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See? All we need is... a map and...some kind of plan. This overcoat is neutral darling, neither Bolshevik nor Menshevik. Just essence of Prole. In Kiev during the Russian Civil War, the Turbin household is sanctuary to a ragtag, close-knit crowd presided over by the beautiful Lena. As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar, falling in love. But the new regime is poised and in its brutal triumph lies destruction for the Turbins and their world. And those are the real enemies we face, deep in the shadows. This modern man with no name, no past, no love. This desperate hate-filled man born of loneliness and frustration. This man with nothing to be proud of, nothing he is part of. . .
Gilbert Parker's novel, The March of the White Guard, is a historical fiction masterpiece set during the Russian Revolution. Through vivid storytelling and captivating prose, Parker paints a picture of the tumultuous time period filled with political intrigue, social unrest, and personal sacrifice. The novel's rich character development and detailed descriptions immerse the reader in the world of early 20th-century Russia, making it a compelling and educational read for history enthusiasts and fiction lovers alike. Parker's literary style combines elements of romance, adventure, and tragedy, creating a multi-layered narrative that keeps readers engaged from beginning to end. Gilbert Parker, a Canadian novelist and politician, was known for his ability to blend historical accuracy with compelling storytelling. His background as a journalist and travel writer provided him with the necessary skills to research and accurately depict the events of the Russian Revolution in The March of the White Guard. Parker's passion for history and his talent for evocative prose shine through in this novel, making it a timeless classic that continues to resonate with readers today. I highly recommend The March of the White Guard to anyone interested in historical fiction, Russian history, or simply looking for a captivating read. Parker's masterful storytelling and expert portrayal of a significant historical period make this novel a must-read for literature enthusiasts of all kinds.
Bringing together the Soviet historical experience and Stalin-era art in novels, films, poems, songs, painting, photography, architecture and advertising, Dobrenko examines Stalinism's representational strategies and demonstrates how real socialism was begotten of Socialist Realism.
WITH AN INTRODUCTION BY TERRY GILLIAM When Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.
Russian playwright and historian Radzinsky mines sources never before available to create a fascinating portrait of the monarch, and a minute-by-minute account of his terrifying last days.
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
A tale of adventure and daring, loyalty and deceit, bravery and cowardice that captivates the imagination. It is a narrative that warms the heart and manifests the belief in goodness of man and the reward that follows it. The depth and goodness of characters is gratifying and visionary of morals.