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How Maya refugees found new lives in strange lands.
Maya people have lived for thousands of years in the mountains and forests of Guatemala, but they lost control of their land, becoming serfs and refugees, when the Spanish invaded in the sixteenth century. Under the Spanish and the Guatemalan non-Indian elites, they suffered enforced poverty as a resident source of cheap labor for non-Maya projects, particularly agriculture production. Following the CIA-induced coup that toppled Guatemala's elected government in 1954, their misery was exacerbated by government accommodation to United States "interests," which promoted crops for export and reinforced the need for cheap and passive labor. This widespread poverty was endemic throughout northwestern Guatemala, where 80 percent of Maya children were chronically malnourished, and forced wide-scale migration to the Pacific coast. The self-help aid that flowed into the area in the 1960s and 1970s raised hopes for justice and equity that were brutally suppressed by Guatemala's military government. This military reprisal led to a massive diaspora of Maya throughout Canada, the United States, Mexico, and Central America. This collection describes that process and the results. The chapters show the dangers and problems of the migratory/refugee process and the range of creative cultural adaptations that the Maya have developed. It provides the first comparative view of the formation and transformation of this new and expanding transnational population, presented from the standpoint of the migrants themselves as well as from a societal and international perspective. Together, the chapters furnish ethnographically grounded perspectives on the dynamic implications of uprooting and resettlement, social and psychological adjustment, long-term prospects for continued links to migration history from Guatemala, and the development of a sense of co-ethnicity with other indigenous people of Maya descent. As the Maya struggle to find their place in a more global society, their stories of quiet courage epitomize those of many other ethnic groups, migrants, and refugees today.
This book analyzes the lives and the continuing ritual traditions of the Mayas who live in the United States. Focusing on a predominantly Maya town in rural Florida, it shows how members of this ancient Central American civilization use their religious tradition to maintain their ethnic identity in an unfamiliar environment. Bringing together studies of Mesoamerican fiesta or cargo systems, religious ritual and migration studies, this interdisciplinary work describes the religious traditions of indigenous Guatemala, the crisis migration of the 1980s, and the Mayas' daily life in the United States, including Maya women's reflections on their new challenges. The book is unique in its focus on the transfer of the fiesta cycle to the diaspora and its analysis of the behind-the-scenes aspects of ritual. The rise of leadership, contested interpretations of ethnic identity, choices about symbolic representation, and maintenance of ties to villages of origin all take place in the context of organizing public ritual events. Through these strategies, the Maya people not only cope materially and spiritually with the chaotic experience of uprootedness, but find ways to strengthen their unique identity. Bibliography. Index.
13. Recent Advances in the Archaeology of the Greater Antilles: Some Final Remarks
Senegal Abroad explores the fascinating role of language in national, transnational, postcolonial, racial, and migrant identities. Capturing the experiences of Senegalese in Paris, Rome, and New York, it depicts how they make sense of who they are—and how they fit into their communities, countries, and the larger global Senegalese diaspora. Drawing on extensive interviews with a wide range of emigrants as well as people of Senegalese heritage, Maya Angela Smith contends that they shape their identity as they purposefully switch between languages and structure their discourse. The Senegalese are notable, Smith suggests, both in their capacity for movement and in their multifaceted approach to language. She finds that, although the emigrants she interviews express complicated relationships to the multiple languages they speak and the places they inhabit, they also convey pleasure in both travel and language. Offering a mix of poignant, funny, reflexive, introspective, and witty stories, they blur the lines between the utility and pleasure of language, allowing a more nuanced understanding of why and how Senegalese move.
Reading Cultural Representations of the Double Diaspora: Britain, East Africa, Gujarat is the first detailed study of the cultural life and representations of the prolific twice-displaced Gujarati East African diaspora in contemporary Britain. An exceptional community of people, this diaspora is disproportionally successful and influential in resettlement, both in East Africa and Britain. Often showcased as an example of migrant achievement, their accomplishments are paradoxically underpinned by legacies of trauma and deracination. The diaspora, despite its economic success and considerable upward social mobility in Britain, has until now been overlooked within critical literary and postcolonial studies for a number of reasons. This book attends to that gap. Parmar uniquely investigates what it is to be not just from India, but too Africa—how identity forms within, as the study coins, the “double diaspora”. Parmar focuses on cultural representation post-twice migration, via an interdisciplinary methodology, offering new contributions to debates within diaspora studies. In doing so, the book examines a range of cultures produced amongst, or about, the diaspora, including literary representations, culinary, dance and sartorial practices, as well as visual materials.
Elilal, exile, is the condition of thousands of Mayas who have fled their homelands in Guatemala to escape repression and even death at the hands of their government. In this book, Victor Montejo, who is both a Maya expatriate and an anthropologist, gives voice to those who until now have struggled in silence--but who nevertheless have found ways to reaffirm and celebrate their Mayaness. Voices from Exile is the authentic story of one group of Mayas from the Kuchumatan highlands who fled into Mexico and sought refuge there. Montejo's combination of autobiography, history, political analysis, and testimonial narrative offers a profound exploration of state terror and its inescapable human cost.
Liminal Spaces is an intimate exploration into the migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives – from those who leave Guyana, and those who are left – and seven seminal decades of Guyana’s history – from the 1950s to the present day – bringing the voices of women to the fore. The volume is conceived of as a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation’. Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland’, and grapple with ideas of place and accountability. This volume is a welcome contribution to the scholarly field of international migration, transnationalism, and diaspora, both in its creative methodological approach, and in its subject area – as one of the only studies published on Guyanese diaspora. It will be of great interest to those studying women and migration, and scholars and students of diaspora studies. Grace Aneiza Ali is a Curator and an Assistant Professor and Provost Fellow in the Department of Art & Public Policy, Tisch School of the Arts, New York University. Her curatorial research practice centers on socially engaged art practices, global contemporary art, and art of the Caribbean Diaspora, with a focus on her homeland Guyana.
Theirs was one of the few complex societies to emerge in and to adapt successfully to a tropical-forest environment. Their architecture, sculpture, and painting were sophisticated and compellingly beautiful.
Gatherings in Diaspora brings together the latest chapters in the long-running chronicle of religion and immigration in the American experience. Today, as in the past, people migrating to the United States bring their religions with them, and their religious identities often mean more to them away from home, in their diaspora, than they did before. This book explores and analyzes the diverse religious communities of post-1965 diasporas: Christians, Hews, Muslims, Hindus, Rastafarians, and practitioners of Vodou, from countries such as China, Guatemala, Haiti, India, Iran, Jamaica, Korea, and Mexico. The contributors explore how, to a greater or lesser extent, immigrants and their offspring adapt their religious institutions to American conditions, often interacting with religious communities already established. The religious institutions they build, adapt, remodel, and adopt become worlds unto themselves, congregations, where new relations are forged within the community -- between men and women, parents and children, recent arrival and those longer settled.