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This volume traces the impact of industrial development and decline on the valley and its people. It details changing patterns of work and society, the creation of new settlements and the pivotal role of the river in all aspects of village life reflecting two centuries of change and upheaval.
This volume presents a study of the central and lower Medway valley during the 1st millennium AD, focussing on the 1962–1976 excavation of the Eccles Roman villa and Anglo-Saxon cemetery directed by Alex Detsicas. The author gives an account of the long history of the villa, and a reassessment of the architectural evidence which Detsicas presented.
Dr Simon Elliott describes eight of the greatest, most decisive of the Roman Empire of the first to third centuries. The list includes battles fought from the highlands of Scotland and the forests of Germany to the deserts of the Middle East. They show how the vaunted Roman legions adapted to extremes of terrain and climate as well as a wide array of very different foes, from the wild Caledonian tribes to the sophisticated, combined-arms armies of Sassanid Persia with their war elephants and superb cavalry. Some of the battles even pit the Roman legions against their own kind in brutal civil wars. After an introductory chapter on the Imperial Roman army, detailing its organization, equipment, tactics and doctrine, the author moves on to describing each battle in detail. He sets the strategic context and background of the chosen engagement before analysing the size and composition of the opposing forces, also detailing the nature of the enemy faced. The manoeuvres leading up to the battle are described, followed by deployment and the course of the fighting itself. Finally, the aftermath and implications of the battles outcome are assessed. The well-researched and engaging text is supported by clear maps.
The Records of Early English Drama (REED) series aims to establish the context for the great drama of Shakespeare and his contemporaries by examining the historical manuscripts that provide external evidence of drama, secular music, and other communal entertainment and ceremony from the Middle Ages until Puritan legislation closed the London theatres in 1642. REED's sixteenth collection, Kent: Diocese of Canterbury contains the evidence of dramatic, musical, and ceremonial activity in the city of Canterbury and in the towns and parishes of the diocese of Canterbury, taken from the borough records, parish records, civil and ecclesiastical court records, and from personal papers such as wills, diaries, and letters. This collection includes over 4,000 payments to travelling players from the earliest recorded payment in 1272, when the monks of Christ Church, Canterbury, paid for entertainment on the feast day of St Thomas Becket, to the last recorded payment in 1641 in Puritan Canterbury for players not to play. It also features the Canterbury marching watch with pageants, including the pageant of St Thomas Becket; the New Romney passion play; numerous visits of nobility and royalty to Faversham, Canterbury, and Dover, being the main stops along Watling Street between London and the Continent; the activities of waits, drummers, and other civic musicians in the ancient towns and cities of Kent; and extensive evidence from court cases, borough ordinances, and chamberlains' payments of the suppression of dramatic activity during the Puritan years of the late sixteenth and seventeenth centuries. As with all the REED volumes, Kent Diocese of Canterbury is transcribed from the original sources, edited, and presented with explanatory notes, translations, and a general introduction. The resulting volume forms the largest collections thus far in the REED series.