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As his letters attest, for nearly forty years Henry James enjoyed a warm and gratifying friendship with Britain's foremost soldier of the last quarter of the nineteenth century and his wife. The Wolseleys were notable figures. Lord Wolseley, the field marshal who became Britain's commander in chief of the British army, was a national hero. Both a bibliophile and an author, Wolseley was described by Henry James to his brother William as an "excellent example of the cultivated British soldier." Lady Wolseley was also well-read, as well as stylish, strong-willed, and shrewd, and in Henry's view, a delightful correspondent--in short, as the editor writes, "precisely the kind of woman James most admired." In The Master, the Modern Major General, and His Clever Wife, Alan James offers a collection of more than one hundred letters--most of them published here for the first time--that Henry James wrote to the Wolseleys, the majority to Lady Wolseley. Included are an overall introduction to the letters; separate introductory profiles of Lord and Lady Wolseley along with commentaries on the factors that drew James and the Wolseleys together; introductions to each of four sections of the letters, divided chronologically; and annotations throughout, identifying the notable men and women to whom James refers as well as comparing what James and the Wolseleys thought of them and their work.
Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with newly written introductions that explain their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this second volume, covering the years 1885–1889, the 421 assembled letters follow Violet Paget-Vernon Lee in her early thirties. Recovering from the stinging reception of her first novel and from Annie Meyer’s death, she turns to essay writing on aesthetics and ethics and ghost stories. After Mary Robinson’s engagement to marry French orientalist Prof. Darmesteter, she travels to Spain, Gibraltar and Tangiers and briefly falls under the spell of the Orient. She also takes a liking to Scotland, and many of her close friends are Scottish --Alice Callander, Lady "Archie" (Janey Sevilla Archibald Campbell)—and so is her future partner Clementina Anstruther-Thomson. The letters reflect the expansion of her subject matter from cultural studies, art history and aesthetic philosophy. Her charity work in hospitals in Florence and her readings in Political Economy lead her thinking towards social reform and political issues. Her brother’s mental illness and her own breakdown bring about an awareness of body and mind balance and a taste for outdoor pursuits (mountaineering; bicycling; horse riding; swimming) and for experimental psychology (rotating mirrors; hypnosis) and therapies (hydrotherapy). The Pagets move away from the city center of Florence into the Villa Il Palmerino, then in the countryside, where both Eugene and Vernon recover. Correspondents include Lee’s parents, Matilda and Henry Ferguson Paget; her step-brother poet Eugene Lee-Hamilton; English poetess Mary Robinson; English poet Robert Browning; British novelist and journalist Ellen Mary Abdy-Williams; British social reform activist and editor Percy William Bunting; Irish journalist and activist Frances Power Cobbe; Irish scholar and novelist Bella Duffy; British eugenicist Karl Pearson; British publisher William Blackwood; Scottish writer Robert Louis Stevenson; American novelist Henry James; American connoisseur and arts patron Isabella Stuart Gardner; French translator and critic Marie-Thérèse Blanc ("Th. Bentzon"); Lady Louisa Wolseley; Irish historian and activist Alice Stopford-Green; Italian Countess Angelica (Pasolini) Rasponi; Italian poet, writer and critic Enrico Nencioni; Italian novelist, essayist and critic Mario Pratesi; Italian editor and man of letters Francesco Protonotari; Italian painter Telemaco Signorini.
How much influence did notable wives have on the leading commanders in British military history? These women tend to be disregarded but, as Trina Beckett demonstrates in this revealing and thought-provoking study, their influence has often been profound. Taking examples from the eighteenth century to the Second World War, she uncovers a hidden dimension in the rise to prominence of some of Britains most famous soldiers and documents a series of fascinating relationships between powerful men and equally powerful women.Sarah Churchill, Duchess of Marlborough, and Dorothy, Countess Haig are perhaps the most famous examples of wives who played important roles in their husbands brilliant careers. However, sometimes the lives of leading commanders would be hindered as well as helped by their wives. Paulina Wood proved such a disastrous hostess that she almost destroyed the career of Sir Evelyn Wood, and Lord Roberts reputation for jobbery owed much to his wife Noras constant interference in appointments.Trina Becketts perceptive and absorbing case studies reveal much about the women whose lives she portrays and the contribution they made to their distinguished husbands military careers.
“You offer yourself to be slain,” General Sir John Hackett once observed, remarking on the military profession. “This is the essence of being a soldier.” For this reason as much as any other, the British army has invariably been seen as standing apart from other professions—and sometimes from society as a whole. A British Profession of Arms effectively counters this view. In this definitive study of the late Victorian army, distinguished scholar Ian F. W. Beckett finds that the British soldier, like any other professional, was motivated by considerations of material reward and career advancement. Within the context of debates about both the evolution of Victorian professions and the nature of military professionalism, Beckett considers the late Victorian officer corps as a case study for weighing distinctions between the British soldier and his civilian counterparts. Beckett examines the role of personality, politics, and patronage in the selection and promotion of officers. He looks, too, at the internal and external influences that extended from the press and public opinion to the rivalry of the so-called rings of adherents of major figures such as Garnet Wolseley and Frederick Roberts. In particular, he considers these processes at play in high command in the Second Afghan War (1878–81), the Anglo-Zulu War (1879), and the South African War (1899–1902). Based on more than thirty years of research into surviving official, semiofficial, and private correspondence, Beckett’s work offers an intimate and occasionally amusing picture of what might affect an officer’s career: wealth, wives, and family status; promotion boards and strategic preferences; performance in the field and diplomatic outcomes. It is a remarkable depiction of the British profession of arms, unparalleled in breadth, depth, and detail.
Discover anew the life and influence of Henry James, part of the acclaimed Wiley Blackwell Critical Biographies series. In The Life of Henry James: A Critical Biography, Peter Collister, an established critic and authority on Henry James, offers an original and fully documented account of one of America’s finest writers, who was both a creative practitioner and theorist of the novel. In this volume, James’s life in all its personal and cultural richness is examined alongside a detailed scrutiny of his fiction, essays, biographies, autobiographies, travel writing, plays and reviews. James was a dedicated and brilliant letter-writer and his biographer make judicious use of this material, some of it previously unpublished, evoking in the novelist’s own words the society within which he moved and worked. His gift for friendship, often resulting in close relationships with both men and women, are sensitively explored. Near the beginning of his long and highly productive life, James left America to immerse himself in European culture and history – a necessity, he felt, for the developing artist. In an ironic symmetry he witnessed in his youth the effects of the American Civil War and in his last days, finally becoming a British citizen, despaired at the unfolding tragedy of the Great War in Europe. Sustained, nevertheless, by his own creative energy, he never ceased to believe in the capacity of the arts to enhance and give significance to life. Provides well-informed accounts of Henry James’s youth in New York City, his unconventional education, his extensive travel in Europe, his eventual assimilation into British society, his development as a writer and his personal relationships as a single man. Features discussions of James’s major works in a variety of genres from an assured theoretical and historical perspective. Assesses James’s developing quest for dramatic form in his fiction – the ‘scenic art’ – as well as his critical writing which was to have a lasting influence on the literature and aesthetic values of the twentieth century. Discusses his achieved aspiration to be ‘just literary’, to become what he called that ‘queer monster’, an artist. Charts James’s lifelong interest in art and theatre. An incisive discussion of the life of an author of major stature, The Life of Henry James: A Critical Biography offers a refreshingly lucid and human account of a novelist and his often challenging, but rewarding, writing. Peter Collister, a former college Assistant Principal, has published many essays in Europe and America on a range of nineteenth-century British and French authors. He is the author of Writing the Self: Henry James and America and later edited for the university presses of Cambridge and Virginia the award-winning volumes: The Complete Writings of Henry James on Art and Drama, James's autobiographical writings, A Small Boy and Others, Notes of a Son and Brother, and The Middle Years, as well as The American Scene.
This volume of The Complete Letters of Henry James, 1883–1884 includes 178 letters, of which 117 are published for the first time, written from January 2, 1883, to January 29, 1884. The letters trace the development of Henry James’s literary career as well as the maturation of his international reputation as a public figure. They also record James’s recovery following the deaths of his parents and brother, the difficult execution of his father’s will, and his return to England from an extended stay in the United States. This volume concludes with James’s continuing efforts to maximize his writing income.
Recipient of the Approved Edition seal from the Modern Language Association's committee on scholarly editions This volume of The Complete Letters of Henry James, 1880-1883 includes 178 letters, 98 of which are published for the first time, written from November 1, 1881, to January 1, 1883. The letters record Henry James's establishment as one of the preeminent professional writers in Britain and the United States and follow James's return journeys to the United States following the deaths of his parents. This volume concludes with James's assumption of his role as the executor of his father's will and thus the de facto head of the family.
Recipient of the Approved Edition seal from the Modern Language Association’s Committee on Scholarly Editions This volume of The Complete Letters of Henry James, 1884–1886 includes 179 letters, 94 published for the first time, written between November 11, 1884, and December 21, 1885. The letters mark Henry James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships old and new, and maximize his income. James details work on midcareer novels The Bostonians and The Princess Casamassima as well as on tales that would help to define his career. He reveals his close acquaintance with British politics and politicians. This volume opens with Alice James’s arrival in England and concludes with Henry James’s plans to leave his flat in Piccadilly for his new address in De Vere Gardens, Kensington.
Containing letters written between October 3, 1878, and August 30, 1879, this volume of The Complete Letters of Henry James reveals Henry James establishing control of his writing career and finding confidence in himself not only as a professional author on both sides of the Atlantic but also as an important social figure in London. In this volume of 114 letters, of which 58 are published for the first time, we see James learning to negotiate, pitting one publisher against another, and working to secure simultaneous publication in the United States and England. He establishes a working relationship with Frederick Macmillan and with the Macmillan publishing house, cultivates reviewers, basks in the success—and notoriety—of his novella Daisy Miller, and visits Alfred Tennyson and George Eliot, among others. James also produces essays on political subjects and continues to publish reviews and travel essays. Perhaps most important, James negotiates terms for and begins planning The Portrait of a Lady.