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The Mime Speaks.Secrets of a Man is a different blend of Poetry/Expression.
Published in France in 1987, this is the book in which Lecoq first set out his philosophy of human movement, and the way it takes expressive form in a wide range of different performance traditions. He traces the history of pantomime, sets out his definition of the components of the art of mime, and discusses the explosion of physical theatre in the second half of the twentieth century. Interviews with major theatre practitioners Ariane Mnouchkine and Jean-Louis Barrault by Jean Perret, together with chapters by Perret on Étienne Decroux and Marcel Marceau, fill out the historical material written by Lecoq, and a final section by Alain Gautré celebrates the many physical theatre practitioners working in the 1980s.
This book is about language that is designed to mean what it does not seem to mean. Ciphers and codes conceal messages and protect secrets. Symbol and magic hide meanings to delight or imperil. Languages made to baffle and confuse let insiders talk openly without being understood by thosebeyond the circle.Barry Blake looks at these and many more. He explores the history and uses of the slangs and argots of schools and trades. He traces the centuries-old cants used by sailors and criminals in Britain, among them Polari, the mix of Italian, Yiddish, and slang once spoken among strolling players andcircus folk and taken up by gays in the twentieth century. He examines the sacred languages of ancient cults and religions, uncovers the workings of onomancy, spells, and gematria, looks into the obliqueness of allusion and parody, and celebrates the absurdities of euphemism and jargon.Secret Language takes the reader on fascinating excursions down obscure byways of language, ranging across time and culture. With revelations on every page it will entertain anyone with an urge to know more about the most arcane and curious uses of language.
Secret Manipulations is the first comprehensive study of African register variation, polylectality, and derived languages. It provides a new approach to local language ideologies and concepts of grammar and metalinguistic knowledge.
A futuristic detective novel written in the tradition of an ancient Tibetan form.
Jenna Fischer's Hollywood journey began at the age of 22 when she moved to Los Angeles from her hometown of St. Louis. With a theater degree in hand, she was determined, she was confident, she was ready to work hard. So, what could go wrong? Uh, basically everything. The path to being a professional actor was so much more vast and competitive than she'd imagined. It would be eight long years before she landed her iconic role on The Office, nearly a decade of frustration, struggle, rejection and doubt. If only she'd had a handbook for the aspiring actor. Or, better yet, someone to show her the way—an established actor who could educate her about the business, manage her expectations, and reassure her in those moments of despair. Jenna wants to be that person for you. With amusing candor and wit, Fischer spells out the nuts and bolts of getting established in the profession, based on her own memorable and hilarious experiences. She tells you how to get the right headshot, what to look for in representation, and the importance of joining forces with other like-minded artists and creating your own work—invaluable advice personally acquired from her many years of struggle. She provides helpful hints on how to be gutsy and take risks, the tricks to good auditioning and callbacks, and how not to fall for certain scams (auditions in a guy's apartment are probably not legit—or at least not for the kind of part you're looking for!). Her inspiring, helpful guidance feels like a trusted friend who's made the journey, and has now returned to walk beside you, pointing out the pitfalls as you blaze your own path towards the life of a professional actor.
Essays by Julius Baum, C. G. Jung, C. Kerényi, Hans Leisegang, Paul Masson-Oursel, Fritz Meier, Jean de Menasce, Georges Nagel, Walter F. Otto, Max Pulver, Hugo Rahner, Paul Schmitt, and Walter Wili.
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