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The adventures of that rascal, Puss, and his master, the miller's son are here portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.
A clever cat wins for his master a fortune and the hand of a princess.
This is an authoritative presentation and discussion of the most basic thematic elements universally found in folklore and literature. The reference provides a detailed analysis of the most common archetypes or motifs found in the folklore of selected communities around the world. Each entry is written by a noted authority in the field, and includes accompanying reference citations. Entries are keyed to the Motif-Index of Folk Literature by Stith Thompson and grouped according to that Index's scheme. The reference also includes an introductory essay on the concepts of archetypes and motifs and the scholarship associated with them. This is the only book in English on motifs and themes that is completely folklore oriented, deals with motif numbers, and is tied to the Thompson Motif-Index. It includes in-depth examination of such motifs as: Bewitching; Chance and Fate; Choice of Roads; Death or Departure of the Gods; the Double; Ghosts and Other Revenants; the Hero Cycle; Journey to the Otherworld; Magic Invulnerability; Soothsayer; Transformation; Tricksters.
Here are the original eight stories from the 1697 volume Contes de temps passé by the great Charles Perrault: "Cinderella," "Sleeping Beauty," "Puss in Boots," and more. Also includes 34 extraordinary full-page engravings by Gustave Doré.
ISSN: 2397-9607 Issue 159 ÿ In this 159th story in the Baba Indaba?s Children's Stories series, Baba Indaba narrates the children?s favourite of THE MASTER CAT, or, Puss in Boots. A miller?s son inherits a bag and a cat and thinks his world has come to an end. However, the cat can speak and he does have brains. With nothing left to lose, he puts his trust and his future in the cats hands, and so the adventure begins.....??. Download and read this story to find out how the cat uses his brains to improve his own and his master?s fortunes. ÿ INCLUDES LINKS TO DOWNLOAD 8 FREE STORIES ÿ Each issue also has a "WHERE IN THE WORLD - LOOK IT UP" section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story. HINT - use Google maps. ÿ Baba Indaba is a fictitious Zulu storyteller who narrates children's stories from around the world. Baba Indaba translates as "Father of Stories". ÿ It is believed that folklore and tales are believed to have originated in India and made their way overland along the Silk and Spice routes and through the Middle East and Central Asia before arriving in Europe. Even so, this does not cover all folklore from all four corners of the world. Indeed folklore, legends and myths from Africa, Australia, Polynesia, and some from Asia too, can be altogether quite different and seem to have originated on the whole from separate reservoirs of lore, legend and culture.
The cat with boots. (Le Maître Chat ou le Chat bottand, in Frenchands) is a European folk tale compiled, in 1695, by Charles Perrault and published in 1697 in his book Tales of Antañor (Histoires ou contes du temps passand. Avec des moralitands). as Master Cat or Puss in Boots. 3. It tells the story of a cat that, based on cunning and deceitñYou, get the fortune and the hand of a princess for your master, totally poor. The 1695 handwritten book istodedicated to Mademoiselle, niece of Louis XIV. Puss in Boots was a hit from its first publication and remains popular, despite its ambiguous morals. The character is inspired by at least two stories previously written: the novel The Pleasant Nights by Gianfrancesco Straparola (1550, the first part and 1553, the second part) . and the Pentamerorn (The tale of tales), collectionorn of stories by Giambattista Basile published in five volumes, from 1634 to 1636. Puss in Boots has inspired designers, composers, choreographers, and just about every type of artist. It appears in the third act of the ballet The Sleeping Beauty of Tchaikovsky. In addition, the adaptations of the story have been multiple, from theater to cinema and comics, through opera, parodies ...
A clever cat wins for his master a fortune and the hand of a princess.
The fairy tales and legends of olden China have in common with the "Thousand and One Nights" an oriental glow and glitter of precious stones and gold and multicolored silks, an oriental wealth of fantastic and supernatural action. And yet they strike an exotic note distinct in itself. The seventy-three stories here presented after original sources, embracing "Nursery Fairy Tales," "Legends of the Gods," "Tales of Saints and Magicians," "Nature and Animal Tales," "Ghost Stories," "Historic Fairy Tales," and "Literary Fairy Tales," probably represent the most comprehensive and varied collection of oriental fairy tales ever made available for American readers. There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject. Yet, like the "Arabian Nights," they will amply repay the attention of the older reader as well. Some are exquisitely poetic, such as "The Flower-Elves," "The Lady of the Moon" or "The Herd Boy and the Weaving Maiden"; others like "How Three Heroes Came By Their Deaths Because Of Two Peaches," carry us back dramatically and powerfully to the Chinese age of Chivalry. The summits of fantasy are scaled in the quasi-religious dramas of "The Ape Sun Wu Kung" and "Notscha," or the weird sorceries unfolded in "The Kindly Magician." Delightful ghost stories, with happy endings, such as "A Night on the Battlefield" and "The Ghost Who Was Foiled," are paralleled with such idyllic love-tales as that of "Rose of Evening," or such Lilliputian fancies as "The King of the Ants" and "The Little Hunting Dog." It is quite safe to say that these Chinese fairy tales will give equal pleasure to the old as well as the young. They have been retold simply, with no changes in style or expression beyond such details of presentation which differences between oriental and occidental viewpoints at times compel. It is the writer's hope that others may take as much pleasure in reading them as he did in their translation.
Newbery Honor author of Ella Enchanted Gail Carson Levine weaves a spellbinding tale about a clever heroine, a dragon detective, and a shape-shifting ogre. Newly arrived in the town of Two Castles, Elodie unexpectedly becomes the assistant to a brilliant dragon named Meenore, and together they solve mysteries. Their most important case concerns the town’s shape-shifting ogre, Count Jonty Um: Someone is plotting against him. Elodie must disguise herself to discover the source of the threat amid a cast of characters that includes a greedy king, a giddy princess, and a handsome cat trainer. Readers who loved Ella Enchanted and Fairest will delight in this tale of a spirited heroine who finds friendship where she least expects it and discovers that goodness and evil come in all shapes and sizes.
Though she dreams of adventure, Gabrielle-a peasant girl-is given only a cat for her inheritance and is told she must marry, immediately. So when the cat, Puss, offers her a life of excitement in exchange for a pair of boots, Gabrielle jumps at the opportunity. Through Puss's cunning and Gabrielle's good deeds, they become celebrated heroes in small villages across the country.Their adventurous life is complicated by Prince Steffen-a handsome prince who has a low opinion of love. He befriends Gabrielle and comes to grudgingly respect Puss as they work together to purge monsters and brigands from the countryside.Disaster strikes when Steffen realizes his growing feelings for Gabrielle, and Puss and Gabrielle fight the evil ogre who rules the lands of Carabas. Can Gabrielle save Carabas? Will Steffen accept his feelings for her before it is too late?