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From 18th Century poetry up to modern 3D cinema, the vampire has developed a genre in its own right. Leaving behind its roots in phantasmagoria and horror, taking in romance, action and adventure, as well as flights of science fiction fantasy and political allegory. The vampire is a part of all these fields of artistry and beyond them, a melting pot of imagination and invention that has captivated audiences around the world. In the first part of this volume, Andrew M. Boylan - author of the famous vampire blog Taliesin Meets the Vampires, looks at the genesis of the vampire genre from Ossenfelder's poem Der Vampir to Bram Stoker's seminal novel Dracula. The second part of the book spreads eclectically out from Dracula, just as the genre spread, taking in some famous kissing cousins of the genre as well as looking at the vampire's changing relationship with the divine and following the toothsome bloodsuckers out into space.
An exploration of the continuing appeal of vampires in cultural and social history. Our enduring love of vampires—the bad boys (and girls) of paranormal fantasy—has persisted for centuries. Despite being bloodthirsty, heartless killers, vampire stories commonly carry erotic overtones that are missing from other paranormal or horror stories. Even when monstrous teeth are sinking into pale, helpless throats—especially then—vampires are sexy. But why? In A History Of The Vampire In Popular Culture, author Violet Fenn takes the reader through the history of vampires in “fact” and fiction, their origins in mythology and literature, and their enduring appeal on TV and film. We’ll delve into the sexuality--and sexism--of vampire lore, as well as how modern audiences still hunger for a pair of sharp fangs in the middle of the night.
"This lively collection of essays explores the narrative riches of the Twilight stories themselves even as it looks seriously at the ways they have been marketed and taken up both by their passionate fans and by critics who see them as evidence of a range of cultural and political problems."---Janice Radway, Author of Reading the Romance: Women, Patriarchy, and Popular Literature; Professor of Communication Studies/Rhetoric and Gender Studies and American Studies, Northwestern University. --
“An illuminating contribution to scholarship on the vampire figure.”—Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.
The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.
Vampires have always fascinated and frightened, and now their reach goes beyond horror-flick fans. Teens the world over have fallen under the spell of these mysterious, blood-sucking, and oh-so-alluring beings! From Buffy to Twilight, vampire fans have gotten smarter and savvier, and this is the book for them. Learn how vampires live, how they avoid capture, and why they're so darn attractive. Also trace the history of vampire lore--in literature, movies, and on television--from the woods of Transylvania to the modern-day high school. Chock full of info and insight, each gorgeous page will draw in readers of every age, with innovative styling, never-before-seen imagery, and deliciously wicked design. Perhaps this enticing tome is best read while wearing a garlic necklace . . .
The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
This reference examines 372 vampire films from 1896 to 1992. Each entry gives the year of release, production credits, actors, and a synopsis of the film and its importance to the genre. Also included are alternate titles and the original titles of non-English films. With 93 b&w photographs. Annotat
In the predecessor to this book, The Universal Vampire: Origins and Evolution of a Legend, Brodman and Doan presented discussions of the development of the vampire in the West from the early Norse draugr figure to the medieval European revenant and ultimately to Dracula, who first appears as a vampire in Anglo-Irish Bram Stoker’s novel, Dracula, published in 1897. The essays in that collection also looked at the non-Western vampire in Native American and Mesoamerican traditions, Asian and Russian vampires in popular culture, and the vampire in contemporary novels, film and television. The essays in this collection continue that multi-cultural and multigeneric discussion by tracing the development of the post-modern vampire, in films ranging from Shadow of a Doubt to Blade, The Wisdom of Crocodiles and Interview with the Vampire; the male and female vampires in the Twilight films, Sookie Stackhouse novels and TrueBlood television series; the vampire in African American women’s fiction, Anne Rice’s novels and in the post-apocalyptic I Am Legend; vampires in Japanese anime; and finally, to bring the volumes full circle, the presentation of a new Irish Dracula play, adapted from the novel and set in 1888.
“This funny and fresh take on a classic tale manages to comment on gender roles, racial disparities, and white privilege all while creeping me all the way out. So good.”—Zakiya Dalila Harris, author of The Other Black Girl Steel Magnolias meets Dracula in this New York Times best-selling horror novel about a women's book club that must do battle with a mysterious newcomer to their small Southern town. Bonus features: • Reading group guide for book clubs • Hand-drawn map of Mt. Pleasant • Annotated true-crime reading list by Grady Hendrix • And more! Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families. One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor's handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind—and Patricia has already invited him in. Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted—including the book club—but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.