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He thought he'd return from Hell a hero. But things are never easy when your business is Death. Steven de Selby gave up his love, his life, and his lucrative position as Head of Mortmax, the corporation in charge of Death. Then he found himself banished to the briny depths of hell. But hell has never held him before ... Now Steven's back from hell, after escaping from the cruel Death of the Water, but he's not sure how or why, or even if. No one at Mortmax trusts him, and he's running out of time to prove he is who he says he is. Steven is about to discover that hell really is other people, and the worst of them may well be himself.
#1 New York Times bestselling author J. D. Robb presents a memorable tale of suspense set in 2059 New York City, as Lieutenant Eve Dallas walks a tightrope between her professional duties and her private demons. Eve Dallas is one tough cop. It should take more than a seemingly ordinary middle-aged lady to make her fall apart. But when that lady is Trudy Lombard, all bets are off. Just seeing Trudy at the station plunges Eve back to the days when she was a vulnerable, traumatized young girl—and trapped in foster care with the twisted woman who now sits smiling in front of her. Trudy claims she came all the way to New York just to see how Eve is doing. But Eve’s fiercely protective husband, Roarke, suspects otherwise—and a blackmail attempt by Trudy proves his suspicion correct. Eve and Roarke just want the woman out of their lives. But someone else wants her dead. And when her murder comes to pass, Eve and Roarke will follow a circuitous and dangerous path to find out who turned the victimizer into a victim.
- How do the living maintain ongoing relationships with the dead in Western societies? - How have the residual belongings of the dead been used to evoke memories? - Why has the body and its material environment remained so important in memory-making? Objects, images, practices, and places remind us of the deaths of others and of our own mortality. At the time of death, embodied persons disappear from view, their relationships with others come under threat and their influence may cease. Emotionally, socially, politically, much is at stake at the time of death. In this context, memories and memory-making can be highly charged, and often provide the dead with a social presence amongst the living. Memories of the dead are a bulwark against the terror of forgetting, as well as an inescapable outcome of a life's ending. Objects in attics, gardens, museums, streets and cemeteries can tell us much about the processes of remembering. This unusual and absorbing book develops perspectives in anthropology and cultural history to reveal the importance of material objects in experiences of grief, mourning and memorializing. Far from being ‘invisible', the authors show how past generations, dead friends and lovers remain manifest - through well-worn garments, letters, photographs, flowers, residual drops of perfume, funerary sculpture. Tracing the rituals, gestures and materials that have been used to shape and preserve memories of personal loss, Hallam and Hockey show how material culture provides the deceased with a powerful presence within the here and now.
This volume challenges boundaries between traditional academic disciplines and utilizes current approaches in Scholarship. It-highlights how death was interwoven with Roman life and brings together diverse evidence such is poetry, oratory, portraiture, epigraphy, and funerary monuments. These chapters individually and collectively demonstrate the significance of studying the evidence for Roman death and death rituals, and how concerns for memory and mourning both shaped and were reflected in that evidence. --Book Jacket.
Through extensive field observation and structured interviews with NYPD officers, Henry reveals patterns of psychological transformation and social consequences of police encounters with death.
An expert in nonverbal communication tackles the science of smiles and their extraordinary social impact. When someone smiles, the effects are often positive: a glum mood lifts; an apology is accepted; a deal is struck; a flirtation begins. But not all smiles are equally benign: a rival grins to get under your skin; a bully's smirk unsettles his mark. Who flashes more fake smiles, popular kids or unpopular kids? Is it good or bad when a bereaved person smiles? Much more than cheerful expressions, smiles are social acts with powerful consequences. Drawing on her research conducted at Yale University and Boston College as well as the latest studies in psychology, medicine, anthropology, biology, and computer science, Marianne LaFrance explores the compelling science behind the smile, revealing that this familiar expression is not as simple as it first may seem. Her groundbreaking work shows how the smile says much more than we realize—or care to admit. To read this book is to learn just how much the smile influences our lives and our relationships.
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.