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The purpose of this book is to re-examine those basic issues in the study of Midrash which to some extent have been marginalised by trends in scholarship and research. Irving Jacobs asks, for example, whether the early rabbinic exegetes had a concept of peshat, plain meaning, and, if so, what significance they attached to it in their exposition of the biblical text. He enquires if the selection of proemial and proof-texts was a random one, dependent purely upon the art or whim of the preacher, or rather if exegetical traditions linked certain pentateuchal themes with specific sections of the Prophets (and particularly the Hagiographa), which were acknowledged by preachers and audiences alike. As Midrash in its original, pre-literary form, was a living process involving both live preachers and live audiences in the ancient synagogues of the Holy Land, to what extent, he asks, did the latter influence the former in the development of their art and skills?
This innovative and original book examines the broad range of Jewish interpretation from antiquity through the medieval and renaissance periods. Its primary focus is on Midrash and midrashic creativity, including the entire range of nonlegal interpretations of the Bible. Considering Midrash as a literary and cultural form, the book explores aspects of classical Midrash from various angles including mythmaking and parables. The relationship between this exoteric mode and more esoteric forms in late antiquity is also examined. This work also focuses on some of the major genres of medieval biblical exegesis: plain sense, allegory, and mystical.
The author presents English readers with an easily accessible entrance into the world of Midrash, the classical rabbinic literature containing the commentaries of Jewish Tradition's greatest sages and rabbis.
Presenting a systematic approach to the study of midrash, each of the readings presented in this book attempts to reconstruct the reasoning behind midrashic commentary on biblical narrative. The goal of the book is to convey a sensitivity to the language and meanings of the Tanakh, and to develop a reverent appreciation for the language and teachings of the Jewish sages.
This book is a study of rabbinic legal interpretation (midrash) in Judaism’s rabbinic, medieval, and modern periods. It shows how the rise of Reform, Conservative, and Orthodox Judaism in the modern period is tied to distinct attitudes toward the classical Jewish heritage, and specifically, toward rabbinic midrash halakah.
Womanist Midrash is an in-depth and creative exploration of the well- and lesser-known women of the Hebrew Scriptures. Using her own translations, Gafney offers a midrashic interpretation of the biblical text that is rooted in the African American preaching tradition to tell the stories of a variety of female characters, many of whom are often overlooked and nameless. Gafney employs a solid understanding of womanist and feminist approaches to biblical interpretation and the sociohistorical culture of the ancient Near East. This unique and imaginative work is grounded in serious scholarship and will expand conversations about feminist and womanist biblical interpretation.
Brings popular cinema and Jewish religious texts into a meaningful dialogue.
This collection gives the reader a taste of the thousands of stories one can find in the treasure house of rabbinic literature. Some of these stories are humorous, some mysteriuos, some tense with drama or adventure, some filled with the joy of a miracle and the beauty of faith. All of these stories come from either the Talmud or the Midrash. This collection shows that these rabbinical stories are not old and outdated, but alive and timeless, for future generations to continue to enjoy.
Presents stories of heroic individuals from the Talmud and Midrash.
Gunter Stemberger's revision of H. L. Strack's classic introduction to rabbinic literature, which appeared in its first English edition in 1991, was widely acclaimed. Gunter Stemberger and Markus Bockmuehl have now produced this updated edition, which is a significant revision (completed in 1996) of the 1991 volume. Following Strack's original outline, Stemberger discusses first the historical framework, the basic principles of rabbinic literature and hermeneutics and the most important Rabbis. The main part of the book is devoted to the Talmudic and Midrashic literature in the light of contemporary rabbinic research. The appendix includes a new section on electronic resources for the study of the Talmud and Midrash. The result is a comprehensive work of reference that no student of rabbinics can afford to be without.