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This book develops a stimulating new way of looking at texts, with case studies from Western and Indian literature.
The Metaphysics presents Aristotle's mature rejection of both the Platonic theory that what we perceive is just a pale reflection of reality and the hardheaded view that all processes are ultimately material. He argued instead that the reality or substance of things lies in their concrete forms, and in so doing he probed some of the deepest questions of philosophy: What is existence? How is change possible? And are there certain things that must exist for anything else to exist at all? The seminal notions discussed in The Metaphysics - of 'substance' and associated concepts of matter and form, essence and accident, potentiality and actuality - have had a profound and enduring influence, and laid the foundations for one of the central branches of Western philosophy.
This book is just what it says it is: A theory of textuality divided into two parts, logical and epistemological.
The Oxford Philosophical Texts series consists of authoritative teaching editions of canonical texts in the History of Philosophy from the ancient world down to modern times. Each volume, issued in a uniform and affordable paperback format, provides a clear, well laid out text together with acomprehensive introduction by a leading specialist, giving the student detailed critical guidance on the intellectual context of the work and the structure and philosophical importance of the main arguments. Endnotes are supplied to expand further on the arguments and explain unfamiliar referencesand terminology, and a full bibliography and index are also included. The series aims to build up a definitive corpus of key texts in the Western philosophical tradition, which will form a reliable and enduring resource for students and teachers alike. This volume contains Leibniz's most important texts, starting with the Discourse on Metaphysics (1686), which marks the beginning of maturity in Leibniz's ideas, and ending with the Monadology (1714), written in response to requests for a systematic, organized account of his overall philosophy. Inbetween fall other key works including the New System of Nature (1695), the Specimen of Dynamics (1695), Nature Itself (1698), and the Principles of Nature and Grace (1714). Also included in the volume are critical reactions to the Discourse and the New System by Leibniz's contemporaries, AntoineArnauld, Pierre Bayle, and Simon Foucher, together with Leibniz's responses. All the texts are newly translated into English for this edition, and each is preceded by a summary explaining its background, structure, and content. Also containing a substantial introduction, notes, and bibliography, the volume offers a comprehensive introduction to Leibniz's philosophy.
Mendelssohn's Philosophical Writings, helped propel its author to the forefront of the Berlin Enlightenment.
A revised edition of the work which presents the most systematic exposition of Malebranche's philosophy.
Establishes new connections between dispositionalism and a variety of debates in contemporary analytic metaphysics and philosophy of science.
Alexander of Aphrodisias's commentary (about AD 200) is the earliest extant commentary on Aristotle's Metaphysics and the most important indirect witness to the Metaphysics text. In this study, Mirjam Kotwick demonstrates how to reconstruct from Alexander's commentary the Metaphysics text Alexander used and how to make use of this ancient version of the Metaphysics for improving the text of our direct manuscript tradition. Moreover, Kotwick investigates how Alexander's commentary may have influenced the transmission of the Metaphysics at various stages. Kotwick's study is the first book-length examination of a commentary as a witness to an ancient philosophical text. This blend of textual criticism and philosophical analysis both expands on existing methodologies in classical scholarship and develops new ones.
Philosophy and literature enjoy a close, complex relationship. Elucidating the connections between these two fields, this book examines the ways philosophy deploys literary means to advance its practice, particularly as a way of life that extends beyond literary forms and words into physical deeds, nonlinguistic expression, and subjective moods and feelings. Exploring thinkers from Socrates and Confucius to Foucault and Simone de Beauvoir, Richard Shusterman probes the question of what roles literature could play in a vision of philosophy as something essentially lived rather than merely written. To develop this vision of philosophy that incorporates literature but seeks to go beyond the verbal to realize the embodied fullness of life and capture its inexpressible dimensions, Shusterman gives particular attention to authors who straddle the literature/philosophical divide: from Augustine and Montaigne through Wordsworth and Kierkegaard to T.S. Eliot, Georges Bataille, Maurice Blanchot, and Bertrand Russell. The book concludes with a chapter on the Chinese art of writing with its mixture of poetry, calligraphy, and painting. Philosophy and the Art of Writing should interest students and researchers in literary theory and philosophy. It also opens the practice of philosophy to people who are not professionals in the writing of philosophy or literary theory.
'Metaphysics' is aimed at students of metaphysics who have already completed an introductory philosophy course. This third edition provides a fresh look at the key topics in metaphysics and includes new chapters on time and causation.