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"Each of the translations in this book can be read for its own sake or as part of a triptych. By setting excerpts of Brian Merriman's Cuirt an Mhean Oiche within the acoustic of a classical myth (the story of Orpheus and Eurydice), Seamus Heaney provides a new and illuminating context for the eighteenth century Irish poem. For this paperback reissue, the poet has made some revisions in the text of the original Gallery Press edition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
"Good morning America book club"--Jacket.
Rookie homicide detective Louise Rick makes her debut in this thrilling #1 international bestseller that launched 3 million copy bestselling writer Sara Blaedel's incredible career. A young woman is found strangled in a park, and a male journalist has been killed in the backyard of the Royal Hotel in Copenhagen. Detective Louise Rick is put on the case of the young girl, but very soon becomes entangled in solving the other homicide too when it turns out her best friend, journalist Camilla Lind, knew the murdered man. Louise tries to keep her friend from getting too involved, but Camilla's never been one to miss out on an interesting story. And this time, Camilla may have gone too far... Emotionally riveting and filled with unexpected twists, The Midnight Witness is a tour-de-force from international phenomenon Sara Blaedel.
Banned and beloved in equal measure, The Midnight Court is a canonical eighteenth-century text widely considered to be one of the greatest comic Irish poems. Despite its simple storyline, Merriman’s poem addresses a wide range of themes from its satirical treatment of sexuality to its biting social commentary. This volume, the first critical edition, offers readers a fluid translation and five essays that contextualize the poem, making it an ideal text for any student of the poem and eighteenth-century Irish literature.
A New York Times bestseller, The Midnight Assassin is a sweeping narrative history of a terrifying serial killer--America's first--who stalked Austin, Texas in 1885. In the late 1800s, the city of Austin, Texas was on the cusp of emerging from an isolated western outpost into a truly cosmopolitan metropolis. But beginning in December 1884, Austin was terrorized by someone equally as vicious and, in some ways, far more diabolical than London's infamous Jack the Ripper. For almost exactly one year, the Midnight Assassin crisscrossed the entire city, striking on moonlit nights, using axes, knives, and long steel rods to rip apart women from every race and class. At the time the concept of a serial killer was unthinkable, but the murders continued, the killer became more brazen, and the citizens' panic reached a fever pitch. Before it was all over, at least a dozen men would be arrested in connection with the murders, and the crimes would expose what a newspaper described as "the most extensive and profound scandal ever known in Austin." And yes, when Jack the Ripper began his attacks in 1888, London police investigators did wonder if the killer from Austin had crossed the ocean to terrorize their own city. With vivid historical detail and novelistic flair, Texas Monthly journalist Skip Hollandsworth brings this terrifying saga to life.
2003 Christy Award winner! In Saudi Arabia, two American missionaries are targeted by the infamous religious police—Muttawa. The man is tortured and killed; his wife arrested on trumped-up charges before being deported to the United States. Compelled by the injustice of her plight, young attorney Brad Carlson files an unprecedented civil rights suit against Saudi Arabia and the ruthless head of the Muttawa. But the suit unleashes powerful forces that will stop at nothing to vindicate the Arabian kingdom. Witnesses are intimidated and some disappear; jurors are bribed; and a member of Brad’s own team may be attempting to sabotage the case. As Brad navigates a maze of treachery and deception, he must gamble his case, his career, and the lives of those he loves on his ability to bring justice to one family, challenge the religious intolerance of a nation, and alter the course of international law. Directed Verdict is a Christy Award–winning novel.
Fate throws a curveball at the San Francisco ex-husband-and-wife legal team of Mike Daley and Rosie Fernandez, when Mike picks up the phone and hears the voice of Leon Walker. This is not good news-because Walker was the one who ruined their marriage. Years ago, he and his brother participated in a stickup that left a man dead. Through a series of (some said) questionable maneuvers, Mike got the charges dropped, but he and Rosie fought about it all the time and it finally drove a wedge between them. Now, a Silicon Valley venture capitalist has been found dead in a dumpster on San Francisco's skid row. The new murder has been pinned on Walker, but he not only tells Mike he is innocent, he says he is a dying man and doesn't want to go to his grave proclaimed a murderer. Dogged investigation, courtroom nimbleness, and a healthy dose of luck usually have helped Mike before, but it looks like it'll take more than that to prevail this time, and his time is running out-both on his client and, just maybe, on his partnership. Filled with wonderful characters and suspense and more than a touch of humor, Reasonable Doubtis, like the author's first three books, a page-turner.
In this book, Dante, Seamus Heaney and Derek Walcott engage in an eloquent and meaningful conversation. Dante's capacity for being faithful to the collective historical experience and true to the recognitions of the emerging self, the permanent immediacy of his poetry, the healthy state of his language, which is so close to the object that the two are identified, and his adamant refusal to get lost in the wide and open sea of abstraction - all these are shown to have affected, and to continue to affect, Heaney's and Walcott's work. The Flight of the Vernacular, however, is not only a record of what Dante means to the two contemporary poets but also a cogent study of Heaney's and Walcott's attitude towards language and of their views on the function of poetry in our time. Heaney's programmatic endeavour to be "adept at dialect" and Walcott's idiosyncratic redefinition of the vernacular in poetry as tone rather than as dialect - apart from having Dantean overtones - are presented as being associated with the belief that poetry is a social reality and that language is a living alphabet bound to the "opened ground" of the world.