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This book is a study of architecture and urban design across the Mediterranean Sea from the 12th to the 14th Century, a time when there was no single, hegemonic power dominating the area. The focus of the study--four cities on the Italian peninsula, and four in Syria and Egypt--is the interconnectedness of the design and use of urban structures, streets and open space. Each chapter offers an historical analysis of the buildings and spaces used for trade, education, political display and public action. The work includes historical and social analyses of the mercantile, social, political and educational cultures of the eight cities, highlighting similarities and differences between Christian and Islamic practices. Sixteen new maps drawn specifically for this book are based on the writings of medieval travelers.
This book is a study of architecture and urban design across the Mediterranean Sea from the 12th to the 14th Century, a time when there was no single, hegemonic power dominating the area. The focus of the study--four cities on the Italian peninsula, and four in Syria and Egypt--is the interconnectedness of the design and use of urban structures, streets and open space. Each chapter offers an historical analysis of the buildings and spaces used for trade, education, political display and public action. The work includes historical and social analyses of the mercantile, social, political and educational cultures of the eight cities, highlighting similarities and differences between Christian and Islamic practices. Sixteen new maps drawn specifically for this book are based on the writings of medieval travelers.
"This little volume contains the substance of lectures ... delivered from October to December 1922 in several American universities."--Pref. Bibliography: p. [245]-249.
Italy and the East Roman World in the Medieval Mediterranean addresses the understudied topic of the Italian peninsula’s relationship to the continuation of the Roman Empire in the East, across the early and central Middle Ages. The East Roman world, commonly known by the ahistorical term "Byzantium", is generally imagined as an Eastern Mediterranean empire, with Italy part of the medieval "West". Across 18 individually authored chapters, an introduction and conclusion, this volume makes a different case: for an East Roman world of which Italy forms a crucial part, and an Italian peninsula which is inextricably connected to—and, indeed, includes—regions ruled from Constantinople. Celebrating a scholar whose work has led this field over several decades, Thomas S. Brown, the chapters focus on the general themes of empire, cities and elites, and explore these from the angles of sources and historiography, archaeology, social, political and economic history, and more besides. With contributions from established and early career scholars, elucidating particular issues of scholarship as well as general historical developments, the volume provides both immediate contributions and opens space for a new generation of readers and scholars to a growing field.
Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.
This book presents an innovative and detailed study of the ports of the Crown of Aragon in the initial stage of the maritime expansion of medieval Catalonia, comparing them to the Tuscan coast and port-city of Pisa in the decades that witnessed the apogee of its power in the Mediterranean, and looking for common, or contrasting, traits and patterns of development. The approach is multilevel and multidisciplinary, stressing geomorphological, geographical, political, and commercial factors, and drawing on archaeological investigations as well as published ad unpublished historical documents.
Emotions and Architecture: Forging Mediterranean Cities Between the Middle Ages and Early Modern Time explores architecture as a medium to arouse or conceal emotions, to build consensus through shared values, or to reconnect the urban community to its alleged ancestry. The chapters in this edited collection outline how architectonic symbols, images, and structures were codified – and sometimes recast – to match or to arouse emotions awakened by wars, political dominance, pandemic challenges, and religion. As signs of spiritual and political power, these elements were embraced and modulated locally, providing an endorsement to authorities and rituals for the community. This volume provides an overview of the phenomenon across the Italian region, stressing the transnationality of selected symbols and their various declinations in local contexts. It deepens the issue of refitting symbols, artworks, and structures to arouse emotions by carefully analysing specific cases, such as the Septizodium in Rome, the Holy House of Loreto in Venice, and the reconstruction of L'Aquila. The collection, through its variegated contributions, offers a comprehensive view of the phenomenon: exploring the issue from political, social, religious, and public health perspectives, and seeking to propose a new definition of architecture as a visual emotional language. Together, the chapters show how the representation of virtues and emotions through architecture was part of a symbolic practice shared by many across the Italian context. This book will be of interest to researchers and students studying architectural history, the history of emotions, and the history of art.
First published in 1988. This is a collection of works where the Mediterranean provides the context for all the cities which appear in this volume: all are (or have been) port cities, and as such their harbours played a significant role in shaping their histories. In essence, the question of ‘interaction between man and sea’ is one of the influence of the maritime position on the human communities constituting the ‘Mediterranean cities’: the connections between them, and the link of each city with its hinterland, as well as the influence of its position on the city’s internal development and character.
Mendicants and Merchants in the Medieval Mediterranean, edited by Chubb and Kelley, offers an interdisciplinary study of the mutually beneficial relationships that developed between merchants and the mendicant orders during the late Middle Ages.
The medieval Mediterranean world has inspired a rich variety of archaeological studies aimed at trying to piece together its past. This volume presents seven case studies that reveal the complexities of and possible solutions for exploring various areas of the Mediterranean basin. Individually, they offer models of interdisciplinary study that move beyond the disciplinary boundaries of archaeology to integrate evidence from other fields ranging from history to town planning. As a whole, they provide the only collection of studies of their kind for the medieval Mediterraean. They thus provide readers with a view of a field that is vibrant, nuanced, and utilizes a methodological approach that is capable of greatly increasing our knowledge of the medieval Mediterranean world. Contributors are Tasha Vorderstrasse, Jon van Leuven, Cédric Devais, Michelle Hobart, Giulia Annalinda Neglia, Johnny De Meulemeester, and Sauro Gelichi.