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A deep and riveting psychological thriller inspired by true events of the Victorian era, The Medea Complex explores the nature of the human psyche: what possesses us, what drives us, and how love, passion, and hope for the future can drive us to insanity. 1885. Anne Stanbury wakes up in a strange bed, having been kidnapped from her home. As the panic settles in, she realizes she has been committed to a lunatic asylum, deemed insane and therefore unfit to stand trial for an unspeakable crime. But all is not as it seems…. Edgar Stanbury, her husband as well as a grieving father, is torn between helping his confined wife recover her sanity and seeking revenge for his ruined life. But Anne’s future rests wholly in the hands of Dr. George Savage, chief medical officer of Bethlem Royal Hospital. The Medea Complex is the darkly compelling story of a lunatic, a lie, and a shocking revelation that elucidates the difference between madness and evil….
From the characterological struggle that leads to the breakup through the difficult adjustments that come after the marriage is over, this volume examines the emotional process of divorce. Illustrated throughout with evocative case examples, this book explores why marriages fail, the feelings and reactions of both the rejecting and the rejected partners, the psychodynamics of jealousy, the possibility of reconciliation, and the impact of divorce on children.
This ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives. Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change. Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.
Medea is among the most notorious women in the canon of Greek tragedy: a woman scorned who sacrifices her own children to her jealous rage. In her gripping new novel, Christa Wolf expands this myth, revealing a fiercely independent woman ensnared in a brutal political battle. Medea, driven by her conscience to leave her corrupt homeland, arrives in Corinth with her husband, the hero Jason. He is welcomed, but she is branded the outsider—and then she discovers the appalling secret behind the king's claim to power. Unwilling to ignore the horrifying truth about the state, she becomes a threat to the king and his ruthless advisors. Then abandoned by Jason and made a public scapegoat, she is reviled as a witch and a murderess. Long a sharp-eyed political observer, Christa Wolf transforms this ancient tale into a startlingly relevant commentary on our times. Possessed of the enduring truths so treasured in the classics, and yet with a thoroughly contemporary spin, her Medea is a stunningly perceptive and probingly honest work of fiction.
The figure of Medea has inspired artists in all fields throughout the centuries. This work examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological and cultural questions these portrayals raise.
***Based On A True Story***Anne wakes up in a strange bed, having been kidnapped from her home. Slowly, she realizes she is in a lunatic asylum. 1885. Anne Stanbury – Committed to a lunatic asylum, having been deemed insane and therefore unfit to stand trial for the crime of which she is indicted. But is all as it seems? Edgar Stanbury – the grieving husband and father who is torn between helping his confined wife recover her sanity, and seeking revenge on the woman who ruined his life. Dr George Savage – the well respected psychiatrist, and chief medical officer of Bethlem Royal Hospital. Ultimately, he holds Anne's future wholly in his hands. The Medea Complex tells the story of a misunderstood woman suffering from insanity in an era when mental illnesses' were all too often misdiagnosed and mistreated. A deep and riveting psychological thriller set within an historical context, packed full of twists and turns, The Medea Complex explores the nature of the human psyche: what possesses us, drives us, and how love, passion, and hope for the future can drive us to insanity.
Medea Georgievna Sinoply Mendez is an iconic figure in her Crimean village, the last remaining pure-blooded Greek in a family that has lived on that coast for centuries. Childless Medea is the touchstone of a large family, which gathers each spring and summer at her home. There are her nieces (sexy Nike and shy Masha), her nephew Georgii (who shares Medea’s devotion to the Crimea), and their friends. In this single summer, the languor of love will permeate the Crimean air, hearts will be broken, and old memories will float to consciousness, allowing us to experience not only the shifting currents of erotic attraction and competition, but also the dramatic saga of this family amid the forces of dislocation, war, and upheaval of twentieth-century Russian life.
After establishing what constitutes a Medea story, using Medea's words, a Medea complex in Jungian terms, is defined and delineated. Means that women might employ to contain Medea's energy without either repressing it or acting it out are suggested. A deep understanding of the Medea myth and complex could be of considerable value to couples' therapists when dealing with issues of betrayal in marriages. It requires of therapists that they be able to approach the myth and the character of Medea symbolically so as not to be frozen by the child murders. the PDE affords the kind of distance needed to view Medea by reflection, which allows them not to be swamped by the horror of the deeds Euripides ascribed to her and to see through to the deeper issues arising from the Medea complex.
The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance. In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other.
A “sensual, brutal . . . ambitious, dazzling, disturbing, and memorable” retelling of Jason and the Argonauts seen through the eyes of Medea (Financial Times). International bestselling and multi-prize-winning author David Vann transports readers to the Mediterranean and Black Sea, 3,250 years ago, for “[a] stunning depiction of one of mythology’s most complex characters” (The Australian). It is thirteenth century BC, and the Argo is bound for its epic return journey across the Black Sea from Persia’s Colchis with the valiant Jason, the equally heroic Argonauts, and the treasured symbol of kingship, the Golden Fleece. Aboard as well is Medea, semi-divine priestess, and a believer in power, not gods. Having fled her father, and butchered her brother, she is embarking on a conquest of her own. Rejected for her gender, Medea is hungry for revenge, and to right the egregious fate of being born a woman in a world ruled by men. In Bright Air Black, “David Vann blow[s] away all the elegance and toga-clad politeness . . . around our idea of ancient Greece . . . to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness (The Times, London), and to deliver a bracing alternative to the long-held notions of Medea as monster or sorceress. We witness Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, the cataclysmic repercussions of betrayal, and the drive of an impassioned woman—victim, survivor, and ultimately, agent of her own destiny. The most intimate and corporal version of Medea’s story ever told, Bright Air Black “a compelling study of human nature stripped to its most elemental” (The Guardian).