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This memoir by empress Farah Pahlavi looks back on her reign over an Iran so modern it is unrecognizable today--written just a few years before the Islamic Revolution of 1979. "Beautifully written, intelligent and insightful, the memoirs of Farah Diba Pahlavi open a window on the life of one of the great women of our time and offer a unique perspective on the extraordinary country over which she and her husband reigned before darkness fell." --Bob Colacello, founding editor Interview magazine At the time I wrote my memoir, I had no idea what was to come . . . Empress Farah Pahlavi was the first crowned empress of Iran, little did she know she would also be the last. This memoir was written in 1976, at the height of her reign on the glittering peacock throne. The candid words reveal her vision for a better Iran, without any idea of what history would bring--the end of the fairy tale. Farah Pahlavi helped usher in a modern Iran now lost to the sands of time.
How a unique alliance between two women in the 1970s led to the acquisition of a treasure trove of modern art now worth billions In the 1970s, American curator Donna Stein served as the art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection--most of which continues to languish in storage--is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and Iis a vivid account of Stein's experience at the helm of this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world.
“A fascinating novel, similar to Arthur Golden’s Memoirs of a Geisha . . . A revisionist portrait of a beautiful and strong-willed woman” (Houston Chronicle). A San Francisco Chronicle Best Book of the Year From Anchee Min, a master of the historical novel, Empress Orchid sweeps readers into the heart of the Forbidden City to tell the fascinating story of a young concubine who becomes China’s last empress. Min introduces the beautiful Tzu Hsi, known as Orchid, and weaves an epic of the country girl who seized power through seduction, murder, and endless intrigue. When China is threatened by enemies, she alone seems capable of holding the country together. In this “absorbing companion piece to her novel Becoming Madame Mao,” readers and reading groups will once again be transported by Min’s lavish evocation of the Forbidden City in its last days of imperial glory and by her brilliant portrait of a flawed yet utterly compelling woman who survived, and ultimately dominated, a male world (The New York Times). “Superb . . . [An] unforgettable heroine.” —People “A sexually charged, eye-opening portrayal of the Chinese empire . . . with heart-wrenching scenes of desperate failure and a sensuality that rises off its heated pages.” —Elle
At the end of what is (she cannot help observing) an extraordinary life, Elisabeth Rother has decided to write her memoirs. She brushes aside her narrow escape with her Jewish husband from the Nazis, and the perilous voyage to the New World of New Jersey. The subject that really consumes her is the waywardness of her impossible daughter, Renate, and her granddaughter, Irene. Renate performs autopsies on the bodies of politicians whom death has harvested in the nighttime arms of their mistresses. Worse, she sleeps on unironed sheets. Irene drops out of school to roam the world, refuses to correct her nose with plastic surgery, and shows alarming signs of enjoying sex. What is to be done with such women? A curiously touching love letter to the difficult but sustaining love of mothers and daughters, The Empress of Weehawken is a masterpiece of comedy with an unexpected lilt of redemption at its close.
Two women vie to change their destinies after Emperor Napoleon Bonaparte orders marriage to a princess he hopes will bear him a royal heir in this compelling novel from the internationally bestselling author of Nefertiti and Cleopatra’s Daughter. “A fascinating tale that won’t soon be forgotten.”—Times Record News After the bloody French Revolution, Emperor Napoleon’s power is absolute. When eighteen-year-old Marie-Louise is told that the emperor has demanded her hand in marriage, her father presents her with a terrible choice: marry the cruel, capricious Napoleon, or refuse and plunge her country into war. To save her father’s throne, Marie-Louise is determined to be a good wife. But at the extravagant French court, she finds many rivals for her new husband’s affection, including Napoleon’s sister Pauline, who is fiercely jealous, utterly uncontrollable, and the only woman as ambitious as the emperor himself. When war once again sweeps the Continent and bloodshed threatens Marie-Louise’s family, the second empress is forced to make choices that will determine her place in history—and change the course of her life.
The Gorilla Man and the Empress of Steak is the story of two larger-than-life characters and the son whom their lives helped to shape. Ruth Fertel was a petite, smart, tough-as-nails blonde with a weakness for rogues, who founded the Ruth's Chris Steak House empire almost by accident. Rodney Fertel was a gold-plated, one-of-a-kind personality, a railbird-heir to wealth from a pawnshop of dubious repute just around the corner from where the teenage Louis Armstrong and his trumpet were discovered. When Fertel ran for mayor of New Orleans on a single campaign promise-buying a pair of gorillas for the zoo-he garnered a paltry 308 votes. Then he purchased the gorillas anyway! These colorful figures yoked together two worlds not often connected-lazy rice farms in the bayous and swinging urban streets where ethnicities jazzily collided. A trip downriver to the hamlet of Happy Jack focuses on its French-Alsatian roots, bountiful tables, and self-reliant lifestyle that inspired a restaurant legend. The story also offers a close-up of life in the Old Jewish Quarter on Rampart Street-and how it intersected with the denizens of “Back a' Town,” just a few blocks away, who brought jazz from New Orleans to the world. The Gorilla Man and the Empress of Steak is a New Orleans story, featuring the distinctive characters, color, food, and history of that city-before Hurricane Katrina and after. But it also is the universal story of family and the full magnitude of outsize follies leavened with equal measures of humor, rage, and rue.
Empress Catherine II brought Europe to Russia, and Russia to Europe, during her long and eventful reign (1762—96). She fostered the culture of the Enlightenment and greatly expanded the immense empire created by Czar Ivan the Terrible, shifting the balance of power in Europe eastward. Famous for her will to power and for her dozen lovers, Catherine was also a prolific and gifted writer. Fluent in French, Russian, and German, Catherine published political theory, journalism, comedies, operas, and history, while writing thousands of letters as she corresponded with Voltaire and other public figures. The Memoirs of Catherine the Great provides an unparalleled window into eighteenth-century Russia and the mind of an absolute ruler. With insight, humor, and candor, Catherine presents her eyewitness account of history, from her whirlwind entry into the Russian court in 1744 at age fourteen as the intended bride of Empress Elizabeth I’s nephew, the eccentric drunkard and future Peter III, to her unhappy marriage; from her two children, several miscarriages, and her and Peter’s numerous affairs to the political maneuvering that enabled Catherine to seize the throne from him in 1762. Catherine’s eye for telling details makes for compelling reading as she describes the dramatic fall and rise of her political fortunes. This definitive new translation from the French is scrupulously faithful to her words and is the first for which translators have consulted original manuscripts written in Catherine’s own hand. It is an indispensable work for anyone interested in Catherine the Great, Russian history, or the eighteenth century.