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One of the barriers involved in teaching students of Biblical Hebrew about the Masorah is the lack of introductory literature on the subject. Although a lot of information about the Masorah is available in print, most of it is in technical professional journals or encyclopedia articles. Scattered about in disparate sources, often not in English, this literature is easier to ignore than it is to incorporate into introductory Hebrew classes. As a result, most students of Biblical Hebrew complete their studies without any background on the Masorah. This volume fills this gap by providing an introduction and glossary to the Masorah of the Biblia Hebraica Stuttgartensia. Although the volume could be used by any student of the Hebrew Bible, it is specifically designed to be helpful for students who are just learning Hebrew. Thus it can serve as an important parallel text for second semester or second year Hebrew courses. The introductory chapters give an overview of the field of Masoretic studies and explain the mechanics of using the Masorah of BHS. The annotated glossary provides students with definitions and explanations for most of the terms used in BHS, including examples.
Following Levita’s statement, the Masorah transmitted by medieval illuminated manuscripts was generally considered as less significant for the study of the biblical and masoretical knowledge in the Jewish world. The biblical codices produced in Ashkenaz were considerably disregarded compared to Spanish codices. Challenging this assertion, this work engages in a reflection on the link between the standard Eastern tradition and the Ashkenazic biblical text-culture of the 13th century. Élodie Attia provides an edition of thirteen cases taken from MS Vat. Ebr. 14, offering the oldest series of Masoretic notes written inside figurative and ornamental designs. Its critical apparatus offers an unprecedented comparison with the oldest Eastern and Ashkenazic sources to evaluate if the scribe paid more attention to aesthetic details than to the textual contents. In an unexpected way, the Masoretic notes of Elijah ha-Naqdan, even written in figurative forms, show a close philological link with the Masorah of the eastern Tiberian sources and prove that the presence of figurative elements neither represents a loss nor a distortion of Masoretic knowledge, but rather illustrates a development in the Masoretic tradition.