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An examinination of the role that Catholic missionary orders played in the dissemination of accounts of Christian martyrdom in Japan. The author offers an overarching portrayal of the writing, printing, and circulation of books of “Japano-martyrology.”
Originally published in 1988, this book offers an important insight into the so-called 'martyrdom movement' that occurred in Córdoba in the 850s. It includes a biographical treatment of the ninth-century Cordoban priest Eulogius, who witnessed and recorded the martyrdoms of over forty Christians at the hands of Muslim authorities. Eulogius' hagiographical task was complicated by the fact that many of the Christians in Córdoba at the time resented the provocative actions of the martyrs that led to their executions, claiming that their public denunciations of Islam were inappropriate given the relative tolerance of the emir. This book will be of value to scholars and others with an interest in the history of Muslim Spain, the history of Muslim-Christian interaction, and historical ideas of sanctity.
Why be satisfied with leftist propaganda on the Spanish Civil War? Carroll's treatment of the events of 1936 is singular in Anglo-American scholarship for seeing the conflict for what is truly was: a death struggle against the Christian faith and a war against Christian civilization in Europe. This outstanding work of scholarship illustrates the phenomenon of the traditionalist as revisionist: the distortions of decades of Marxist historiography are overturned in Carroll's narration of the bloody struggle to preserve Western civilization in the heart of 20th century Europe.
The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them. In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.