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A zebra, ostrich, elephant, and lion become the hapless victims of an incorrigible hyena's mean tricks.
An illustrated poem which celebrates children who enjoy doing all kinds of activities. This poem originally appeared in The Random House book of poetry for children, published in 1983.
"In an intriguing combination of fact with rollicking rhyme schemes and full-page portraits, the dinosaurs are rejuvenated once again to amuse and amaze their devoted fans....These poems are readable, quotable, and unforgettable....A wonderful book to savor--again and again."--Horn Book.
"Young Henry Hyena loves to join his fellow hyenas in poking fun at animals at the zoo. But the jokes aren't making Henry laugh anymore, [and] with the help of a wise old giraffe, Henry gets his laugh back in an unexpected way"--
Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.
It's raining pigs and noodles, it's pouring frogs and hats, chrysanthemums and poodles, bananas, brooms, and cats. The master of mischievous rhyme, Jack Prelutsky, and his partner in crime, James Stevenson, have whipped up a storm of more than one hundred hilarious poems and zany drawings. Grab your umbrella -- and make sure it's a big one!
How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself.
This smart, sexy financial thriller with a sense of humor is also a roman clef, illuminating the financial skullduggery that almost destroyed the world economy. Never has a financial crisis been such fun, as The Bad Samaritan puts the thrill back in thriller. Blithe, a prostitute, and Cole, a homeless man and convicted child molester, encounter some really bad people. Scoundrels become heroes, heroes transmogrify into scoundrels and a bullet from Blithes gun kills a beloved captain of industry. With Blithe under arrest for a murder she probably didnt commit, only Cole can save her. To do so he needs to extricate himself from a scheme to bring about a total economic collapse. Desperate, he turns to the most depraved person he knows.
In this seminal study, Hans Kruuk redefines the image of the spotted hyena, not as a common scavenger, but as a complex matriarchal predator with links to human evolution. The Spotted Hyena is the first study to capture the true behavior and ecology of these formidable predators, who instinctively adapt their social structure to meet their ecological needs. Kruuk's research reveals for the first time that hyenas combine carnivorous habits with group territoriality, thus drawing parallels between their existence and that of wolves, lions, and arguably early humans. In addition to being lovable rogues, spotted hyenas are sophisticated hunters that live in complex communities of up to 80 animals. Covering more than broad facts about this species, Kruuk addresses the vital questions concerning hyena behavior such as why females are dominant, why lions scavenge from hyenas, why hyenas hunt zebra and wildebeest differently, and how their social behavior correlates with ecology. Since its original publication, The Spotted Hyena has transformed the common perception of the spotted hyena. With nearly 2,000 citations in scientific literature, The Spotted Hyena has become a classic work and trailblazer for linking changes in animal behavior with the environment, in addition to its concentration on a large carnivore that shares several characteristics with select primates. Although this is a science book, Kruuk skips the jargon and complicated theory, thus making its conclusions easily accessible to any student of natural history, African predators, or social behavior within animal communities. The Spotted Hyena features exciting field notes in addition to comprehensive graphs and tables that have made it an invaluable contribution to behavioral ecology and its methodology. Hans Kruuk studied hyenas while living in the wilderness of Africa's Serengeti and Ngorongoro Crater for many years. After completing his doctorate with Nobel Prize winner Niko Tinbergen at the University of Oxford, Kruuk was asked by the former Tanganyika (now Tanzania) National Parks to study predation in the Serengeti. Kruuk focused on the most important carnivore there—the spotted hyena—and co-founded the Serengeti Research Institute in Tanzania to carry out his research. Many years later in 1997, he retired emeritus from his position as Senior Principal Research Officer at the Institute of Terrestrial Ecology in Banchory, Scotland. Kruuk has carried out research projects on mammals and birds on all continents, published seven books and over 120 scientific papers. Among his awards are scientific medals from the Zoological Society of London and British Mammal Society, and secondary Doctorate of Science from the University of Aberdeen where he is also Honorary Professor.
ABOUT THE BOOK Storytelling has been around as long as humankind, although the ability to be a storyteller or history-keeper is a special gift not everyone possesses. Generations of our ancestors told oral tales of encounters with nature-with wild animals or with the land itself, real or imagined. Clans gathered around to hear of dreams or of explanations of certain "unexplainable" phenomena, such as thunder and lightning. These stories were often illustrated by scratching them or painting them onto cave walls or on rocks, and especially those tales of great battles against warring tribes. Some of the stories only existed as verbal histories passed from grandfathers to sons to grandsons. MEET THE AUTHOR Susan Gabrielle has had work published in The Christian Science Monitor, TheBatShat, New Verse News, and local publications, and was a finalist in the Tiny Lights Narrative Essay Contest. Her short story "What she should have said" was published in the Social Justice issue of the Little Patuxent Review, and she has been nominated for a Pushcart Prize for her poem "After 10 years of War." She currently teaches writing and literature classes as a university instructor, and is at work on a nonfiction writers' guide. You can reach her at Susan-Gabrielle.com EXCERPT FROM THE BOOK But while storytelling itself is an ancient art form, the genre of children's literature is relatively new, and children's book publishing only came to prominence beginning in Great Britain in the 18th century. As Allen notes, "From the time John Newbery, publisher and bookseller, decided to create books just for children in 18th-century England until the end of the 19th century, when English industry produced children's books of the highest quality, the body of children's literature that became available from England earned a growing respect throughout the literary world." Before that time, children were treated as miniature adults, useful only insofar as their ability to bring income to the home. Most children up to the 1800s worked on the family farm, so there was little free time for play, and since many children did not attend school, they could not read. The family may have owned a Bible, but it most likely would have been read to them by the father, perhaps after dinner. CHAPTER OUTLINE 100 Best Quotes from Children's Books + Introduction + The Beginnings of “Children's Literature” + For adults, for Children or Both? + A Move Toward Realism + ...and much more 100 Best Quotes from Children's Books