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In the context of the current debate about writing during the Third Reich and the German Democratic Republic in which contradictory tendencies lean toward and away from unreflected and moralizing approaches, Philpotts (German studies, U. of Manchester) seeks an approach to that is better able to cope with writing that while not unequivocally suppor
In this study the author elaborates a comparative framework for analysing literary texts from the Third Reich and the GDR in terms of the extent of assent and/or dissent expressed through them towards the National Socialist and SED regimes. The author maps out areas of similarity and difference in the workings of cultural policy in the two dictatorships. In the second part of the study, Günter Eich's work for the Nazi radio system and Bertolt Brecht's cultural activities in the GDR act as case studies to illuminate the patterns of interdependent assent and dissent generated under the conditions of dictatorship.
This book offers a fresh and original approach to the study of one of the dominant features of the twentieth century. Adopting a truly global approach to the realities of modern dictatorship, this handbook examines the multiple ways in which dictatorship functions - both for the rulers and for the ruled - and draws on the expertise of more than twenty five distinguished contributors coming from European, American, and Asian universities. While confronting the immense complexities of repression and popular response under dictatorship, the volume also poses a series of wide-ranging questions about the political organization of present-day mass society.
Barcelona, City of Margins studies the creation of a space of dissent in the 1950s and 1960s that became the pillar of the protest movements during the final years of the Franco dictatorship and the transition to democracy. This space of dissent took shape in the margins of what is considered the official space of the city of Barcelona, revealing the interconnection of urbanism, literature, and photography in the formation of the political, social, and cultural movements to come in the 1970s. Olga Sendra Ferrer draws from theoretical readings on built environments, neighbourhoods, housing projects and developments, and everyday life within Spanish urban spaces. Literature and photography demonstrate the political value of cultural production and forms of cultural representation that occur from peripheral zones – those pushed aside by exclusionary politics, fascist forms of control, surveillance, and homogenization. In search of the origins of the protest movements and counter culture that would come in the final years of the Franco regime, Barcelona, City of Margins asserts the value of urban movement and cultural practice as a challenge to the spatial and urbanistic regime of Francoism.
Now available in English for the first time, Dictatorship is Carl Schmitt’s most scholarly book and arguably a paradigm for his entire work. Written shortly after the Russian Revolution and the First World War, Schmitt analyses the problem of the state of emergency and the power of the Reichspräsident in declaring it. Dictatorship, Schmitt argues, is a necessary legal institution in constitutional law and has been wrongly portrayed as just the arbitrary rule of a so-called dictator. Dictatorship is an essential book for understanding the work of Carl Schmitt and a major contribution to the modern theory of a democratic, constitutional state. And despite being written in the early part of the twentieth century, it speaks with remarkable prescience to our contemporary political concerns.
Forms of Dictatorship examines novels that depict the historical reality of dictatorship and exploit dictatorship as a literary trope.
Oppression and violence are often cited as the pivotal aspects of modern dictatorships, but it is the collusion of large majorities that enable these regimes to function. The desire for a better life and a powerful national, if not imperial community provide the basis for the many forms of people's cooperation explored in this volume.
A major profile of the Soviet general credited with a decisive role in key World War II victories compares his legend with his achievements while surveying his eventful post-war experiences as Krushchev's disgraced defense minister. 15,000 first printing.
Using colourful and detailed case material, Street-Level Democracy introduces a new method of researching everyday politics. It is a wide-ranging book that traces the conflicts between global power and local action. People in farming communities, town mosques, city markets, and fishing communities suffer the effects of wrenching change, but live far from the centres of power. From Britain and small-town USA to Nigeria, India, and Nicaragua, citizens everywhere grapple with the politics of everyday life.
A compelling intellectual biography of Stalin told through his personal library "[A] fascinating new study."--Michael O'Donnell, Wall Street Journal In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words, and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics. Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated, revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies--the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors--but detested their ideas even more.