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Winner of the Bolton-Johnson Prize Winner of the Utley Prize Winner of the Distinguished Book Award, Society for Military History “The Dead March incorporates the work of Mexican historians...in a story that involves far more than military strategy, diplomatic maneuvering, and American political intrigue...Studded with arresting insights and convincing observations.” —James Oakes, New York Review of Books “Superb...A remarkable achievement, by far the best general account of the war now available. It is critical, insightful, and rooted in a wealth of archival sources; it brings far more of the Mexican experience than any other work...and it clearly demonstrates the social and cultural dynamics that shaped Mexican and American politics and military force.” —Journal of American History It has long been held that the United States emerged victorious from the Mexican–American War because its democratic system was more stable and its citizens more loyal. But this award-winning history shows that Americans dramatically underestimated the strength of Mexican patriotism and failed to see how bitterly Mexicans resented their claims to national and racial superiority. Their fierce resistance surprised US leaders, who had expected a quick victory with few casualties. By focusing on how ordinary soldiers and civilians in both countries understood and experienced the conflict, The Dead March offers a clearer picture of the brief, bloody war that redrew the map of North America.
The sequel to The Corpse-Rat King. Find the dead a King, save himself, win the love of his life, live happily ever after. No wonder Marius dos Helles is bored. But now Keth, his one love, is missing. Gerd has re-entered his life, and something has stopped the dead from, well, dying. It's up to Marius, Gerd, and Gerd's not-dead-enough Granny to journey across the continent and put the dead back in the afterlife where they belong. But someone has the dead riled up and spoiling for a fight, and now the dead are marching. File Under: Fantasy [ Dead Not Buried | Relatively Insane | Marching Orders | No Rest ]
The sequel to The Corpse-Rat King. Find the dead a King, save himself, win the love of his life, live happily ever after. No wonder Marius dos Helles is bored. But now Keth, his one love, is missing. Gerd has re-entered his life, and something has stopped the dead from, well, dying. It's up to Marius, Gerd, and Gerd's not-dead-enough Granny to journey across the continent and put the dead back in the afterlife where they belong. But someone has the dead riled up and spoiling for a fight, and now the dead are marching. File Under: Fantasy [ Dead Not Buried | Relatively Insane | Marching Orders | No Rest ]
This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.
Beyond the Known Lands lay terror. It was strange country, that across the western seas, and sensible men would avoid it as tough the waters of the seas themselves were bearers of the plague. But Owen of Marrdale was not an ordinary man...nor even an ordinary thief, though he made his living through the art of stealing. Still, he once made the mistake of saving his life by accepting the favor of a sorcerer... and the favors of such do not come cheap. But when in debt to a sorcerer, the debt must be discharged... no matter what the elements of hell are released along the way!
Intrepid nineteenth-century enquiry agents American Matthew Grand and Englishman James Batchelor bring their investigation skills to Washington, DC. July, 1868. On receiving a commission from Matthew’s cousin Luther to look into the suspicious death of Lafayette Baker, Head of the US National Detective Police, private investigators Matthew Grand and his business partner James Batchelor leave London for Washington, DC. They find a country still scarred by the bitter legacy of the Civil War and even in death Lafayette Baker remains one of the most hated men north or south of the Potomac. The newly-created Ku Klux Klan wanted him dead. So did the Washington brothel-keepers, bar-owners, and gamblers whom Baker had closed down. What does beautiful former spy Miss Belle Boyd know that she’s not telling them? And could the President himself be involved? Matthew Grand finds he has come home to a mixed reception, while Batchelor struggles as an Englishman abroad. Will either of them survive long enough to uncover the truth? “Trow’s absorbing historical will please Civil War buffs as well as readers who relish the mysteries of Will Thomas and Charles Finch” ―Library Journal “A plot packed with skulduggery . . . sometimes dangerous, sometimes comic, sometimes bizarre adventures.” ―Booklist
This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanović explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.
Forced into the Battle of the Bulge, two soldiers on opposing sides find the courage to desert when their honor is betrayed in this WWII thriller. Belgium, 1944. For both American GI Wendell Lett and German seaman Holger Frings, the relentless bloodbath of World War II has become a prison and a curse. Just as Lett meets a Belgian woman who offers him deliverance from the toll of combat, he is pushed into a reckless false flag mission. At the same time, Frings is conscripted into a similar operation that takes him to the breaking point. Their fates collide in the surprise Ardennes counteroffensive known as the Battle of the Bulge. As Lett tries to find his way back to his beloved Heloise, he and Frings team up to desert their savage overseers while the battle rages around them. In Under False Flags, the absurdity of war is brought to brutal light as each side attempts to disguise their cannon fodder in enemy uniform. Under False Flags is the prequel to The Preserve, the second book featuring Wendell Lett.
The Great War, 1918. With no end in sight, dark forces have entered the horror of No Man's Land to secure victory or Armageddon. Swept into their currents are two figures who will shape the final blow. Warren Bishop, con man and coward, is killed by his own dead brother in the lunar hell of France and reborn to serve the Lost Battalion, the army of war dead serving a mad sorcerer. Meanwhile inventor Vasilya Savorov, illegitimate daughter and heir to the Fabergé family fortune, has been kidnapped by the Germans to make a mechanical nightmare to break the deadlock of war and secure victory for the Kaiser. As fate draws them together the future of millions lies in the balance. Victory or defeat means a cataclysmic Harvest of Blood and Iron.