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Throughout history, the vision of a new city - the heavenly Jerusalem coming down from heaven - has inspired human beings to dream about community, society, and the world. Acting as an incentive to turn unsatisfied longing into utopian ideas and, ultimately, action, the language of the Apocalypse of John has long inspired human imagination in a highly effective manner. This fact has contributed to its controversial role in the history of New Testament interpretation; its bizarre, often paradoxical language seems to veil, rather than reveal, its message. Interestingly, the Apocalypse has never ceased to be an inspiration for artists: unlike conceptual language, art does not restrict interpretation, but has the power to incite the reader or audience to imagine. Using artistic expression as paradigm, this book examines a central image - the city - as metaphorical material, investigating the dynamic, interpretive process from text to imagination.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Is the establishment of the millennium binding of Satan cohesively linked with Jesus’s victorious battle in the Book of Revelation? This study is the first to answer this frequently debated question from a linguistic perspective.
Pairing depth of scholarship with contemporary application, the authors of From Pentecost to Patmos have produced a unique introductory New Testament textbook. Craig Blomberg and Darlene Seal provide the context and clarity that readers need to better understand Acts through Revelation, showcasing the historical, linguistic, and theological implications found in each book. This second edition includes expanded footnotes and a lengthier, up-to-date introduction to Paul. Newly added review questions, maps, and diagrams enhance the scholarship and make the resource truly user-friendly.
Lynn R. Huber argues that the visionary aspect of Revelation, with its use of metaphorical thinking and language, is the crux of the text's persuasive power. Emerging from a context that employs imagery to promote imperial mythologies, Revelation draws upon a long tradition of using feminine imagery as a tool of persuasion. It does so even while shaping a community identity in contrast to the dominant culture and in exclusive relationship with the Lamb. By drawing upon the work of medieval and modern visionaries, Huber answers a call to examine the way 'real' readers engage with biblical texts. Revealing how Revelation continues to persuade audiences through appeals to the visual and provocative imagery she offers a new sense of how the text metaphorical language simultaneously limits and invites new meaning, unfurling a range of interpretations.
In Revelation 21-22 in Light of Jewish and Greco-Roman Utopianism, Eric J. Gilchrest offers a creative and compelling reading of Revelation 21-22 as understood through the lens of ancient utopianism. The work is in two parts beginning with a detailed portrait of ancient utopianism based on Greco-Roman and Jewish traditions. The portrait sketches the “topography” of the utopian landscape, which includes a thorough account of various traditions using fourteen utopian topoi or motifs. The author then moves to a description of Revelation’s new Jerusalem in light of these two utopian traditions. With sensitivity to how this text would have been read by each utopian perspective, the author constructs a unique reading of a classic passage that highlights the variety of ways the text originally may have been heard.
More than any other New Testament writing the Book of Revelation demands commentary. Its often-bewildering text is easily open to less than scholarly interpretation. Father Harrington brings his scholarship to the Book of Revelation and conveys its Christian message. He puts the work in its historical and social setting 'a first-century CE province of the Roman Empire 'and explores its social and religious background and its literary character. Through Father Harrington we hear clearly the challenge of John, the prophet, to the Churches of his time 'and to ours 'not to compromise the Gospel message.
"With updated bibliography"--Copyright page.
This book, written to honor Ben Witherington III, is a collaborative effort from the New Testament department at Asbury Theological Seminary. Essays are offered by five New Testament faculty and five New Testament students who have completed or are currently in the process of completing the PhD program. It is our hope that readers of this volume, which is divided into five sections and covers the breadth of the New Testament canon, will be encouraged in their own explorations and research of the New Testament, much as Ben and his works have encouraged us. For those who know Ben, they will know the last year or so has been quite a difficult one for him and his family. On Wednesday, January 11, 2012, Christy Ann, the daughter of Ben and Ann, passed on unexpectedly. Today, there exists a scholarship fund in Christy's name, The Christy Ann Witherington Scholarship Fund, at Asbury Theological Seminary, and readers should be aware that 100 percent of the proceeds from this book will go to that scholarship fund to assist female students in Asbury's biblical studies program. Contributors: David R. Bauer Joseph R. Dongell T. Michael W. Halcomb Craig S. Keener Robert Brian Kidwell Susann Liubinskas Fredrick J. Long Jason A. Myers Judith Odor Ruth Anne Reese
Drawing on the cutting edge of modern scholarship, this astonishing book completely undermines the traditional history of Christianity that has been perpetuated for centuries by the Church and presents overwhelming evidence that the Jesus of the New Testament is a mythical figure. “Whether you conclude that this book is the most alarming heresy of the millennium or the mother of all revelations, The Jesus Mysteries deserves to be read.” —Fort Worth Star-Telegram Far from being eyewitness accounts, as is traditionally held, the Gospels are actually Jewish adaptations of ancient Pagan myths of the dying and resurrecting godman Osiris-Dionysus. The supernatural story of Jesus is not the history of a miraculous Messiah but a carefully crafted spiritual allegory designed to guide initiates on a journey of mystical discovery. A little more than a century ago, most people believed that the strange story of Adam and Eve was history; today it is understood to be a myth. Within a few decades, authors Timothy Freke and Peter Gandy argue, we will likewise be amazed that the fabulous story of God incarnate—who was born of a virgin, who turned water into wine, and who rose from the dead—could have been interpreted as anything but a profound parable.