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The long-awaited English-language translation of Hervé Guibert's arresting journals
The Mausoleum at Halicarnassus was one of the Seven Wonders of the World. This is the first complete catalogue of its friezes and other decorative reliefs. Detailed descriptions are illustrated by hundreds of previously unpublished photographs. Also discussed are the discovery of the Mausoleum and the controversy about who carved its friezes.
Sir Leslie Stephen's Mausoleum Book
Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. Analyzing links between museums and the media, looking at the role of museums in cities, and discussing the effects on museums of cultural policies, Re-Imagining the Museum presents a vital tool in the study of museum practice.
Stone and brick tombs were repositories for the physical remains of many of Connecticut’s wealthiest and influential families. The desire was to be interred within burial vaults rather than have their wooden coffins laid into the earth in direct contact with crushing soil burden led many prominent families to construct large above-ground and semi-subterranean tombs, usually burrowed into the sides of hills as places of interment for their dead. "And So The Tomb Remains" tells the stories of the Connecticut State Archaeologist’s investigations into five 18th/19th century family tombs: the sepulchers of Squire Elisha Pitkin, Center Cemetery, East Hartford; Gershom Bulkeley, Ancient Burying Ground, Colchester; Samuel and Martha Huntington, Norwichtown Cemetery, Norwich; Henry Chauncey, Indian Hill Cemetery, Middletown; and Edwin D. Morgan, Cedar Hill Cemetery, Hartford. In all of these cases, the state archaeologist assisted in identifying and restoring human skeletal remains to their original burial placements when vandalized through occult rituals or contributed to the identification of unrecorded burials during restoration projects. Each investigative delves into family histories and genealogies, as well as archaeological and forensic sciences that helped identify the entombed and is told in a personal, story-telling approach. Written in essay form, each investigation highlights differing aspects of research in mortuary architecture and cemetery landscaping, public health, restoration efforts, crime scene investigations, and occult activities. These five case studies began either as “history mysteries” or as crime scene investigations. Since historic tombs were occupied by social and economic elites, forensic studies provide an opportunity to investigate the health and life stress pathologies of the wealthiest citizens in Connecticut’s historic past, while offering comparisons to the wellbeing of lower socio-economic populations.
The Mausoleum at Halicarnassus restored in conformity with the recently discovered remains
In 2004 the author's first book "The Lost Tomb of Alexander the Great" was published to the accompaniment of international media attention, since it reported the first credible suggestion as to the current whereabouts of the long-vanished corpse of the illustrious conqueror. In the intervening years, progress by testing the candidate remains has been thwarted by the Church authorities, yet much new information has emerged, casting the enigma in an ever more probing light. In this extensively updated and extended account, the meanderings of the evidence have been tracked with scrupulous care and the tangled threads of erstwhile hidden history have been teased apart. Thus the forgotten secrets of one of the greatest mysteries bequeathed to us by the ancient world are laid bare, culminating in the novel suggestion that the body stolen from Alexandria in AD828 and now in Venice may have acquired a false identity at the time that paganism was outlawed by the Emperor of Rome in the 4th century AD.
Uncovers a connection between a Macedonian funerary sculpture found in the foundations of the Basilica di San Marco in Venice and the sarcophagus of an Egyptian Pharaoh shipped to London from Alexandria in 1801. Traces their trails to show that both seem to come from Alexander's tomb in Alexandria. Now it is revealed that the sculptural relief was fitted to the sarcophagus, confirming the theory. The author writes: "When I embarked upon the deck of this Odyssey, it seemed to me that shipwreck was my eventual destiny, but now beyond the raging, roiling sea, I have glimpsed the shore of verdant Valinor unveiled before me. Though I may yet come to grief upon some reef, washed by waves of disbelief, I voyage on to vindication, my vessel's ordained destination. With greatness grazing on the verge of rediscovery, we may surely see the resolution of this mystery. So let my sail now be unfurled to catch the wind and win the world Alexander's long-lost legacy, the parted parts of his shattered tomb and battered body."