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A series of adventures wilder and more fantastic than the wildest of romances, written down with the exactitude of a business diary; a view of men and cities from Naples to Berlin, from Madrid and London to Constantinople and St. Petersburg; the 'vie intime' of the eighteenth century depicted by a man, who to-day sat with cardinals and saluted crowned heads, and tomorrow lurked in dens of profligacy and crime; a book of confessions penned without reticence and without penitence; a record of forty years of "occult" charlatanism; a collection of tales of successful imposture, of 'bonnes fortunes', of marvellous escapes, of transcendent audacity, told with the humour of Smollett and the delicate wit of Voltaire. Who is there interested in men and letters, and in the life of the past, who would not cry, "Where can such a book as this be found?" Yet the above catalogue is but a brief outline, a bare and meager summary, of the book known as "THE MEMOIRS OF CASANOVA"; a work absolutely unique in literature. He who opens these wonderful pages is as one who sits in a theatre and looks across the gloom, not on a stage-play, but on another and a vanished world. Giacomo Casanova (1725-1798) was an Italian adventurer and author from the Republic of Venice. He often signed his works Jacques Casanova de Seingalt after he began writing in French following his second exile from Venice. He has become so famous for his often complicated and elaborate affairs with women that his name is now synonymous with "womanizer". He associated with European royalty, popes and cardinals, along with luminaries such as Benjamin Franklin, Voltaire, Goethe, and Mozart.
Award-winning translation of the complete memoirs of Casanova available for the first time in paperback. In volumes 5 and 6, Casanova brings his flight from the Inquisitor's prison in Venice to a happy conclusion. Exiled from Venice, he goes to Munich and Paris, where he establishes himself as a cabalist, makes a fortune in Holland, helps start the French State Lottery, goes on to Switzerland where he meets Voltaire. Because every previous edition of Casanova's Memoirs had been abridged to suppress the author's political and religious views and tame his vivid, often racy, style, the literary world considered it a major event when Willard R. Trask's translation of the complete original text was published in six double volumes between 1966 and 1971. Trask's award-winning translation now appears in paperback for the first time.
A series of adventures wilder and more fantastic than the wildest of romances, written down with the exactitude of a business diary; a view of men and cities from Naples to Berlin, from Madrid and London to Constantinople and St. Petersburg; the 'vie intime' of the eighteenth century depicted by a man, who to-day sat with cardinals and saluted crowned heads, and tomorrow lurked in dens of profligacy and crime; a book of confessions penned without reticence and without penitence; a record of forty years of "occult" charlatanism; a collection of tales of successful imposture, of 'bonnes fortunes', of marvellous escapes, of transcendent audacity, told with the humour of Smollett and the delicate wit of Voltaire. Who is there interested in men and letters, and in the life of the past, who would not cry, "Where can such a book as this be found?" Yet the above catalogue is but a brief outline, a bare and meager summary, of the book known as "THE MEMOIRS OF CASANOVA"; a work absolutely unique in literature. He who opens these wonderful pages is as one who sits in a theatre and looks across the gloom, not on a stage-play, but on another and a vanished world. Giacomo Casanova (1725-1798) was an Italian adventurer and author from the Republic of Venice. He often signed his works Jacques Casanova de Seingalt after he began writing in French following his second exile from Venice. He has become so famous for his often complicated and elaborate affairs with women that his name is now synonymous with "womanizer". He associated with European royalty, popes and cardinals, along with luminaries such as Benjamin Franklin, Voltaire, Goethe, and Mozart.
“Sexy, surprising, funny, insightful, and wildly entertaining” (Huffington Post)—the definitive biography of Giacomo Casanova, the impoverished boy who became the famous writer, notorious libertine, and self-invented genius in decadent eighteenth-century Europe. Today, “Casanova” is a synonym for “great lover,” yet the real story of this remarkable figure is little known. A figure straight out of a Henry Fielding novel, Giacomo Casanova was erotic, brilliant, impulsive, and desperate for recognition; a self-destructive genius. Over the course of his lifetime, he claimed to have seduced more than one hundred women, among them married women, young women in convents, girls just barely in their teens, women of high and low birth alike. Abandoned by his mother, an actress and courtesan, Casanova was raised by his illiterate grandmother, coming of age in a Venice filled with spies and political intrigue. He was intellectually curious and read forbidden books, for which he was jailed. He staged a dramatic escape from Venice’s notorious prison, I Piombi, the only person known to have done so. He then fled to France, ingratiated himself at the royal court, and invented the national lottery that still exists to this day. He crisscrossed Europe, landing for a while in St. Petersburg, where he was admitted to the court of Catherine the Great. He corresponded with Voltaire and met Mozart and Lorenzo da Ponte—assisting them as they composed the timeless opera Don Giovanni. And he wrote what many consider the greatest memoir of the era, the twelve-volume Story of My Life. Laurence Bergreen’s Casanova recounts this astonishing life in rich, intimate detail, and at the same time, paints a dazzling portrait of eighteenth-century Europe, filled with a cast characters from serving girls to kings and courtiers, “great fun for any history lover” (Kirkus Reviews).
Giacomo Casanova's 'The Memoirs of Casanova' is a seminal work that delves deep into the intricacies of 18th-century European society, providing readers with an intimate glimpse into the life of one of history's most notorious figures. Written in a candid and unapologetic literary style, Casanova's memoirs are a fascinating blend of adventure, romance, and scandal. This premium illustrated edition combines all six volumes into a comprehensive and engaging read for those interested in the complexities of social interactions and personal relationships in the Enlightenment era. Casanova's vivid descriptions of his escapades and encounters with aristocrats, artists, and outlaws offer a unique perspective on the cultural and moral climate of his time, making this collection a valuable resource for scholars and history enthusiasts alike. Giacomo Casanova, a skilled writer and notorious libertine, drew inspiration from his own experiences and relationships to create a compelling narrative that continues to captivate readers with its intriguing blend of fact and fiction. His ability to blend wit, charm, and intelligence shines through in his writing, making 'The Memoirs of Casanova' a timeless classic that appeals to a wide range of audiences seeking to explore the complexities of human nature and desire. I highly recommend this premium illustrated edition to anyone interested in delving deep into the fascinating world of 18th-century Europe through the eyes of one of its most enigmatic and captivating figures.
The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
The surprising story of the relationship between experimental poetry and literary studies. In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), the book traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets.
A definitive profile of the eighteenth-century Venetian adventurer Giacomo Casanova, whose name has become a synonym for seduction, looks at history's most famous lover from a female perspective, throwing light on a dangerous and beguiling man, as seen through the eyes of the women who loved him.