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This edition is the first to reproduce John Addington Symonds's Memoirs in its entirety. It offers a panoramic view of middle-class Victorian life, shedding light upon sexual cultures and life histories too often hidden from history. Symonds (1840-93) began writing his Memoirs in 1889. It was, he confessed, 'a foolish thing to do.' Symonds was a respected man of letters, an historian, translator, essayist and poet; he was also married with children. But rather than unfold a simple tale of public and private achievement, the Memoirs record his struggle to reconcile his homosexuality with these professional and familial identities. His autobiography offers a confessional account of relationships beyond the accepted bounds of nineteenth-century social mores, presenting an alternative case study that contests the legal and medical authorities that would label his desires a crime or disease. Yet being so eloquent on matters of heterodox sexuality, the Memoirs were suppressed. The manuscript survives because Symonds recognised its import, however 'foolish': he instructed his literary executor to preserve the text, a duty ultimately discharged by placing the manuscript under embargo in the care of the London Library.
Autobiografisch werk van John Addington Symonds (1840-1893), een van de eersten in Engeland die een verdediging van homoseksualiteit durfde te schrijven.
Reproduction of the original: A Problem in Greek Ethics by John Addington Symonds
Focusing on the representation of same-sex desire in Victorian autobiographical writing, Oliver Buckton offers significant new readings of works by such influential 19th-century writers as Edward Carpenter, John Henry Newman, John Addington Symonds, and, in an epilogue, E.M. Forster, and reveals the "confessional" elements of their writings.
Outrages: Sex, Censorship, and the Criminalization of Love
"I was born a boy, raised as a girl. . . . One may raise a healthy boy in as womanish a manner as one wishes, and a female creature in as mannish; never will this cause their senses to remain forever reversed." So writes the pseudonymous N. O. Body, born in 1884 with ambiguous genitalia and assigned a female identity in early infancy. Brought up as a girl, "she" nevertheless asserted stereotypical male behavior from early on. In the end, it was a passionate love affair with a married woman that brought matters to a head. Desperately confused, suicidally depressed, and in consultation with Magnus Hirschfeld, one of the most eminent and controversial sexologists of the day, "she" decided to become "he." Originally published in 1907 and now available for the first time in English, Memoirs of a Man's Maiden Years describes a childhood and youth in Kaiser Wilhelm's Germany that is shaped by bourgeois attitudes and stifled by convention. It is, at the same time, a book startlingly charged with sexuality. Yet, however frank the memoirist may be about matters physical or emotional, Hermann Simon reveals in his afterword the full extent of the lengths to which N. O. Body went to hide not just his true name but a second secret, his Jewish identity. And here, Sander L. Gilman suggests in his brilliant preface, may lie the crucial hint to solving the real riddle of the ambiguously gendered N. O. Body.
Explores Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. A selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility.