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A study of the public fascination with spiritualism and psychical research in Victorian and Edwardian times.
The cult classic zombie graphic novel: now a Netflix original series! You wake up in the rubble and see a ragged, desperate one-armed man greeting you. He takes you underground to a safe space, feeds you, offers you a place to sleep, and then announces that he’ll take the first watch. It’s not long before the peril of the jagged landscape has located you and your new-found protector and is scratching at the door. What transpires is a moment-to-moment struggle for survival-The Road meets Dawn of the Dead. Daybreak is seen through the eyes of a silent observer as he runs from the shadows of the imminent zombie threat. Brian Ralph slowly builds the tension of the zombies on the periphery, letting the threat-rather than the actual carnage-be the driving force. The post-apocalyptic backdrop features tangles of rocks, lumber, I beams, and overturned cars that are characters in and of themselves. Drawing inspiration from horror movies, television, and first-person shooter video games, Daybreak departs from zombie genre in both content and format, achieving a living-dead masterwork of literary proportions. When released in 2011, Daybreak was a critical success, a YALSA Great Graphic Novel for Teens, and a TLA Maverick Graphic Novel. Now for the first time, Daybreak is being adapted into a Netflix Original series, executive produced by Aron Eli Coleite (Star Trek: Discovery, Heroes), Brad Peyton (Frontier, Rampage), and Jeff Fierson (Frontier, Rampage), starring Matthew Broderick. Read the book before it hits the small screen this fall!
Bringing together scholars from different disciplines and geographies, the Brill Handbook of Spiritualism and Channeling presents modern spirit possession in a variety of contexts. Weaving together the interrelated movements of Spiritualism along with its specific Franco and Latin American currents, articles explore the nineteenth-century beginnings of séances and trance mediumship. Channelling, an heir to Spiritualism begun in the 1970s and still flourishing today, is brought into direct conversation with its predecessors with a view to showing both continuity and disjuncture as the products of new cultural and religious needs. The Brill Handbook marks the first extensive collection on these two interrelated movements and examines themes such as gender, race, performance, and technology in each instance.
Beginning in 1870, the hunger for scientific discovery in Great Britain drove prominent scientists, philosophers and others to promote the legitimacy of telepathy. At the same time, mind-reading as a form of entertainment gained increasing popularity as persuasive performers like John Randall Brown, W.I. Bishop, and Stuart C. Cumberland convinced reporters that they truly could read the thoughts of others. The widely publicized, sometimes bizarre, interactions between scientists and these charlatans ushered in the Thought Reader Craze, a period that lasted through about 1910 and saw entertainers make and lose fortunes and scientists make and lose reputations. This volume explores this unusual cultural phenomenon, showing how it was aided through the years by public scientific pronouncements, astonishing performances by the thought readers, and the rapidly changing industrial society.
A study from the American perspective of modern spiritualism, which flourished in the mid-19th century, and of surrealism, a movement that produced a major following between the two World Wars.
This lively collection makes a compelling case for the importance of institutions in the production, reception, and meaning of literature.
Shows how some of the ideas about the afterlife presented by spiritualism helped to shape popular Christianity in the period.