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Chronicles the day-to-day lives, the fights, and the feuds of the young actresses-turned-glamour queens, includes some of Hollywood's greatest stars, such as Greta Garbo, Joan Crawford, and Elizabeth Taylor, whose careers were charted by MGM
Garbo and Crawford. Ava, Hedy, Judy, Liz epitomized Hollywood's golden era. With a trembling lip or sultry eye, with a tear or song or husky whisper, these women held moviegoers across America in their sway from the hard times of the 1930s through the booming postwar years to the early sixties. They were royalty and box office, and led pampered public lives—furs, jewels, designer gowns; limousines, flash bulbs, handsome escorts—that captured the national imagination. They also signed seven-year contracts with a morals clause, and the more they slipped, the more the secret abortions, efficient cover-ups, legal legerdemain, and dropped charges bound them to the wizard in their Oz, Louis B. Mayer. The slips are here along with the successes. Here, too, are the Blonde Bombshell Jean Harlow, Million-Dollar Mermaid Esther Williams, Sweater Girl Lana Turner, and bad girl Ava Gardner ("She can't act. She can't talk. She's terrific," declared Mayer after her screen test). From Jeanette MacDonald and Norma Shearer to Princess Grace and Dame Elizabeth Taylor, the sixteen portraits in this lively, photograph-filled volume, each accompanied by the star's filmography, tell the tales that have long lay hidden behind the gossip and the glories of Metro-Goldwyn-Mayer's glamorous golden girls.
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Girls on Film: Witty Life Lessons from Alicia Malone #1 Best Seller in Photography Criticism & Essays, Movie Guides & Reviews, Movie Reference With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. This collection celebrates the power of cinema, media, culture and the faces of girls on film. Insiders from a Nerdy Film Lover. Weaving together life lessons with movie history, film reporter Alicia Malone celebrates the power of cinema and the women who shone brightly on the big screen, while also critiquing hidden messages in films. Alicia connects film analysis with her own journey of self-discovery —from growing up as a nerdy film lover in Australia to finding her voice as a woman on television. Each Movie has a Hidden Message. What messages and life lessons have been taken from these movies of the past —positive, negative or sometimes, both? Alicia Malone highlights many films, some with life changing moments and others with a tribute to feminist authors and messages. In this modern approach to film reviews and women, you’ll find essays on: Hidden messaging and life lessons in films The journey of women's history in film Breakdowns on movie stereotypes like the the femme fatale Women nonfiction lovers who enjoyed Where the Girls Are, or feminism books like Extraordinary Women In History, When Women Invented Television, or Renegade Women in Film and TV, will love Girls on Film.
Introduction - Archiving America: sound technology and musical representation - Opera cut short: from the castrato to the film fragment - Selling jazz short: Hollywood and the fantasy of musical agency - Opers and jazz in the score: toward a new spectatorship - Conclusion.
Examines gender roles in contemporary foreign and Hollywood films amid changing social, political, cultural, and economic conditions.
Kaori did all she could to provide for her small family she had. With working as a stripper in Hollywood and living on the Eastside of Compton all her life with her closest two friends Chan and Tissa, her life was hectic. However, this isn’t your typical stripper story, Kaori and her girls find a better paying hustle. Fast cars, good game, and sex appeal brought them millions. After partnering up on a deal of a lifetime with Kaori's boy toy, Kin, their lives changed drastically. Find out when Sin City meets the Eastside girls, Cha, Tissa, and Kaori. These women are determined to make it to the top with no limits, even if it meant death.
This fully revised and updated edition of an award-winning classic traces the history of Hollywood from the silent era to the present day. The Hollywood Storycomprehensively covers every aspect of movie-making in America, taking in nickelodeans, drive-ins and multiplexes; the transition from silent to sound, black and white to color; the relationships of producers, directors, stars and technicians; and the function and output of the studios - their major hits and most expensive flops.
In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler was never considered the popular "delicate beauty," often playing ugly ducklings, old maids, doting mothers, and imperious dowagers. However, Dressler's body, her fearless physicality, and her athletic slapstick routines commanded the screen. Although an unlikely movie star, Dressler represented for Depression-era audiences a sign of abundance and generosity in a time of scarcity. This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie.
Edited by a #1 "New York Times"-bestselling author, this is an inspiring collection of true stories by girls and women, ages 10 to 80, about the obstacles, challenges, and opportunities they've faced because of their gender. Illustrations.