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“The definitive history of the studio” created by the larger-than-life team of Spielberg, Geffen, and Katzenberg (Los Angeles Times). For sixty years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte, who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened. Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often-otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions of dollars, its rich owners get richer, and everybody else suffers. LaPorte displays Geffen, seducing investors like Microsoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is a blockbuster behind-the-scenes Hollywood story—up close, glamorous, and gritty.
The Men Who Would Be Kings is a set of rules designed for fighting historical or Hollywood colonial battles in the mid to late 19th Century, from the Indian Mutiny to the Boxer Rebellion. Large scale colonial clashes tended to be one-sided affairs, but there are countless reports of brief, frantic skirmishes in every colonial war, where either side could be victorious, and these are the battles that The Men Who Would Be Kings seeks to recreate. Although focusing on the British colonial wars against the Zulus, Maoris and others, these rules will also permit players to explore the empires of France, Germany, and other nations, as well as allowing for battles between rival native factions. Gameplay is very simple, and is driven by the quality of the officers leading your units, in the true spirit of Victorian derring-do and adventure, where larger than life characters such as the (real) Fred Burnaby and the (fictional) Harry Flashman led their troops to glory and medals or a horrible end at the point of a spear tip.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The untold story of the nineteenth-century American Quaker who tried to build a kingdom in Afghanistan: “A thrilling real-life yarn.” —Booklist In the year 1838, a young adventurer, surrounded by his native troops and mounted on an elephant, raised the American flag on the summit of the Hindu Kush in the mountainous wilds of Afghanistan. He declared himself Prince of Ghor, Lord of the Hazarahs, spiritual and military heir to Alexander the Great. The true story of Josiah Harlan, a Pennsylvania Quaker and the first American ever to enter Afghanistan, has never been told before, yet the life and writings of this extraordinary man echo down the centuries. This “riveting, scrupulously researched” book reveals the full history behind the renowned Rudyard Kipling short story and John Huston’s film classic (The New York Times Book Review). “One of the most remarkable discoveries in the history of biography.” —The New York Review of Books “Macintyre recounts Harlan’s travels with dispatch, and draws on unpublished journals to let his subject’s voice seep through.” —The New Yorker “Here is a writer who seems as taken as I am with crackpottery, delusion, grandiosity, chicanery, and impersonation, but who manages to write about it all with amused restraint, without, that is, the air of the ogler.” —The Boston Globe “Macintyre gives readers both Harlan’s story and a thought-provoking perspective on the history of superpower intervention in Afghanistan . . . Harlan’s story alone is fascinating, but its resonance with modern-day struggles—Harlan urging the British to try ‘fiscal diplomacy’ (i.e., gold) instead of ‘invading and subjugating an unoffending people’—makes it compelling.” —Publishers Weekly
"When young Josiah Penn Stockbridge accepts the position as aide-de-camp to George Washington at the beginning of the Revolutionary War, he thinks only of the glory and romance of battle. He is unprepared for the reality of America's bloody fight for independence. The Continental Army is starving, underpaid, and dangerously close to mutiny, and Washington fights not just to defeat the British but to maintain order and morale among his own men. As anonymous letters by officers calling for revolt circulate through camp in Newburgh, New York, Washington must make a choice: preserve the young republic by keeping civilian control of the military, or reshape the new government by standing in solidarity with his troops and assuming greater power for himself. During one fateful week in American history, Josiah will watch a conflicted general become a legend and will discover for himself that the greatest struggles of war are those within the hearts and minds of fallible men."--Page 4 of cover.
Rudyard Kipling is one of the most magical storytellers in the English language. This new selection brings together the best of his short writings, following the development of his work over fifty years. They take us from the harsh, cruel, vividly realized world of the 'Indian' stories that made his name, through the experimental modernism of his middle period to the highly-wrought subtleties of his later pieces. Including the tale of insanity and empire, 'The Man Who Would Be King', the high-spirited 'The Village that Voted the Earth Was Flat', the fable of childhood cruelty and revenge 'Baa Baa, Black Sheep', the menacing psychological study 'Mary Postgate' and the ambiguous portrayal of grief and mourning in 'The Gardener', here are stories of criminals, ghosts, femmes fatales, madness and murder.
This anthology of tales by Rudyard Kipling contains some of the most memorable and popular examples of the genre of which he is an undisputed master. The Man Who would be King (later adapted as a spectacular film) is a vivid narrative of exotic adventure and disaster.
In 1943 the BBC broadcast a series of radio dramas by Dorothy L. Sayers on the life and ministry of Jesus which would go on to become her most beloved works. In this new annotated edition, scholar Kathryn Wehr brings fresh insights to the plays, their background, Sayers's creative process, and the ongoing significance of the life of Christ today.
No cultural phenomenon of the 1970s and 1980s in Britain was more curious than the Raj revival, with its slew of films and fictions, its rage for memorabilia of imperial rule in India, and its strange nostalgia for a time and a world long since past. Today, with the arrival of so-called postcolonial studies, that revival lives on in a strange afterlife of critical study. Writing some years before Raj nostalgia became all the rage, and out of the rather different political and intellectual climate of 1960s national liberation struggles, Benita Parry produced what remains one of the landmark studies of British attitudes towards India. Available for the first time in Paper, Delusions and Discoveries authoritatively surveys the mix of racist and jingoistic prejudices that dominated the writings of Anglo-Indians from Flora Annie Steele and Maud Diver to Kipling and beyond. The book also includes treatments of more liberal thinkers like Edmund Candler, Edward James Thompson and E. M. Forster, as well as a new preface by the author situating her work in relation to recent studies of the culture of colony and empire.