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This is a study of the Maquis in southern France, the Resisters who took to the woods and hills in the struggle against the German Occupation in the Second World War. H. R. Kedward's detailed and perceptive account explores what participation in the Maquis meant for those involved both at the time and subsequently. He examines the motivations of the maquisards and how the circumstances of occupation and resistance affected the ways of life of rural communities in the south of France. This is a rich and original book, which achieves a fruitful integration of extensive archival research and oral history. Professor Kedward's scholarly and readable history allows the voices of individuals to be heard, and offers us important insights into the nature of community and regional tradition. From the many fascinating case-studies, fully supplemented by detailed maps, emerge a sense of place, a clearer understanding of the maquisard, and an unsentimental assessment of the place of the Maquis in French history. -
Gender, Migration, and the Claims of Postcolonial Nationhood in Francophone Africa examines three major migrant women writers from Francophone Africa: Ken Bugul, Calixthe Beyala, and Fatou Diome. Coly studies what home means in the context of migration and how gender shapes the meaning of home. This is the first study to bring together migrant women from Francophone Africa. This is also the first study to offer a feminist critique of postnationalist discourses of home, specifically the application of postnationalism to the postcolonial context.
Between 1954 and 1962, Algerian women played a major role in the struggle to end French rule in one of the twentieth century’s most violent wars of decolonisation. This is the first in-depth exploration of what happened to these women after independence in 1962. Based on new oral history interviews with women who participated in the war in a wide range of roles, from urban bombers to members of the rural guerrilla support network, it explores how female veterans viewed the post-independence state and its multiple discourses on ‘the Algerian woman’ in the fifty years following 1962. It also examines how these former combatants’ memories of the anti-colonial conflict intertwine with, contradict or coexist alongside the state-sponsored narrative of the war constructed after independence. Making an original contribution to debates about gender, nationalism and memory, this book will appeal to students and scholars of history and politics.
Unlawful Combatants brings the study of irregular warfare back into the centre of war studies. The experience of recent and current wars in Afghanistan, Iraq, Libya, and Syria showed that the status and the treatment of irregular fighters is one of the most central and intricate practical problems of contemporary warfare. Yet, the current literature in strategic studies and international relations more broadly does not problematize the dichotomy between the regular and the irregular. Rather, it tends to take it for granted and even reproduces it by depicting irregular warfare as a deviation from the norm of conventional, inter-state warfare. In this context, irregular warfare is often referred to as the 'new wars' and is associated with the erosion of statehood and sovereignty more generally. This obscures the fact that irregulars such as rebels, guerrillas, insurgents and terrorist groups have a far more ambiguous relationship to the state than the dichotomy between the state and 'non-state' actors implies. They often originate from states, are supported by states and/or aspire to statehood themselves. The ambiguous relationship between irregular fighters and the state is the focus of the book. It explores how the category of the irregular fighter evolved as the conceptual opposite of the regular armed forces, and how this emergence was tied to the evolution of the nation state and its conscripted mass armies at the end of the eighteenth century. It traces the development of the dichotomy of the irregular and the regular, which found its foremost expression in the modern law of armed conflict, into the twenty-first century and provides a critique of the concept of the 'unlawful combatant' as it emerged in the framework of the 'war on terror'. This book is a project of Changing Character of War programme at the University of Oxford.
This volume has a dual purpose. It aims to define the state of Japanese literary studies in the field of women's writing and to present cross-cultural interpretations of Japanese material of relevance to contemporary work in gender studies and comparative literature.
When Albert Memmi published the first anthology of francophone Maghrebian literature, he expressed his unhappy belief that francophone writing would quickly be eclipsed by Arabic. To the contrary, this volume demonstrates that the francophone writing of North Africa remains vibrant and prolific.
Louise Marley's first collection includes ten science fiction and fantasy stories, most with a feminist take. Due to Marley's background as a concert opera singer, many stories have music at their heart.
This comprehensive reader provides an overview of research in the study of the Second World War and includes chapters by some of the best known and most innovative scholars working today. It gives attention to the fighting of the war throughout the world.
“Remember the first time you read Le Guin’s Earthsea novels or Tolkien’s Lord of the Rings? All that timeless magic and wisdom is just as powerful in Marley’s latest—an instant classic.”—Paul Goat Allen, Explorations On Nevya, summer comes once every five years, and to be outside after nightfall is fatal. Its people rely on their Cantors and Cantrixes, men and women with the ability to channel psi energy through music, creating heat and light. Mreen is possibly the most talented Cantrix on Nevya—but she is unable to make a sound. When she travels to her first posting at the house of Tarud, she is accompanied by a younger Singer, Emle, who will help the Cantrix, teach Tarus’s Housemembers the Cantrix’s finger-symbol alphabet, and try to come to terms with her own flawed Gift, her inability to channel her psi. The two young women then find out about Gwin, a young girl whose abusive stepfather wants to exploit her psi-Gift talents—and in reaching out to help her, both Mreen and Emle learn how to help themselves.
"The "ordinary times" Claude Morhange-Begue refers to began when she was not quite eight years old; in April 1944, the SS paused in the French village of Chamberet for some routine business and left with Morhange-Begue's mother. For the rest of the war her mother was interned at Auschwitz. She returned at war's end, her health irreparably impaired but wanting to talk." "Years passed, and Morhange-Begue became a woman and a mother in her turn. Chamberet was written, says Morhange-Begue, in order that certain things not be forgotten. Although her mother felt compelled to speak when she came home, she had been unwilling to record her experiences. Morhange-Begue therefore assumed that task and bore witness on her mother's behalf. What she presents here is a stirring tale of personal emergence." --Book Jacket.