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"A debut novel everyone will be talking about," Avery Cunningham's epic love story is "a triumph" and "a tale of intrigue, racial tension, and class warfare, set against the glamorous and gritty backdrop of early 20th century Chicago." When a rich Black debutante enlists the help of a low-level speakeasy manager to identify the head of an underground crime syndicate, the two are thrust into the dangerous world of Prohibition-era Chicago. The year is 1921, and America is burning. A fire of vice and virtue rages on every shore, and Chicago is its beating heart. Nelly Sawyer is the daughter of the “wealthiest Negro in America,” whose affluence catapulted his family to the heights of Black society. After the unexpected death of her only brother, Nelly becomes the premier debutante overnight. But Nelly has aspirations beyond society influence and marriage. For the past year, she has worked undercover as an investigative journalist, sharing the achievements and tribulations of everyday Black people living in the shadow of Jim Crow. Her latest assignment thrusts her into the den of a dangerous vice lord: the so-called Mayor of Maxwell Street. Born in rural Alabama to a murdered biracial couple, Jay Shorey knows firsthand what it means to be denied a chance at the American dream. When a tragic turn of fate gave Jay a rare path out, he took it without question. He washed up on Chicago’s storied shores and forged his own way to the top of the city’s underworld, running Chicago's swankiest speakeasy, where the rich and famous rub elbows with gangsters and politicians alike. When Nelly’s and Jay’s paths cross, she recruits him to help expose the Mayor and bring about lasting change in a corrupt city. But Jay also introduces a whole new world to Nelly, one where her horizons can extend beyond the confines of her ivory tower. Trapped between the monolith of Jim Crow, the inflexible world of the Black upper class, and the violence of Prohibition-era Chicago, Jay and Nelly work together and stoke the flames of a love worth fighting for. Debut author Avery Cunningham’s stunning novel is at once an epic love story, a riveting historical drama, and a brilliant exploration of Black society and perseverance when the ‘20s first began to roar.
Presents a collection of photographs that depict the history of Maxwell Street in Chicago.
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Anyone who has seen Maxwell Street has a story about Maxwell Street. You didn't have to shop there, work there, or eat there. You didn't have to be Jewish. You just had to go there, or merely pass-by, in order to experience something that stuck in your mind forever. Only a few blocks south of Chicago's downtown, Maxwell Street was predominately a Jewish enclave, but you could also hear the Blues, bargain with Gypsies, and find bargain hunters from all walks of life. This book focuses on the stories of the last Jewish generations that lived and worked in the Maxwell Street market area. Beginning in the late 19th century, it was there that thousands of Jewish immigrants first grasped the American dream. The descendents of those first Jewish peddlers absorbed the legacies left them; some went on to be among the most notable and successful personalities of the 20th century. On Maxwell Street, the best merchandise was knowledge.
What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street, Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history.
Readers of Robert Crais’s Elvis Cole mysteries will love Jules Landau, a college man turned private eye on the Windy City’s mean streets—a virtual school of hard knocks where graduation means just staying alive. Chicago runs in Jules Landau’s veins. So does the blood of crooks. Now Jules is going legit as a private eye, stalking bail jumpers and cheating spouses—until he gets his first big case. Unfortunately, the client is his ex-con father, and the job is finding the killer of a man whom Jules loved like family. Why did someone put two bullets in the head of gentle bookkeeper Charles Snook? Jules is determined to find out, even if the search takes him to perilous places he never wanted to go. Snooky, as he was affectionately known, had a knack for turning dirty dollars clean, with clients ranging from humble shop owners to sharp-dressed mobsters. As Jules retraces Snooky’s last days, he crosses paths with a way-too-eager detective, a gorgeous and perplexing tattoo artist, a silver-haired university administrator with a kinky side, and a crusading journalist. Exposing one dirty secret after another, the PI is on a dangerous learning curve. And, at the top of that curve, a killer readies to strike again.