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A Stanford University Press classic.
This book introduces the reader to Robert Govett (1813–1901), dissenting clergyman and author, who wrote as a scholar of biblical prophecy, primarily on the subject of the “exclusion” of believers in the Millennial Kingdom, an idea of which he conceived. The purpose of the book is threefold: (1) to describe Govett, his life, and his printed work; (2) to analyze Govett’s eschatological beliefs, especially those he originated; and (3) to investigate why a respected theologian in England, who had published over 180 books and tracts, disappeared from dissenting print culture early in the twentieth century. Govett’s doctrine of exclusion was heavily intertwined with most of his writings. It was a topic that he developed throughout his career. Yet, as the center of dispensationalism shifted to America, Govett’s views of the Rapture began to be seen as extreme. The book explains why Govett was eclipsed as the center of the evangelical movement shifted and its theology ossified. Since his death, Govett has been occasionally remembered in scholarship, but with increasing inaccuracies and skepticism. This book seeks to remove the mystery.
The Victorian crisis of faith has dominated discussions of religion and the Victorians. Stories are frequently told of prominent Victorians such as George Eliot losing their faith. This crisis is presented as demonstrating the intellectual weakness of Christianity as it was assaulted by new lines of thought such as Darwinism and biblical criticism. This study serves as a corrective to that narrative. It focuses on freethinking and Secularist leaders who came to faith. As sceptics, they had imbibed all the latest ideas that seemed to undermine faith; nevertheless, they went on to experience a crisis of doubt, and then to defend in their writings and lectures the intellectual cogency of Christianity. The Victorian crisis of doubt was surprisingly large. Telling this story serves to restore its true proportion and to reveal the intellectual strength of faith in the nineteenth century.
This book places Dickens and Wilkie Collins against such important figures as John Henry Newman and George Eliot in seeking to recover their response to the religious controversies of mid-nineteenth century England. While much recent criticism has tended to overlook or dismiss their religious pronouncements, this book foregrounds the religious aspect of their writing and relocates their most important work in the context of contemporary debate. The response of both writers is seen to be complex and fraught with tension.
Originally published in 1984, The Image of the Middle Ages in Romantic and Victorian Literature looks at the impact of medievalism in the 18th and 19th centuries and the importance of post-Enlightenment literary religious medievalism. The book suggests that religious medievalism was not a superficial cultural phenomenon and that the romantic spirit with which it was chronologically connected, was intimately associated with the metaphysical. The book suggests that this belief gave birth to the metaphysical yearning and cultural expression of the eighteenth and nineteenth century. The book seeks to clarify the post-Enlightenment relationship between aesthetic culture and ‘aesthetic’ religion, romanticism, medievalism and religious trends.