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{\rtf1\ansi\ansicpg1252\deff0{\fonttbl{\f0\fnil\fcharset0 Arial;}} \viewkind4\uc1\pard\lang2057\fs18 For the last nine years, the city of Ciudad Juarez in northern Mexico has been the centre of an ongoing phenomenon of female homicides, referenced in Spanish as femicidios or las muertas de Juarez ("the dead women of Juarez"). As of February 2005 more than 370 bodies have been recovered, with over 400 women still missing, according to Amnesty International. The BBC News reported in November 2005 that 28 women had been murdered so far in 2005. \par \par As for who is behind the murders, the answer remains unknown. Despite numerous arrests over the last few years, the killings continue, leading the Mexican police and the general public to consider many theories, among them that the original killer or killers are in jail and copycats have moved to the area since. Furthermore, there has been speculation that there has been a conspiracy of silence and cover-up by Mexican politicians. \par \par \i\fs20 Daughters of Juarez\i0\fs18 will be the first, major non-fiction work to examine the Juarez murders. In it, authors Rodriguez, Montane and Pulitzer will focus on retelling the stories of three missing women and of their families' plight to find the responsible killer or killers. As this story begins to land on the front pages of national papers such as \i\fs20 The New York Times\i0\fs18, this book will become a staple of required reading on the case for years to come. \par }
It's the summer of 1998 and for five years over a hundred mangled and desecrated bodies have been found dumped in the Chihuahua desert outside of Juárez, México, just across the river from El Paso, Texas. The perpetrators of the ever-rising number of violent deaths target poor young women, terrifying inhabitants on both sides of the border. El Paso native Ivon Villa has returned to her hometown to adopt the baby of Cecilia, a pregnant maquiladora worker in Juárez. When Cecilia turns up strangled and disemboweled in the desert, Ivon is thrown into the churning chaos of abuse and murder. Even as the rapes and killings of "girls from the south" continue, their tragic stories written in desert blood, a conspiracy covers up the crimes that implicate everyone from the Maquiladora Association to the Border Patrol. When Ivon's younger sister gets kidnapped in Juárez, Ivon knows that it's up to her to find her sister, whatever it takes. Despite the sharp warnings she gets from family, friends, and nervous officials, Ivon's investigation moves her deeper and deeper into the labyrinth of silence. From acclaimed poet and prose-writer Alicia Gaspar de Alba, Desert Blood is a gripping thriller that ponders the effects of patriarchy, gender identity, border culture, transnationalism, and globalization on an international crisis.
Duarte's latest novel is based on a string of real-life murders in Ciudad Jurez in the 1990s. Forced out of the house by her alcoholic mother, 13-year-old Evita takes to the streets, glimpsing newspaper columns about the murders, while struggling to survive. Petra, Evita's comely 19-year-old cousin, exchanges the country life for gritty Jurez to raise money for her ailing father. An acquaintance of Petra, Mayela, a 12-year-old Tarahumara Indian, lives in an orphanage where her artistic talent is discovered.
A startling analysis of the killing of over 500 women in Ju rez to help readers understand the presence of suffering and evil. Making expert use of narrative theology, Prof. Lu vano uses the killing of over 500 women since 1993 in Ciudad Ju rez as a lens to examine and attempt to understand the role that suffering plays in God's love and relationship with humankind. The first three chapters that form Part I describe events in northern Mexico that provide the context for the killing of young women. The five chapters in the second part examine different themes within the broad context of theodicy the nature of God, the traditional teaching of the church, and contemporary theological approaches to human suffering (e.g., Soelle, Wiesel, Moltman).
Since 1993, more than five hundred women and girls have been murdered in Ciudad Juárez across the border from El Paso, Texas. At least a third have been sexually violated and mutilated as well. Thousands more have been reported missing and remain unaccounted for. The crimes have been poorly investigated and have gone unpunished and unresolved by Mexican authorities, thus creating an epidemic of misogynist violence on an increasingly globalized U.S.-Mexico border. This book, the first anthology to focus exclusively on the Juárez femicides, as the crimes have come to be known, compiles several different scholarly "interventions" from diverse perspectives, including feminism, Marxism, critical race theory, semiotics, and textual analysis. Editor Alicia Gaspar de Alba shapes a multidisciplinary analytical framework for considering the interconnections between gender, violence, and the U.S.-Mexico border. The essays examine the social and cultural conditions that have led to the heinous victimization of women on the border—from globalization, free trade agreements, exploitative maquiladora working conditions, and border politics, to the sexist attitudes that pervade the social discourse about the victims. The book also explores the evolving social movement that has been created by NGOs, mothers' organizing efforts, and other grassroots forms of activism related to the crimes. Contributors include U.S. and Mexican scholars and activists, as well as personal testimonies of two mothers of femicide victims.
In Ciudad Juarez, Mexico, since 1993, more than 400 women have been killed, a conservative estimate due to the hundreds more that are still missing. These women were often employees at tariff and duty-free factories in the area. The factories, also known as maquiladoras contribute to the economy of the city after they were implemented in the Border Industrialization Program. Case studies and news articles reveal the connection between the maquilas and the growing number of femicides in the city. The working conditions and constant harassment of female employees contribute to the abuses the predominantly young women suffer. With the growing economy and implementation of NAFTA, these changes were exacerbated after 1994. The need for programs that protect women from these environments as well as proper investigations is urgent. Femicide is a pressing issue in Cuidad Juarez and there is a need for immediate action.
An account and analysis of the systematic murder of women and girls in the Mexican border town of Ciudad Juárez. In Ciudad Juarez, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. —from The Femicide Machine Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's 2666 and as a literary detective in Javier Marías's novel Dark Back of Time, Sergio González Rodríguez is one of Mexico's most important contemporary writers. He is the author of Bones in the Desert, the most definitive work on the murders of women and girls in Juárez, Mexico, as well as The Headless Man, a sharp meditation on the recurrent uses of symbolic violence; Infectious, a novel; and Original Evil, a long essay. The Femicide Machine is the first book by González Rodríguez to appear in English translation. Written especially for Semiotext(e) Intervention series, The Femicide Machine synthesizes González Rodríguez's documentation of the Juárez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. The Femicide Machine probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers.