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Representing the world is a puzzling thing. How can it be that mundane events such as processing a thought—and from there putting those thoughts into words—acquire this property of 'aboutness'? How can expressions, which depend on anything from the most fundamental regularities in the universe to trivial matters of gossip, be either true or false? In The Metaphysics of Representation, J. Robert G. Williams tells a story about how representational properties arise out of a fundamentally non-representational world. The representational properties of language are reduced, via convention, to the representational properties of thoughts. The representational properties of thoughts are reduced, via principles of rationalization, to the representational properties of perception and intention. And this most fundamental layer of representation is explained in terms of the functions they have to communicate. Williams integrates work from rival traditions to present a combined perspective in the metaphysics of representation, give new predictions and explanations of representational phenomena, and offer new solutions to long-standing problems.
Representing the world is a puzzling thing. How can it be that mundane events such as processing a thought - and from there putting those thoughts into words - acquire this property of "aboutness"? How can expressions, which depend on anything from the most fundamental regularities in theuniverse to trivial matters of gossip, be either true or false? In The Metaphysics of Representation, J. Robert G. Williams tells a story about how representational properties arise out of a fundamentally non-representational world. The representational properties of language are reduced, viaconvention, to the representational properties of thoughts. The representational properties of thoughts are reduced, via principles of rationalization, to the representational properties of perception and intention. And this most fundamental layer of representation is explained in terms of thefunctions they have to communicate. Williams integrates work from rival traditions to present a combined perspective in the metaphysics of representation, give new predictions and explanations of representational phenomena, and offer new solutions to long-standing problems.
In The Structure of the World, Steven French articulates and defends the bold claim that there are no objects. At the most fundamental level, modern physics presents us with a world of structures and making sense of that view is the central aim of the increasingly widespread position known as structural realism. Drawing on contemporary work in metaphysics and philosophy of science, as well as the 'forgotten' history of structural realism itself, French attempts to further ground and develop this position. He argues that structural realism offers the best way of balancing our need to accommodate the results of modern science with our desire to arrive at an appropriately informed understanding of the world that science presents to us. Covering not only the realism-antirealism debate, the nature of representation, and the relationship between metaphysics and science, The Structure of the World defends a form of eliminativism about objects that sets laws and symmetry principles at the heart of ontology. In place of a world of microscopic objects banging into one another and governed by the laws of physics, it offers a world of laws and symmetries, on which determinate physical properties are dependent. In presenting this account, French also tackles the distinction between mathematical and physical structures, the nature of laws, and causality in the context of modern physics, and he concludes by exploring the extent to which structural realism can be extended into chemistry and biology.
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
The Images of Time presents a philosophical investigation of the nature of time and the mind's ways of representing it. Robin Le Poidevin examines how we perceive time and change, the means by which memory links us with the past, the attempt to represent change and movement in art, and the nature of fictional time. These apparently disparate questions all concern the ways in which we represent aspects of time, in thought, experience, art and fiction. They also raise fundamental problems for our philosophical understanding, both of mental representation, and of the nature of time itself. Le Poidevin brings together issues in philosophy, psychology, aesthetics, and literary theory in examining the mechanisms underlying our representation of time in various media, and brings these to bear on metaphysical debates over the real nature of time. These debates concern which aspects of time are genuinely part of time's intrinsic nature, and which, in some sense, are mind-dependent. Arguably, the most important debate concerns time's passage: does time pass in reality, or is the division of events into past, present, and future simply a reflection of our temporal perspective - a result of the interaction between a 'static' world and minds capable of representing it? Le Poidevin argues that, contrary to what perception and memory lead us to suppose, time does not really pass, and this surprising conclusion can be reconciled with the characteristic features of temporal experience.
First proposed more than 200 years ago, Schopenhauer's extraordinarily prescient metaphysics if understood along the lines thoroughly elucidated and substantiated in this volume offers powerful answers not only to the paradoxes of quantum mechanics, but also to modern philosophical dilemmas such as the hard problem of consciousness which plagues mainstream physicalism, and the subject combination problem which plagues constitutive panpsychism. This invaluable treasure of the Western philosophical canon has eluded us so far because Schopenhauer’s argument has been consistently misunderstood and misrepresented, even at the hands of presumed experts. Hoping to change this situation, Decoding Schopenhauer’s Metaphysics, offers a conceptual framework, a decoding key for unlocking the sense of Schopenhauer’s metaphysical contentions in a way that renders them mutually consistent. With this key in mind, even those who earlier dismissed Schopenhauer’s metaphysics should be able to return to it with fresh eyes and at last grasp its meaning. And for those as yet unacquainted with Schopenhauerian thought, this volume offers a succinct and accessible entry path.
This book asks how we may undertake to represent representation.
This volume offers novel views on the precise relation between reference to an object by means of a linguistic expression and our mental representation of that object, long a source of debate in the philosophy of language, linguistics, and cognitive science. Chapters in this volume deal with our devices for singular reference and singular representation, with most focusing on linguistic expressions that are used to refer to particular objects, persons, or places. These expressions include proper names such as Mary and John; indexicals such as I and tomorrow; demonstrative pronouns such as this and that; and some definite and indefinite descriptions such as The Queen of England or a medical doctor. Other chapters examine the ways we represent objects in thought, particularly the first-person perspective and the self, and one explores a notion common to reference and representation: salience. The volume includes the latest views on these complex topics from some of the most prominent authors in the field and will be of interest to anyone working on issues of reference and representation in thought and language.
Volume 1 of the definitive English translation of one of the most important philosophical works of the 19th century, the basic statement in one important stream of post-Kantian thought.
Our thoughts are meaningful. We think about things in the outside world; how can that be so? This is one of the deepest questions in contemporary philosophy. Ever since the 'cognitive revolution', states with meaning-mental representations-have been the key explanatory construct of the cognitive sciences. But there is still no widely accepted theory of how mental representations get their meaning. Powerful new methods in cognitive neuroscience can now reveal information processing in the brain in unprecedented detail. They show how the brain performs complex calculations on neural representations. Drawing on this cutting-edge research, Nicholas Shea uses a series of case studies from the cognitive sciences to develop a naturalistic account of the nature of mental representation. His approach is distinctive in focusing firmly on the 'subpersonal' representations that pervade so much of cognitive science. The diversity and depth of the case studies, illustrated by numerous figures, make this book unlike any previous treatment. It is important reading for philosophers of psychology and philosophers of mind, and of considerable interest to researchers throughout the cognitive sciences.