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Can fictions of desire determine real pleasures? Do texts regulate the performance of our sexual identities? In Sexuality and the Reading Encounter Emma Wilson offers a new account of the intimate relations between reading, identity, and identification. Interweaving theoretical debate with analysis of texts by Proust, Duras, Tournier, and Cixous, her study reveals the formative potential and transferential pleasures of the reading encounter. Drawing on an understanding of identity as performative, alienated and fictitious, this study argues that the fictions we read act as mirrors and decoys displaying seductive images of intelligible sexual identities. The texts chosen for discussion here draw attention to the strategies by which identity is constructed textually. They work thus to frame the reading encounter and to highlight its formative power. In analysis of these texts, this study works to cut across the axes of homosexuality and heterosexuality, offering an alternative focus on the interdependence of identity and fantasy.
A contemporary Arabian Nights, the storytellers being the party guests of a couple on the verge of divorce.
Houston, Texas, 1965 Margie Dunsford relishes her role as the leader of the astronaut wives. With her children away and her guests canceling, she faces a terrifying prospect: an entire Thanksgiving weekend alone with her husband. Mitch knows the fire has gone out in his marriage, but he fears if he attempts to reignite it, Margie will freeze him out forever. Now he’s determined to use the distraction-free weekend to win her back. Twenty years of resentments can’t be erased in a few fevered days, and Margie and Mitch will have to learn how to speak with their hearts instead of their hurts if they are going to save their marriage.
In Crossover Fiction, Sandra L. Beckett explores the global trend of crossover literature and explains how it is transforming literary canons, concepts of readership, the status of authors, the publishing industry, and bookselling practices. This study will have significant relevance across disciplines, as scholars in literary studies, media and cultural studies, visual arts, education, psychology, and sociology examine the increasingly blurred borderlines between adults and young people in contemporary society, notably with regard to their consumption of popular culture.
The tube-lipped nectar bat is the pollinator of a pale, bell-shaped flower found in the Ecuadorian cloud forests. First discovered in 2005, the bat is the only known pollinator of a pale, bell shaped flower called Centropogon nigricans . Due to the length of the bloom, no other animal can reach the nectar which rests at the flower’s base. This is the story of one such bat and her nocturnal search for this rare flower whose nectar sustains her.
'Midnight Feast', winner of a Betty Trask Award, is the dark and funny story of love in a convent boarding school. When sixteen year-old Grace arrives at Mayo, she immediately falls for the mercurial and glamorously thin Colette MacSweeney. She soon finds herself descending with Colette into life-threatening anorexia, entangled in the dysfunction that seethes below the surface of Colette's family. This is a new and revised edition."e;A story of charismatic starvation (rather like an anorexic Madchen in Uniform), Evans's prose shimmers somewhere strange and changeable between peculiarly heightened realism and sheer fever."e; - Ali Smith, Times Literary Supplement"e;She'll give the Dublin Boys a good run for their money one day."e; - Amanda Craig, Literary Review"e;Superb"e; - Kate Figes, The Independent on Sunday"e;A nightmarish tale of two convent girls' descent into life-threatening bulimiacommunicates the irrationality of childhood fears and passions as well as the incomprehensible affliction of eating disorders."e; - The Irish Times
For fans of portal fantasies like Jessica Townsend's Nevermoor, Colin Meloy's Wildwood, and The Spiderwick Chronicles by Tony DiTerlizzi and Holly Black, and unlike so many other fantasies that introduce readers to a world of enchantment and wonder, The Midnight Hour is one filled with beasts and monsters for readers looking to shine their flashlights under the covers. When strange late-night letters start arriving at home, Emily's parents set off to investigate. But when her parents disappear completely and Emily is left home alone to face the weird strangers that begin to appear at her door, she takes all of the clues at her disposal and makes for the place where the letters came from -- the mysterious Night Post. What she'll discover is the secret world of the Midnight Hour -- a Victorian London frozen in time, full of magic and monsters. Kept safe by an age-old agreement, the Night Folk have been exiled to a parallel world that can only be accessed by a selected few, including the mail carriers of the infamous Night Post that operate between the two worlds. Emily's parents are key players in keeping the Night Folk safe, but when the division of the two worlds is threatened, Emily must search for her parents while navigating this dark and unknown version of London. Armed only with a packed lunch, her very sleepy pocket hedgehog, and her infamously big argumentative mouth, she must escape bloodthirsty creatures of the night, figure out her own family secrets, and maybe just save the world. This is a frightening and enchanting story, a world built out of creatures from our worst fears who become relatable, fully formed characters unlike any we've seen as these strangers of parallel worlds band together to save the day.
What is a Love Feast? How did the early church celebrate the Love Feast? How might Christians today celebrate the Love Feast? In Recovering the Love Feast, Paul Stutzman addresses these questions, offering a unique blend of liturgical history and practical theology. Part I outlines the history of the Love Feast, noting its prevalence in early church worship, its gradual decline, and its reemergence in the practices of several Pietist groups (e.g., the Moravians, Methodists, and Brethren). Particular focus is given to five elements of the celebration, that is: eucharistic preparation, feetwashing, the fellowship meal, the holy kiss, and the Eucharist proper. In Part II, Stutzman argues that the Love Feast is a valuable Christian practice and a celebration worth recovering in those traditions that may have forgotten the feast. Rather than prescribing a specific method for celebrating the Love Feast, Stutzman proposes that there are five key disciplines that today's Love Feasts should embody: submission, love, confession, reconciliation, and thanksgiving. This book encourages Christians from a range of traditions to experiment with reclaiming the Love Feast, with the hope that each celebration serves as an act of worship to God and an authentic expression of Christian discipleship.
This volume of essays brings together critical analysis and commentary on the literary work of Michel Tournier.