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Papers presented at a symposium Metals in Antiquity held in 1997 at Harvard University, which sought to explore the distribution of metals in the natural environment, and extractive metallurgy and fabrication processes, as well as the social context, use and deposition of artefacts.
The first in-depth study of the field in more than 20 years analyzes the role of various metals in the context of Greek economic life, politics, culture and art, traces the movement of metal from ore to finished objects, including works of art, and shows the relations between the regions where metals were extracted and the centres of metalworking, the structure of the workshops and the connections between them and the role of the workshops in economic life at different stages in Greek history. In doing so it adopts a multidisciplinary approach, defining the role of metals in the history of Greek society using the widest possible variety of sources: the excavated remains of workshops and hoards, archaeometallurgical finds; the results of studies of ancient mines and analyses of ancient metal objects; bronze plastics and jewelry, coins etc. The chronological span of the study is the 8th-1st centuries B.C., i.e. from the beginning of the main period of Greek colonization till the end of the Hellenistic era. The geographical scope of the work is the Greek oikumene. New to most scholars will be Treister's knowledge of objects and technologies in the eastern Greek and Roman world of the Northern Black Sea and Colchis. While this book does not pretend to be a definitive survey of the history of mining and metallurgy in the Greek world, it is a particularly useful interim report.
This book examines archaeometallurgy and the preservation of ancient materials for cultural heritage. Through understanding the internal structures of relevant ancient materials, their chemical composition, resistance, hardness, etc., their conservation can be more effectively addressed. Preserving cultural artifacts, such as those from border sites, funerary contexts (burials), railway lines, ceremonial sites and road infrastructure, is necessary to provide perspective to a culture’s trajectory. This book addresses how Reverse Engineering can disseminate knowledge of a culture’s heritage by offering technology that can help restore artifacts so they may be displayed and utilized as educational objects.
Analysis of Ancient Metals provides a guide to the identification and analysis of ancient metals and alloys. The title details the various analytical methods and procedures in dealing with different metals and alloys. The text first discusses the heterogeneity of ancient metals and the sampling problem, and then proceeds to covering preliminary observations and measurements, qualitative tests, and choice of quantitative method. The next series of chapters details the methods and procedures in the analysis of gold, silver, copper, iron, and steel, as well as various nonferrous metals. The last chapter discusses the concerns in reporting the findings. The book will be of great interest to materials engineers and metallurgists. Archeologists and museologists will also greatly benefit from the text.
David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.
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This volume presents an attempt to argue the role of metals in the history of Greek society using the widest possible variety of sources: the evidence of ancient writers, epigraphical material and archaeological data: the excavated remains of workshops and hoards, archaeometallurgical finds; the results of studies of ancient mines and analyses of ancient metal objects: bronze plastics and jewelry articles, coins etc. The main task of this work is to analyse the role of various metals in the context of Greek economic life, politics, culture and art, to trace the movement of metal from ore to finished the objects, including works of art, to show the relations between the regions where metals were extracted and the centres of metalworking, the structure of the workshops and the connections between them and the role of the workshops in the economic life at the different stages in Greek history. The chronological frame of the study is the 8th-1st centuries BC, i.e. from the beginning of the Great period of Greek colonization till the end of the Hellenistic epoch. The geographical frame of the work is the Greek oikumere.
Excerpt from The Metals in Antiquity: The Huxley Memorial Lecture for 1912 Hence it was that they were able to make full use of the new discovery of metals and at once to produce weapons and implements of bronze as well suited to their special needs as any we could make of that alloy at the present day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.