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A remarkable ceramic arts tradition is taking root in a remote village, high on the plains of Northern Chihuahua, Mexico. This is the story of a phenomenon and of the potter, Juan Quezada, who began it inspired only by prehistoric shards. This book showcases Juan Quezada's entire career from the 1970s to the present, and includes never-before-seen-pots.
This distinctive pottery, made for use and for show at the village of Mata Ortiz, Mexico, evolved from Juan Quezada's first efforts in 1974 into a business that involves the village and now employs around 350 potters. Six distinct styles are presented: black, polychrome, sgraffito (etched), colored, miniature, and special shapes. Bowls, plates, vessels, and delightful figural pieces have recognizable glazes and coloring that have made Mata Ortiz pottery welcome in many ceramics collections today. This fresh and comprehensive book includes a fascinating discussion of similarities in the bird motif with Acoma Pueblo (New Mexico) pottery. Private and gallery pottery collections were studied, making this a thorough presentation of old and new work. Each form is described with the maker's name, decorative details, and dimensions. Estimated retail values are suggested as a general guide. Both older and emerging artists are well represented, making this an important reference for the classic forms, current styles, and future designs.
"Thin as Bone China, painted with exquisite precision, the best Mata Ortiz pots . . . seem to float above a shelf like ceramic balloons, " writes Susan Lowell in The Many Faces of Mata Ortiz, which captures the beauty and magic of this emerging, indigenous art form. The Many Faces of Mata Ortiz introduces ceramic collectors to the remarkable village artists of Mata Ortiz in northern Chihuahua, Mexico. One hundred potters are featured, along with their most impressive works of art. This beautifully illustrated volume also includes directions for travelers planning to visit the village, an index of potters profiled, a schedule of exhibitions in the U.S. and Mexico, a glossary, and a bibliography.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The Craft and Science of Coffee follows the coffee plant from its origins in East Africa to its current role as a global product that influences millions of lives though sustainable development, economics, and consumer desire.For most, coffee is a beloved beverage. However, for some it is also an object of scientifically study, and for others it is approached as a craft, both building on skills and experience. By combining the research and insights of the scientific community and expertise of the crafts people, this unique book brings readers into a sustained and inclusive conversation, one where academic and industrial thought leaders, coffee farmers, and baristas are quoted, each informing and enriching each other.This unusual approach guides the reader on a journey from coffee farmer to roaster, market analyst to barista, in a style that is both rigorous and experience based, universally relevant and personally engaging. From on-farming processes to consumer benefits, the reader is given a deeper appreciation and understanding of coffee's complexity and is invited to form their own educated opinions on the ever changing situation, including potential routes to further shape the coffee future in a responsible manner. - Presents a novel synthesis of coffee research and real-world experience that aids understanding, appreciation, and potential action - Includes contributions from a multitude of experts who address complex subjects with a conversational approach - Provides expert discourse on the coffee calue chain, from agricultural and production practices, sustainability, post-harvest processing, and quality aspects to the economic analysis of the consumer value proposition - Engages with the key challenges of future coffee production and potential solutions
DIVAnalyzes Latin American and Caribbean folk art from a feminist perspective, considering the issue of gender in the production and circulation of popular art produced by women./div
Discover how to achieve your dream home on an affordable budget using these inspiring pictures, practical tips, and easy-to-implement tutorials. Most of us don’t live in a dream home that was custom built to suit our tastes. We have to work with a house that brings its own style, quirks, and personality to the table. But imagine walking into this house, but it’s perfectly designed and decorated with your style in mind—a home that fits you like a well-tailored outfit and yet is as comfy as your favorite pair of pajamas. What would that home look like exactly? How would it feel to live in a home styled specifically for you? The truth is, every home should feel like a custom home and not have to break the bank. In Feels Like Home, DIY makeover queen Marian Parsons (a.k.a. Miss Mustard Seed) teaches you what she’s learned over the years, sharing budget-friendly practical tips that will inspire you to change your space from “blah” to beautiful, from a builder-grade to character-rich home. Each chapter will guide you through detailed, easy-to-implement tutorials for projects, makeovers, decorating ideas, and tips for handling common challenges. Special note-taking spaces are also included for recording your own design ideas. Room by room, you will be empowered to transform your house into the home of your dreams!
An international and multidisciplinary team addresses significant ethical questions about the rights to access, manage and interpret the material remains of the past.