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IN A TOWN IN THE HEART OF LA MANCHA, home to Don Quijote and his windmills, the Clemente family lived for centuries, their fortunes tied to those of a plant... So begins the grand tale that is The Mapmaker's Opera. Born in Seville, Spain to a dishonored governess, a young Diego Clemente finds solace in the world of books, in particular John James Audubon's Birds of America. Mesmerized by the wondrous images in Audobon's magnificent volume, he longs to travel to the New World to find his destiny and see these amazing creatures for himself. When renowned American naturalist Edward Nelson enlists him by chance to create a guide to Yucatan's birds, Diego's dream comes true. Arriving on Mexico's Yucatan Peninsula on the eve of the Mexican Revolution, Diego finds himself in a world that is as precarious as it is beautiful, where opulent henequen plantations are built on the backs of slave labor and the social order is on the brink of imploding. And there, Diego falls for the young Sofia, a woman who longs to be as free as the birds she also loves. He tries with all his might to win her and, with Nelson's help, to save the last pair of passenger pigeons in existence. A mesmerizing tale of star-crossed passions, a pair of mysterious birds, and a young man's quest to honor both his passions, The Mapmaker's Opera transports its audience with stunning vistas, magical storytelling, and a universal story of love.
When artist Diego Clemente moves from Seville to the YucatánPeninsula to help complete the first guide to the region's birds, he arriveson the eve of the Mexican Revolution. It is a place where the precarious and thebeautiful balance each other, where opulence is built on the backs of slaves andthe social order is on the brink of collapse. Here he meets Sofia, a fellowartist and a woman who longs to be as free as the birds she also loves. Béa Gonzalez creates a lush and richly layered novel thatevokes the passing down, from grandmother to mother to daughter, of aspectacular tale of passion and mystery. The Mapmaker's Opera isa mesmerizing, ebullient story to be shared among friends.
In the tradition of Allende, this is a magical novel, written in the form of an opera, and set in Seville and Mexico in the late 1800s.
He details the innovations, from John Harrison's eighteenth-century marine chronometer, which enabled navigators to calculate longitude at sea, to the Pentagon's Global Positioning System (GPS), now used as widely by civilians as by the military to pinpoint the bearer's exact location on the globe."--BOOK JACKET.
This book is a follow-up to Joan Dawson's earlier book The Mapmaker's Eye, which shows how early maps of Nova Scotia reflect the province's establishment under first French, then English colonial rule. The present book looks at Nova Scotia's continuing development in the nineteenth century, first as a British colony then as a member of Confederation, as reflected in the many different types of maps made for various purposes during the century. Any map or history enthusiast will be fascinated by Nova Scotia's evolution from a colony of military outposts and subsistence farmers to an increasingly industrial society. Early in the nineteenth century, maps reflected the settlement that was still taking place, the roads being built to link the settlements, the increasingly sophisticated defenses that were being constructed, and the attempts to identify the resources on which development would depend. In the second half of the century maps began to change, depicting the development of industries, the establishment of railways and shipping lines, and the growth of towns where enterprising manufacturers and merchants were setting up businesses. Throughout The Mapmakers' Legacy, Dawson examines and explains the many maps that illustrate this evolution. This is a unique and captivating account of Nova Scotian cartographic history.
We tend to think of early medieval people as unsophisticated about geography because their understandings of space and place often differed from ours, yet theirs were no less complex. Anglo-Saxons conceived of themselves as living at the centre of a cosmos that combined order and plenitude, two principles in a constant state of tension. In Inhabited Spaces, Nicole Guenther Discenza examines a variety of Anglo-Latin and Old English texts to shed light on Anglo-Saxon understandings of space. Anglo-Saxon models of the universe featured a spherical earth at the centre of a spherical universe ordered by God. They sought to shape the universe into knowable places, from where the earth stood in the cosmos, to the kingdoms of different peoples, and to the intimacy of the hall. Discenza argues that Anglo-Saxon works both construct orderly place and illuminate the limits of human spatial control.
CMH Pub. 10-22. By Alfred M. Beck, et al. Describes in detail the role of the Army Corps of Engineers in various military campaigns throughout North Africa and Italy, as well as in Western and Central Europe, from 1941 through 1944. L.C. card 84-11376. Item 345. Related Products: United States Army in World War 2: The Quartermaster Corps, Operations in War Against Japan is available here: https://bookstore.gpo.gov/products/sku/008-029-00047-4 United States Army and World War II: Set 5 of 7, The Technical Services, Pt. 2 (Corps of Engineers, Quartermaster, and Medical) -CDROM format is available here: https://bookstore.gpo.gov/products/sku/008-029-00434-8 United States Army and World War II: Set 4 of 7, The Technical Services, Pt. 1 (Chemical, Ordnance, Transportation, and Signal) CDROM format is available here: https://bookstore.gpo.gov/products/sku/008-029-00396-1 World War II resources collection can be found here: https://bookstore.gpo.gov/catalog/world-war-ii Other products by the U.S. Army, Center of Military History (CMH) can be found here: https://bookstore.gpo.gov/agency/1061