach of 1984 is revelatory.” --George Packer, The Atlantic An authoritative, wide-ranging, and incredibly timely history of 1984--its literary sources, its composition by Orwell, its deep and lasting effect on the Cold War, and its vast influence throughout world culture at every level, from high to pop. 1984 isn't just a novel; it's a key to understanding the modern world. George Orwell's final work is a treasure chest of ideas and memes--Big Brother, the Thought Police, Doublethink, Newspeak, 2+2=5--that gain potency with every year. Particularly in 2016, when the election of Donald Trump made it a bestseller ("Ministry of Alternative Facts," anyone?). Its influence has morphed endlessly into novels (The Handmaid's Tale), films (Brazil), television shows (V for Vendetta), rock albums (Diamond Dogs), commercials (Apple), even reality TV (Big Brother). The Ministry of Truth is the first book that fully examines the epochal and cultural event that is 1984 in all its aspects: its roots in the utopian and dystopian literature that preceded it; the personal experiences in wartime Great Britain that Orwell drew on as he struggled to finish his masterpiece in his dying days; and the political and cultural phenomena that the novel ignited at once upon publication and that far from subsiding, have only grown over the decades. It explains how fiction history informs fiction and how fiction explains history.
President Bush has made the war against drugs the number one issue on the contemporary American political agenda. In this revised edition of his classic book, available for the first time in paperback, Edward Jay Epstein argues that the president has adopted the strategy of his forebear, Richard Nixon, in using the drugs war to blame foreigners for the crisis in America’s cities, and to provide a smokescreen for unrelated political activity designed to bolster executive power. The drugs crackdown has seen an almost hundredfold increase in the federal budget for narco-politics in the fifteen years since Agency of Fear was first published, while statistics on drug-running have been massaged. Epstein points out that, despite the massive budgets and public relations brouhaha, drug importation, as measured against wholesale price, has in fact grown.
First published: Heinemann, 1943.