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The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
Creepy clowns are everywhere, sighted all over the world. They are watching YOUR children. Why?Put your best face on... The circus is coming to town!A creepy clown stares at a young boy from the woods next to his grade school. The boy tells his father. The father wants to get to the bottom of it. Who are they? What do they want? Questions he never should have asked... The answers are here. This is the terrifying story of a desperate father, a simple medicated "beauty lotion," a secret clinical study at a big Pharmaceutical company north of Chicago, and how SERIOUS COMPLICATIONS changed MY life forever. Nothing will be the same again, for me OR for you. Creepy Clowns: Who are they? What do they want? The answer is as clear as the big red nose on your face.
"So view, and get over it." And so begins the lighthearted attempt of Scary Clowns to relieve coulrophobes of their fear of "grotesquely made-up men wearing overly large trousers, huge shoes, and a red nose." This fear may seem as amusing as the characters that inspire it, but numerous support groups and hundreds of Web sites are dedicated to coulrophobia. Horror movies featuring killer clowns, as well as notorious clown/serial killer John Wayne Gacy, have only fed the fear. Over 80 full-color photographs-from the surreal to the grotesque-populate Scary Clowns, bringing readers face to face with their worst nightmares. A pop-up clown in the middle of the book forces the reader to confront his darkest fear in 3-D. It is all done in the name of good, clean fun, of course. Why are seemingly innocuous clowns so horrifying to so many people? The introduction in Scary Clowns attempts to demystify the strange phobia. By nature silent, a clown makes no noise or complaint as he falls over, throws things, plays with knives, walks on high wires, tumbles, turns, and collapses. Maybe it's the silence that makes him so scary.
Bad clowns—those malicious misfits of the midway who terrorize, haunt, and threaten us—have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King’s Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown’s dark smile.
With a worldwide box office of more than a half-billion dollars, The Purge franchise has become one of the top horror franchises in film history, with many reviewers wowed by the concept of the series and differentiating on the execution. With five films and a TV show (and another film possibly in the works), the series seems unstoppable. The franchise's main concept taps into underlying tensions throughout America. The vast differences between the films are largely due to the ever-changing casts, including actors, writers, and directors, so that each film has its own unique commentary, sometimes getting right at the nerve of social issues that seem to be best discussed in fictional worlds' metaphors and parables. Acclaimed film and television critics and horror scholars such as Dale Bailey, Jason V. Brock, Chesya Burke, Lisa Morton, Katherine A. Troyer, and Kevin J. Wetmore give a wide range of analyses of just what The Purge films are saying about modern-day America and the world. Essays in the collection examine politics, violence, Trump, Freud, class issues, feminism, race, and more.
Reggie Ryan is a loser. No matter what he tried, it failed miserably. At the end of his rope and down on his luck, he stopped in a pawn shop to sell some junk he'd found while dumpster diving. While in the shop he stumbled upon a strange clown mask. Unable to resist, he traded his items for the mask and tried it on. Wearing the mask, Reggie felt like a different person. He was a different person. No longer was he someone to be stepped on and ignored. As The Clown he was a force to be reckoned with. That night, he goes into the city ready to show his true self. Will anyone be able to survive Clown Night?
More than sixty years after the The Twilight Zone debuted on television, the show remains a cultural phenomenon, including a feature film, three television reboots, a comic book series, a magazine and a theatrical production. This collection of new essays offers a roadmap through a dimension not only of sight and sound, but of mind. Scholars, writers, artists and contributors to the 1980s series investigate the many incarnations of Rod Serling's influential vision through close readings of episodes, explorations of major themes and first-person accounts of working on the show.
In "Laugh 'Til You Die," noted psychologist Dr. Ogden Pearl (Oprah, Dr. Phil, etc.) discusses the many "killer clown" sightings that occurred during the latter part of 2016. This volume features several photos that illustrate the creepiness of these nighttime visitors, and what they might mean for today's society. A must-have for clown fans and those with coulrophobia (fear of clowns).
Stories of vampires, werewolves, zombies, witches, goblins, mummies, and other supernatural creatures have existed for time immemorial, and scary stories are among the earliest types of fiction ever recorded. Historical Dictionary of Horror Literature is an invaluable aid in studying horror literature, including influential authors, texts, terms, subgenres, and literary movements. This book contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 400 cross-referenced entries covering authors, subgenres, tropes, awards, organizations, and important terms related to horror. Historical Dictionary of Horror Literature is an excellent resource for students, researchers, and anyone wanting to know more about horror literature.
Ho'oponopono is an elegant and easy ancient Hawaiian healing and forgiveness practice, available to everyone. Although designed for middle grade readers, I Love You, Clowns Are Scary appeals as well to the inquiring minds of college students and their grandparents. Book One tells the story of Dakota's dream-like inner quest to save a lost and frightened child and the discovery of a magical way for a very scary problem to be transformed. In Book Two, Dakota continues to explore Ho'oponopono at school with the help of some mentors and friends and shares with the reader a fun way, Slo-mo-pono, to have a similar letting go experience. Throughout this introduction to Ho'oponopono, the conscious and subconscious are explored, as well as the superconscious, the spiritual center deep within the mind. The chapter of meditations offers simple ways to clear the mind and strengthen one’s Ho’oponopono practice.The Many Teachers section introduces the reader to important aspects of the Ho’oponopono perspective: the freeing gifts of healing energy, meditation, responsibility, letting go, gratitude, and love. The last chapter, the Psychotherapeutic Connection, is for parents, teachers, therapists and students of psychology of any age. Included are the author’s journey and an exploration of psychotherapeutic approaches using Ho’oponopono.