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Factual account, based in part on new evidence, of the still unsolved murder case of Rev. Edward Hall and Mrs. Eleanor Mills which occurred in New Jersey in 1922.
The perfect ingredients for a juicy scandal and fascinating investigation are presented in this masterful graphic novel retelling of an unsolved murder from the 1920s. On the evening of September 14, 1922, Reverend Edward Hall and Mrs. Eleanor Mills take a stroll in the New Brunswick town park. Shots are heard and two days later their bodies are found lying neatly next to each other, love letters strewn around them, and a scarf obscures the fact that Mrs. Mills’ throat has been slit. The two had been involved in an affair and the press hungrily devours the story. No evidence is sufficient to lead to an indictment, so the mystery intensifies with conjecture: Was this a dual suicide? Was this perpetrated by a jealous rival? Four years later the case reopens due to new evidence indicting the reverend’s wife, but she is an upstanding member of the community who vehemently denies that her husband ever had an affair. This is a tragic story told with beguiling relish and expert illustration in a distinctive style fitting of the era.
Publisher's description: Contains a special 75-minute CD of contemporary rehearsal techniques, presented live with real singers.
The Lindbergh kidnapping, the Dutch Schultz murder, the Hurricane Carter case, the Edgard Smith affair involving William F. Buckley, Jr., the slaying of the List family, the shooting of Trooper Philip Lamonaco, the contract killing of Maria Marshall, and the kidnapping and murder of Exxon executive Sidney Reso-all America followed with fascination these terrible crimes committed in New Jersey. These famous New Jersey cases--and fifty-two others, all front-page news in their day--are presented colorfully and concisely in Gerald Tomlinson's Murdered in Jersey, an illustrated look at homicide in the Garden State. For all true crime buffs in and out of New Jersey.
Traces the life of the flamboyant lawyer who made a career of representing unpopular people and causes, including the Chicago Seven, and Leonard Peltier and the American Indian Movement.
"An exhilarating, multi-layered new play."—The Guardian "Stirring and stylishly told . . . McCraney's crispest and most confident work."—Daily News "Greatly affecting. . . . It takes a brave writer to set his language against the plaintive beauty of the hymns and spirituals . . . but McCraney's speech holds its own, locating poetry even in casual vernacular and again demonstrating his gift for simile and metaphor."—The Village Voice The Charles R. Drew Prep School for Boys is dedicated to the creation of strong, ethical black men. Pharus wants nothing more than to take his rightful place as leader of the school's legendary gospel choir, but can he find his way inside the hallowed halls of this institution if he sings in his own key? Known for his unique brand of urban lyricism, Tarrell Alvin McCraney follows up his acclaimed trilogy The Brother/Sister Plays with this affecting portrait of a gay youth trying to find the courage to let the truth about himself be known. Set against the sorrowful sounds of hymns and spirituals, Choir Boy premiered at the Royal Court in London before receiving its Off-Broadway premiere in summer 2013 to critical and popular acclaim. Tarell Alvin McCraney is author of The Brother/Sister Plays: The Brothers Size, In the Red and Brown Water, and Marcus; Or the Secret of Sweet. Other works include Wig Out!, set in New York's drag clubs, and The Breach, which deals with the aftermath of Hurricane Katrina. His awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award.
Why do the books of Chronicles regard the performance of choral music as an integral part of the sacrificial ritual at the temple, despite the lack of sanction for it in the Pentateuch? And why do they stress that it must be synchronized with the presentation of the regular public burnt offering at the temple? These and other questions are answered in this challenging new volume. After an introductory chapter defining the scope of the study as an analysis of the ritual function and theological significance of sacred song, the author examines the divine institution and royal establishment of the Levitical choir in Jerusalem. This is followed by an examination of the components of the Lord's song in terms of its contents, location, times, instruments and performers. A chapter on the function of sacred song as determined by its place within the sacrificial ritual follows, and the fifth chapter deals with its theological significance as the proclamation of the Lord's presence with his people.
This collection of essays, introduced, selected and translated by Gregory D. Alles, aims to broaden the image of Otto available to English readers. It presents previously untranslated writings of Otto the politician, social commentator, and churchman. Also included are Otto's autobiographical reflections and a sampling from his late essays on ethics. In an informative introduction Gregory D. Alles outlines the discussions that Otto's ideas have evoked and traces the impact of Otto's thought on theology and the academic study of religions. He also examines criticisms of Otto's ideas and makes suggestions for future research.