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The Peutinger Map remains the sole medieval survivor of an imperial world-mapping tradition. It depicts most of the inhabited world as it was known to the ancients, from Britain's southern coastline to the farthest reaches of Alexander's conquests in India, showing rivers, lakes, islands, and mountains while also naming regions and the peoples who once claimed the landscape. Onto this panorama, the mapmaker has plotted the ancient Roman road network, with hundreds of images along the route and distances marked from point to point. This book challenges the artifact's self-presentation as a Roman map by examining its medieval contexts of crusade, imperial ambitions, and competition between the German-Roman Empire and the papacy.
A long-overdue reinterpretation and appreciation of the Peutinger Map as a masterpiece both of mapmaking and imperial Roman ideology.
There was no sharp break between classical and medieval map making. Contributions by thirteen scholars offer fresh insight that demonstrates continuity and adaptation over the long term. This work reflects current thinking in the history of cartography and opens new directions for the future.
The volume discusses the world as it was known in the Medieval and Early Modern periods, focusing on projects concerned with mapping as a conceptual and artistic practice, with visual representations of space, and with destinations of real and fictive travel. Maps were often taken as straightforward, objective configurations. However, they expose deeply subjective frameworks with social, political, and economic significance. Travel narratives, whether illustrated or not, can address similar frameworks. Whereas travelled space is often adventurous, and speaking of hardship, strange encounters and danger, city portraits tell a tale of civilized life and civic pride. The book seeks to address the multiple ways in which maps and travel literature conceive of the world, communicate a 'Weltbild', depict space, and/or define knowledge. The volume challenges academic boundaries in the study of cartography by exploring the links between mapmaking and artistic practices. The contributions discuss individual mapmakers, authors of travelogues, mapmaking as an artistic practice, the relationship between travel literature and mapmaking, illustration in travel literature, and imagination in depictions of newly explored worlds.
There was no sharp break between classical and medieval map making. Contributions by thirteen scholars offer fresh insight that demonstrates continuity and adaptation over the long term. This work reflects current thinking in the history of cartography and opens new directions for the future.
The Peutinger Map is the only map of the Roman world to come down to us from antiquity. An elongated masterpiece, full of colorful detail and featuring land routes across Europe, North Africa, and the Near East, it was rediscovered mysteriously around 1500 and then came into the ownership of Konrad Peutinger, for whom it is named. Today it is among the treasures of the Austrian National Library in Vienna. Richard Talbert's study presented in Rome's World: The Peutinger Map Reconsidered offers a long-overdue reinterpretation and appreciation of the map as a masterpiece of both mapmaking and imperial Roman ideology. Here, the ancient world's traditional span, from the Atlantic to India, is dramatically remolded; lands and routes take pride of place, whereas seas are compressed. Talbert posits that the map's true purpose was not to assist travelers along Rome's highways, but rather to celebrate the restoration of peace and order by Diocletian's Tetrarchy. Such creative cartography, he shows, influenced the development of medieval mapmaking. With the aid of an interactive database, this book enables readers to engage with the Peutinger Map in all of its fascinating immensity more closely than ever before.
This substantial volume is filled with over 140 maps and commentaries detailing the whole of the medieval period from the latter days of Rome through to the beginnings of the early modern world. Each map is designed to address particular themes and answers the needs of students of this period with supporting explanatory texts. The selection of maps takes a thorough and broad-ranging approach to the study of the Middle Ages. The maps chart a variety of areas including political events, military campaigns within Europe and in the Holy Lands, the power of the Church and the rise of monasticism, literacy and the advent of printing, art and architecture. Others cover the financing of state and war, the principal trading leagues and trade routes, settlements and the increase in urbanism, the founding of the earliest universities, pogroms and persecutions and events at the frontiers of Christendom.
Ancient Perspectives encompasses a vast arc of space and time—Western Asia to North Africa and Europe from the third millennium BCE to the fifth century CE—to explore mapmaking and worldviews in the ancient civilizations of Mesopotamia, Egypt, Greece, and Rome. In each society, maps served as critical economic, political, and personal tools, but there was little consistency in how and why they were made. Much like today, maps in antiquity meant very different things to different people. Ancient Perspectives presents an ambitious, fresh overview of cartography and its uses. The seven chapters range from broad-based analyses of mapping in Mesopotamia and Egypt to a close focus on Ptolemy’s ideas for drawing a world map based on the theories of his Greek predecessors at Alexandria. The remarkable accuracy of Mesopotamian city-plans is revealed, as is the creation of maps by Romans to support the proud claim that their emperor’s rule was global in its reach. By probing the instruments and techniques of both Greek and Roman surveyors, one chapter seeks to uncover how their extraordinary planning of roads, aqueducts, and tunnels was achieved. Even though none of these civilizations devised the means to measure time or distance with precision, they still conceptualized their surroundings, natural and man-made, near and far, and felt the urge to record them by inventive means that this absorbing volume reinterprets and compares.