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Step into the garden and walk down The Meandering Path to Faerie. Butterflies flutter and birds sing their sweet songs, inspiring daydreams of faeries dancing amidst the blossoms. The fragrance of childhood wonder fills the air. For those who believe and those who don’t, those who have seen and and those who haven’t, these poems and meditations ignite the imagination. Each page turned is a step along the path, sprinkled with magic and wisdom to open the heart.
"Discover the many enchanting possibilities in your own life using the Mystic Faerie cards ... offers a friendly introduction to tarot, card-reading essentials, and quick reference guide for beginners"-- Back cover of guidebook.
Faerie Stones explores the Faerielore and Folklore associated with different stones and various crystal formations, from the ancient Neolithic arrows known as Elfshot to magical Faerie dusted geodes known as Fairy Cavern Quartz. It deals with the metaphysical aspects of the stones, their traditional uses and healing qualities, and discusses which types of Faerie and which Deities/Faerie Monarchs are associated with each stone. It also offers practical tips and two meditations for working with Faeries and stones for spiritual development. Aimed at all those who love Faeries and Crystals, it is ideal for the beginner or the more experienced practitioner.
The druids of Caledonia have taken their place in the Halls of Mist, their path fraught with danger. When their newest member finds a woman of magical talents in Amsterdam their troubles multiply. Between them and a peaceful existence are a dead prince, a furious queen, and murder. Each druid must discover where his talents, and his loyalties, lie.
Shakespeare and Complexity Theory is the first book-length examination into how complexity theory may be incorporated within Shakespeare studies. The book demonstrates how complexity theory can illuminate our understanding of Shakespeare’s texts, early modern theatrical practices (from dance to co-authorship to stagecraft), pedagogy, and Shakespeare’s canonical place in contemporary culture. In its implementation of a scientific framework, this monograph taps into an area of increasing academic and research interest: the relationship between the sciences and the humanities.
When ghosts start appearing all over town, my witch friend Isabel and I are pulled in to help the necromancers exorcise the wayward spirits. With the dead refusing to stay dead, it's easier said than done. And there's something worse hiding on the wrong side of the grave. As an old adversary puts a dangerous plan in motion, I’m forced to learn more about the magic I stole from Faerie's darkest corner. But every step brings me closer to the veil, and if I’m not careful, I’ll be ripped away from the people I love and trapped in Death forever. Book 4 in the Changeling Chronicles urban fantasy series. If you love twisty plots, fast-paced action, and magical found family, you won’t want to miss this epic urban fantasy series for fans of McKenzie Hunter, Lauretta Hignett, and Kim Richardson.
Sparks will fly when a fairy princess is kidnapped! From the author of The Frog Princess series
Harry Potter meets The Secret Garden in this fantasy novel for 11-13 year olds, about a witch ... who doesn't believe in magic. Thirteen-year-old Annabel Wood wishes her sister, Lottie, would stop making up stories about seeing faeries—especially now the First World War has forced them from their home in London to live at mysterious Morven Manor with an uncle they've never met before. When Lottie insists she hears singing at the strange standing stones on the outskirts of the village, it becomes clear to Annabel the country air has done nothing to stop her sister's overactive imagination. But then Lottie disappears, and Annabel is thrown into a world of magic and witchcraft. With the help of the local baker's boy, his eccentric granny, and a host of magical creatures, Annabel discovers a sinister mystery that only she can unravel—and Lottie's disappearance is just the beginning. 'Reminiscent of The Secret Garden by Frances Hodgson Burnett—with a touch more magic—this tale swings her gates wide to welcome us. A Witch Forgotten reminds us that through our courageous departures, we may come home.' —L. E. Daniels, author of Serpent's Wake: A Tale for the Bitten & Bram Stoker Awards® Nominee
Beloved for novels that "deliver laughter, tears, and so much joy" (Romantic Times), JoAnn Ross brings another of Coldwater Cove's citizens to life in this poignant tale of family and friendship, loyalty and loss, courage and suffering. Most of all, this is a story of love's miraculous powers. FAIR HAVEN Erin O'Halloran has witnessed the atrocities of war firsthand. But when she travels to Western Ireland to attempt to save a dying friend and mentor, she faces her greatest challenge yet. And when she happens to meet the love of her life, matters become unexpectedly complicated. After spending years capturing war's horrors in his camera lens, photojournalist Michael Joyce escapes to his Irish family's farm, yearning to shut out the world. But fate has other plans for him -- including unbidden feelings for Dr. O'Halloran and the unexpected rewards of fatherhood. Surrounded by Ireland's magic, Erin and Michael begin to see nightmares replaced by dreams. But it will take more than one miracle before they discover the answers to their deepest questionsŠthe ones they had never dared ask.
What is the role of disgust or revulsion in early modern English literature? How did early modern English subjects experience revulsion and how did writers represent it in poetry, plays, and prose? What does it mean when literature instructs, delights, and disgusts? This collection of essays looks at the treatment of disgust in texts by Spenser, Shakespeare, Donne, Jonson, Herrick, and others to demonstrate how disgust, perhaps more than other affects, gives us a more complex understanding of early modern culture. Dealing with descriptions of coagulated eye drainage, stinky leeks, and blood-filled fleas, among other sensational things, the essays focus on three kinds of disgusting encounters: sexual, cultural, and textual. Early modern English writers used disgust to explore sexual mores, describe encounters with foreign cultures, and manipulate their readers' responses. The essays in this collection show how writers deployed disgust to draw, and sometimes to upset, the boundaries that had previously defined acceptable and unacceptable behaviors, people, and literatures. Together they present the compelling argument that a critical understanding of early modern cultural perspectives requires careful attention to disgust.