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NATIONAL BESTSELLER • Two Egypt experts posit a revolutionary theory: The Sphinx and other great Egyptian monuments are older than common history books tell us and are arranged in such a way as to send us a message from the silent past. Graham Hancock is featured in Ancient Apocalypse, a Netflix original docuseries Guardian of the ancient mysteries, the keeper of secrets . . . For thousands of years the Great Sphinx of Egypt has gazed toward the east, its eyes focused on eternity, reading a message in the stars that mankind has long forgotten. And today as our civilization stands poised at the end of a great cycle, it is a message that beckons insistently to be understood. All the clues are in place. Geology and archeo-astronomy have already indicated that the lion-bodied Sphinx may be vastly older than Egyptologists currently believe, dating not from 2500 B.C., but from 10,500 B.C.—the beginning of the astrological Age of Leo. And we now know that the three pyramids of Giza, standing on high ground half a mile to the west of the Sphinx, are in fact a precise map of the three stars of Orion’s belt, formed in fifteen million tons of solid stone. Are these monuments trying to tell us something? And, if so, what? In The Message of the Sphinx, Robert Bauval and Graham Hancock present a tour de force of historical and scientific detective work that unravels the millennial code embodied in these structures. Using sophisticated computer simulations of ancient skies, they unravel the riddle of the Sphinx, and they present a startling new theory concerning the enigmatic Pyramid Texts and other archaic Egyptian scriptures. Their discoveries lead the authors to this question: Does mankind have a rendezvous with destiny—a rendezvous not in the future, but in the distant past, at a precise place and time? The secrets can be kept no longer. The Message of the Sphinx brings them to light.
FROM THE BESTSELLING AUTHORS OF FINGERPRINTS OF THE GODS AND THE ORION MYSTERY 'An exciting book . . . deservedly a bestseller' SPECTATOR ___________________________________________ In Keeper of Genesis, Graham Hancock and Robert Bauval present a tour de force of historical and scientific detective work: · When and where did history begin? · When was the genesis of civilisation in Egypt? · How and why were the Great Sphinx and the three pyramids of Giza designed to serve as parts of an immense three-dimensional model of the sky of 'First Time'? · What is contained in the rectangular chamber that seismic surveys have located in the bedrock far below the paws of the sphinx? · What lies behind the mysterious doors recently discovered at the end of a previously unexplored shaft inside the Great Pyramid? · Does mankind have a rendezvous with destiny - a rendezvous not in the future, but in the distant past - at a precise place and time? Using sophisticated computer simulations of the ancient skies to crack the millennial code that the monuments transcribe, Bauval and Hancock set out a startling new theory of the Pyramid Texts and other archaic Egyptian scriptures. ___________________________________________ 'Reads like a detective story, with the reader enthusiastically trying to outguess the writers' Literary Review 'Start the book in the early evening and continue uninterrupted till you complete it in the small house. The effect is wonderful . . . Your entire world view has been shifted a hundred yards . . . You fall asleep thinking that nothing will ever be the same again' Sunday Telegraph
The authors of the bestselling Fingerprints of the Gods, The Sign and the Seal, and The Orion Mystery team up to posit a revolutionary theory: that the Sphinx and the other great Egyptian monuments are of prehistoric origina and that they are arranged in such a way as to be a giant stone "hologram, " sending a message to us from the silent past. 16 pp. of photos. 30 line drawings.
New research and evidence that the Sphinx is thousands of years older than previously thought • Contrasts what Egyptologists claim about the Sphinx with historical accounts and new research including reanalysis of seismic studies and updates to Schoch’s water weathering research and Bauval’s Orion Correlation Theory • Examines how the Sphinx is contemporaneous with Göbekli Tepe, aligned with the constellation Leo, and was recarved during the Old Kingdom era of Egypt • Reveals that the Sphinx was built during the actual historical Golden Age of ancient Egypt, the period known in legend as Zep Tepi No other monument in the world evokes mystery like the Great Sphinx of Giza. It has survived the harsh climate of Egypt for thousands of years and will remain long after our own civilization is gone. According to orthodox Egyptology, the Sphinx was built around 2500 BCE as a memorial to the pharaoh Khafre. Yet this “fact” has scant to no supportive evidence. When was the Sphinx really built and, most importantly, why? In this provocative collaboration from two Egyptology outsiders, Robert M. Schoch, Ph.D., and Robert Bauval combine their decades of research to show how the Sphinx is thousands of years older than the conventional Egyptological timeline and was built by a long forgotten pre-Pharaonic civilization. They examine the known history of the Sphinx, contrasting what Egyptologists claim with prominent historical accounts and new research, including updates to Schoch’s geological water weathering research and reanalysis of seismic studies. Building on Bauval’s Orion Correlation Theory, they investigate the archaeoastronomical alignments of the monuments of the Giza Plateau and reveal how the pyramids and Sphinx were built to align with the constellations of Orion and Leo. Analyzing the evidence for a significantly older construction phase at Giza and the restoration and recarving of the Sphinx during the Old Kingdom era, they assert that the Sphinx was first built by an advanced pre-Pharaonic civilization that existed circa 12,000 years ago on the Giza Plateau, contemporaneous with the sophisticated Göbekli Tepe complex. The authors examine how the monuments at Giza memorialize Zep Tepi, the Golden Age of legend shown here to be an actual historical time period from roughly 10,500 BCE through 9700 BCE. Moving us closer to an understanding of the true age and purpose of the Great Sphinx, Schoch and Bauval provide evidence of an early high civilization witnessed by the Great Sphinx before the end of the last ice age.
A landmark literary event: the first novel by a female member of Oulipo in English, a sexy genderless love story.
When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
»The Sphinx Without a Secret« is a short story by Oscar Wilde, originally published in 1891. OSCAR WILDE, born in 1854 in Dublin, died in 1900 in Paris, was an Irish prose writer, playwright, essayist, and poet. Wilde's significance as a symbol for persecuted homosexuals around the world is immeasurable. Wilde himself was sentenced to prison and hard labour, his works were boycotted, theatrical productions were shut down, and he was publicly vilified. The Picture of Dorian Gray [1890] is his most famous work.
Edgar Cayce, the "sleeping prophet" predicted a century ago that records from Atlantis will be found somewhere under the Great Sphinx in Egypt. Independent researcher and author Manu Seyfzadeh takes the reader on an investigative journey to ancient Egypt to explore what it is the ancient Egyptians had to say about this in their own writings. The trail begins with an unusual painting that presents a paradox of history related to the sky. In pursuit of its origin, myth and reality begin to converge leading from the City of Thoth back to the Great Sphinx. The evidence leads to a stunning conclusion: What was under the Sphinx was opened a long time ago. What was taken was a legacy by one no one could have expected and laid the seed of civilization into its cradle by the River Nile.
Via paleontology and ritual cannibalism, Wilson's tour through time and space sets out to reconstruct that ancient knowledge. In a fascinating exploration of the remote depths of history, From Atlantis to the Sphinx takes us from the structure of the pyramids and the purpose of their tortuous interior shafts, to the prehistoric cities of America by way of ancient sea maps apparently showing the outlines of Antarctica before it was covered by ice.