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Engine of modernity examines the connection between public transportation and popular culture in nineteenth-century Paris through a focus on the omnibus - a horse-drawn vehicle of urban transport. The omnibus generated innovations in social practices by compelling passengers of diverse backgrounds to interact within the vehicle's close confines. The arrival of the omnibus in the streets of Paris and in the pages of popular literature acted as a motor for a fundamental cultural shift in how people thought about the city, its social life, and its artistic representations. At the intersection of literary criticism and cultural history, Engine of modernity argues that the omnibus was a metaphor through which writers and artists explored evolving social dynamics of class and gender, meditated on the meaning of progress and change, and reflected on one's own literary and artistic practices.
O.P. Pym, the colossal Pym, that vast and rolling figure, who never knew what he was to write about until he dipped grandly, an author in such demand that on the foggy evening which starts our story his publishers have had his boots removed lest he slip thoughtlessly round the corner before his work is done, as was the great man's way—shall we begin with him, or with Tommy, who has just arrived in London, carrying his little box and leading a lady by the hand? It was Pym, as we are about to see, who in the beginning held Tommy up to the public gaze, Pym who first noticed his remarkable indifference to female society, Pym who gave him——But alack! does no one remember Pym for himself? Is the king of the Penny Number already no more than a button that once upon a time kept Tommy's person together? And we are at the night when they first met! Let us hasten into Marylebone before little Tommy arrives and Pym is swallowed like an oyster...
Immanuel Kant’s Groundwork for the Metaphysics of Morals is one of the most important texts in the history of ethics. In it Kant searches for the supreme principle of morality and argues for a conception of the moral life that has made this work a continuing source of controversy and an object of reinterpretation for over two centuries. This new edition of Kant’s work provides a fresh translation that is uniquely faithful to the German original and more fully annotated than any previous translation. There are also four essays by well-known scholars that discuss Kant’s views and the philosophical issues raised by the Groundwork. J.B. Schneewind defends the continuing interest in Kantian ethics by examining its historical relation both to the ethical thought that preceded it and to its influence on the ethical theories that came after it; Marcia Baron sheds light on Kant’s famous views about moral motivation; and Shelly Kagan and Allen W. Wood advocate contrasting interpretations of Kantian ethics and its practical implications.