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A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.
A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.
The Militant Muse documents what it meant to be young, ambitious and female in the context of an avant-garde movement defined by celebrated men whose educational, philosophical and literary backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s and 1950s, Whitney Chadwick charts five intense, far-reaching female friendships among the Surrealists to show how Surrealism, female friendship and the experiences of war, loss and trauma shaped individual women's transitions from beloved muses to mature artists. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe's subversive activities in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the frontline. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington's lover Max Ernst at the beginning of World War Two, and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s during a difficult stay in Paris, marred by her intense dislike of Breton. Thoroughly engrossing, this history brings a new perspective to the political context of Surrealism, as well as fresh insights on the vital importance of female friendship to its artistic and intellectual flowering. With 85 illustrations
Scholarly analysis of evolving jihadist organisation, strategies, and operation Jihadist militants keep being a global threat. Many observers suggest that a transformation is likely to happen in their organisation, operation, mobilisation, and recruitment strategies, particularly after the territorial decline of the “Caliphate” of the “Islamic State.” This volume explores different aspects of the future trajectories of militant jihadism and the prospective transformation of this movement in and around Europe. The authors analyse the changing jihadist landscape and networks, and the societal challenges posed by both returned foreign terrorist fighters and those who have not returned to their countries of origin. Other topics of discussion are cyber jihadism, jihadist financing, women's position in and relevance for contemporary jihadism, the role of prisons in relation to radicalisation and militancy, and the changing theological dynamics. Based on recent empirical research, Militant Jihadism offers a solid scholarly contribution to various disciplines that study violence, terrorism, security, and extremism.
Cynthia L. Irvin examines two cases of electoral interventions by nationalist organizations engaged in violent political competition: in Northern Ireland and in the Basque provinces of Spain. Through her research, she offers important insights into these insurgent organizations' adoption of different strategies--from armed struggle to parliamentary politics. Book jacket.
A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
Born into slavery during the Civil War, Mary Church Terrell (1863–1954) would become one of the most prominent activists of her time, with a career bridging the late nineteenth century to the civil rights movement of the 1950s. The first president of the National Association of Colored Women and a founding member of the NAACP, Terrell collaborated closely with the likes of Frederick Douglass, Ida B. Wells, and W. E. B. Du Bois. Unceasing Militant is the first full-length biography of Terrell, bringing her vibrant voice and personality to life. Though most accounts of Terrell focus almost exclusively on her public activism, Alison M. Parker also looks at the often turbulent, unexplored moments in her life to provide a more complete account of a woman dedicated to changing the culture and institutions that perpetuated inequality throughout the United States. Drawing on newly discovered letters and diaries, Parker weaves together the joys and struggles of Terrell's personal, private life with the challenges and achievements of her public, political career, producing a stunning portrait of an often-under recognized political leader.
In Militant Citizenship: Rhetorical Strategies of the National Woman's Party, 1913-1920, Belinda A. Stillion Southard explores the ways in which the militant NWP negotiated institutional opposition and secured such a prominent position in national politics.
Born in Buenos Aires in 1899, and reborn in Paris in 1928, Eileen Agar was an artist whose work throughout her long career synthesized elements of the two main art movements of the twentieth century: Cubism and Surrealism. This monograph, the first full account of Agar's complete works, including paintings, collages, photographs and objects, comes at a time when there is a major revival of interest in Surrealism in the UK and worldwide. Drawing on personal conversations with the artist as well as original research, Michel Remy examines the life and work of the artist through-out her long career, from her passage through Cubism and abstraction to Surrealism, as well as her dedicated participation in Surreal-ist activities in England and abroad. Each period is illustrated with many striking images, including rare photographs, and supported by penetrating interpretations. The powerful myth-making drive that underlies Agar's output is revealed, as well the tenderness, humour, poetry, love of nature and the world, subversion of the laws of reality, and celebration of femininity that suffuses each of her works.0.
Japan's Militant Teachers is the first comprehensive English-language analysis of the origin and development of the fundamental issues in this struggle. It is an objective approach to the history of the teacher's movement from its prewar conception, through the birth of Nikkyoso in 1947, to that union's present strength encompassing a large majority of all public school teachers. It is significant that this study was undertaken by a non-Japanese. Professor Duke was accepted with full confidence by all parties in the dispute. His study includes material obtained from many firsthand interviews conducted between 1968 and 1970 with the leaders of Nikkyoso and government representatives form the Ministry of Education. He has thus been able to present an objective accounting without passing judgement. This book examines the problems of Nikkyoso within the greater context of Japanese society. It is a good introduction to, and analysis of, the problems facing organized teacher' movements as well as the problems facing Japanese education as a whole.