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Throughout history, the use and workmanship of metal has been closely associated with the very notion of civilization. Never was this connection more apparent than during the Metallurgic Age, which coincided with England's Victorian era and the Gilded Age in America. This era, covering essentially the 19th century, saw unprecedented advances as a passion for technology and learning fueled a period of discovery and of practical application of the sciences. This work explores in depth the connection between Victorian creativity and the advance of engineering. It examines this age of accelerated invention and the evolution of new fields such as metallurgy, automotive engineering, aerodynamics and industrial arts. Numerous unsung inventors--many of whom lost one or more of the frequent patent battles that peppered the era--are remembered here along with the concept of the meta-invention. The result is a revealing look at how metallurgy permeated all areas of Victorian life and affected changes from the kitchen to the battlefield.
This volume examines the relationship between large-scale copper extraction and the development of social complexity in Bronze Age southeastern Arabia, and provides critical new evidence for the production and exchange of copper and tin in wider Western Asia.
Almost fifty years ago J. J. Butler started his research to trace the possible remains of a Bronze Age metalworker's workshop in the Netherlands. Yet, while metalworking has been deduced on the ground of the existence of regional types of axes and some scarce finds related to metalworking, the smith's workplace has remained elusive. In this Research Master Thesis I have tried to tackle this problem. I have considered both the social as well as the technological aspects of metalworking to be able to determine conclusively whether metalworking took place in the Netherlands or not. The first part of the thesis revolves around the social position of the smith and the social organization of metalworking. My approach entails a re-evaluation of the current theories on metalworking, which I believe to be unfounded and one-sided. They tend to disregard production of everyday objects of which the most prominent example is the axe. The second part deals with the technological aspects of metalworking and how these processes are manifested in the archaeological record. Based on evidence from archaeological sites elsewhere in Europe and with the aid of experimental archaeology a metalworking toolkit is constructed. Finally, a method is presented which might help archaeologists recognize the workplace of a Bronze Age smith.
The fifth millennium BCE was a period of rapid social change. One of the key factors was the developments in technology which led to the rise of the metals industry. Archaeological finds from sites dating to the Chalcolithic period indicate the production and use of copper. 'Dawn of the Metal Age' examines a range of sites - from copper mines in Jordan and Israel to the villages of the northern Negev where copper was produced in household workshops, to a series of cave burials where a range of luxury metal goods were buried with the elite members of Chalcolithic society. Ancient technology is reconstructed from the archaeological evidence, which also illuminates the changing economic, social, religious and political environment of the time.
A landmark exploration of the role of metals across Europe and Asia from the Bronze Age to the Industrial Revolution.
Prof. James D. Muhly has enjoyed a distinguished career in the study of ancient history, archaeology, and metallurgy that includes an emeritus professorship at the University of Pennsylvania and a term as director of the American School of Classical Studies at Athens as well as receiving the Archaeological Institute of America's Pomerance Award for Scientific Contributions to Archaeology. In Muhly's honor, a total of 38 eminent scholars have contributed 30 articles that include topics on Bronze and Iron Age metallurgy around the Eastern Mediterranean in such places as Crete, the Cyclades, Cyprus, and Turkey.
The Rise of Metallurgy in Eurasia is a landmark study in the evolution of early metallurgy in the Balkans. It demonstrates that far from being a rare and elite practice, the earliest metallurgy in the world was a common and communal craft activity.
The diverse forms of regional connectivity in the ancient world have recently become an important focus for those interested in the deep history of globalisation. This volume represents a significant contribution to this new trend as it engages thematically with a wide range of connectivities in the later prehistory of the Mediterranean, from the later Neolithic of northern Greece to the Levantine Iron Age, and with diverse forms of materiality, from pottery and metal to stone and glass. With theoretical overviews from leading thinkers in prehistoric mobilities, and commentaries from top specialists in neighbouring domains, the volume integrates detailed case studies within a comparative framework. The result is a thorough treatment of many of the key issues of regional interaction and technological diversity facing archaeologists working across diverse places and periods. As this book presents key case studies for human and technological mobility across the eastern Mediterranean in later prehistory, it will be of interest primarily to Mediterranean archaeologists, though also to historians and anthropologists.
The completely revised Second Edition of Metallurgy for the Non-Metallurgist provides a solid understanding of the basic principles and current practices of metallurgy. This major new edition is for anyone who uses, makes, buys or tests metal products. For both beginners and others seeking a basic refresher, the new Second Edition of the popular Metallurgy for the Non-Metallurgist gives an all-new modern view on the basic principles and practices of metallurgy. This new edition is extensively updated with broader coverage of topics, new and improved illustrations, and more explanation of basic concepts. Why are cast irons so suitable for casting? Do some nonferrous alloys respond to heat treatment like steels? Why is corrosion so pernicious? These are questions that can be answered in this updated reference with many new illustrations, examples, and descriptions of basic metallurgy.
The art of metal casting was imported into Indonesia, but its peoples mastered the secrets of metallurgy, and applied these, in ways often original and unique, to create their own distinctive civilisation of the Bronze-Iron Age. In this handbook, which is a sequal to my The Stone Age of Indo nesia, I have endeavoured to assemble a comprehensive picture of the Indonesian Bronze-Iron Age from the results of excavations, innumerable stray finds in museums, and various studies scattered among numerous scientific journals and periodicals (often difficult to obtain). The resulting picture can, of course, be a tentative one only, valid until many more scientific excavations have taken place. I have added a bibliography, as complete as it was possible to assemble. The completion of this summary of the Prehistory of Indonesia has been assisted by a grant-in-aid from the Wenner Gren Foundation "The Viking Fund", New York. I am grateful to Mr. Basoeki and Mr. Soebokastowo for the drawings of Figures 1, 11, 12, 13, 22 and 16, 23, 24, 25 respectively. Figures 2-10 and 15 were drawn by the well-known artist, the late Mas Pirngadie, and are here published for the first time, with the generous permission of the Board of Directors of the "Bataviaasch Genootschap van Kunsten en Wetenschappen", Djakarta. I am deeply grateful to my brother-in-law, Mr. J. H. Reiseger of Kempston, Bedfordshire, for so willingly undertaking the translation of the Dutch text into English.