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From the feisty and fabulous “Joan Rivers of the pet influencer community” (Paper Magazine), beloved social media star and canine fashion icon Izzy the Frenchie wittily explains why it’s so important we all wear face masks to battle COVID-19. French bulldog and doggy celebrity Izzy loves going out and about just like the rest of us, but she also knows how important it is to be stylish and safe. In Wear the Damn Mask, the four-legged “sassy fashion lover” (Vogue) shows how you can effortlessly be both. Featuring endearing and funny photos of Izzy accompanied by cheeky words of wisdom on when to wear your mask and how to properly social distance, Wear the Damn Mask is a laugh-out-loud, clever read that will help prevent COVID-19 from literally going to the dogs.
This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
This book seeks to both showcase and further develop innovative research and debates on contemporary Arab cultural production. Popular culture in the form of cinema, popular music, literature, visual media and cyber-cultures, both local and imported, enjoy a central role in Arab cultural life, and the contributors to this innovative collection showcase the tremendous cultural output emerging from the Arab world. They present sensitive, conceptual readings whilst remaining mindful of the place of this work within a wider framework that seeks to prevent isolationist readings of cultural phenomena. Making sense of the place of culture in the Arab world, and agreeing upon a broadly recognisable and commonly accepted set of terms within which to discuss this output, is a new and urgent challenge. Arab Cultural Studies aspires to understand, communicate and theorise these forms. This book was originally published as a special issue of the Journal for Cultural Research.
‘Life Harvest’ is a collection of thoughts and reflections from the pen of Ann Henning Jocelyn. Containing both poetry and prose, ‘Life Harvest’ offers the reader a gentle and benevolent exploration of the various stages of life. Henning’s observations are funny, poignant, inspiring, and rooted in love. This book would make a superb gift for anyone who needs a little literary sunshine in their life. Ann Henning Jocelyn (born 1948) is a Swedish poet and playwright. Born in Gothenburg, she wrote her first story at the age of five and has been writing ever since. After the death of her grandparents, Henning’s mother relocated the family to Molndal. Henning found school life difficult there and was subject to bullying, as the result of her love of literature. However, she managed to write plays that entertained her classmates and the bullying subsided. After studying at Gothenburg University, Henning moved to London to work at the Open Space Theatre. In 1983, she moved again, this time to Ireland, which is where she now lives.
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