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Poetry that will take the top of your head off with its penchant for transporting readers across the full emotional spectrum: thinking, feeling, laughing, crying, cringing, elevating. The strongly crafted words are ready to jump off the page and onto the stage. The poems contained in this collection cover an array of themes and topics: narrative, self-revelatory, humorous, romantic, socio-political, inspiring, meditative, and more. This is the wonderfully diverse writing of an author who can simultaneously inhabit the spaces of the corner, church, college, corporate America and contemporary haiku. Many Attitudes of Dennis is a poet cut from a unique cloth, a tapestry of survival, resilience and triumph.
A masterful new collection of poetry from the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s thirteenth collection, Night School, are informed by an engagement with a world not fully accessible to the light of day, a world that can only be known with help from the imagination, whether we focus on ourselves, on people close at hand, or on the larger society. Only if we imagine alternatives to our present selves, Dennis suggests, can we begin to grasp who we are. Only if we imagine what is hidden from us about the lives of others can those lives begin to seem whole. Only if we can conceive of a social world different from the one we seem to inhabit can we begin to make sense of the country we call our own. To read these poems is to find ourselves invited into a dialogue between what is present and what is absent that proves surprising and enlarging.
We evaluate poems constantly: as workshop leaders, competition judges and journal editors. But how do we judge the success of verse in these contexts? The authors propose an innovative method by which anyone involved in the assessment of poetry can be more transparent about how they value verse. This book foregrounds the ethical and professional obligations of poets, teachers and critics to conduct axiological inquiry so they can discover and publish what they value. We Need to Talk suggests why and how people who care about poetry should communally explore and document their shared (and conflicting) values. This is the first book to provide the background and theory, as well as a practical, working model, for the communal, empirical evaluation of creative writing.
Studies the role that etymologies and etymological thinking have played in the works of English language poets including Seamus Heaney, R. F. Langley, J. H. Prynne, Geoffrey Hill, and Paul Muldoon.
This book joins the notion that Second Isaiah is a poetic text with the task of interpreting it as a unified whole. In so doing, it makes methodological suggestions for applying a lyric poetic approach to biblical texts. The practical application of this approach shows Second Isaiah to be characterized by tension, conflict, and juxtaposition. The lyric model shows these conflicts, such as the presence of searing indictments in the ‘book of comfort,’ to be integral elements of the mode by which Second Isaiah addresses its audience. This book highlights the tonalities of the divine voice as central to Second Isaiah’s particularly poetic mode of cohesion and essential to the conflicted comfort Second Isaiah offers its reader.
Dear Life focuses largely on mortality in a consumerist world, and foreshadows the author’s sudden death in December 2012.
This book examines the emotional engagements of both Indigenous and Non-Indigenous people with Indigenous history. The contributors are a mix of Indigenous and Non-Indigenous scholars, who in different ways examine how the past lives on in the present, as myth, memory, and history. Each chapter throws fresh light on an aspect of history-making by or about Indigenous people, such as the extent of massacres on the frontier, the myth of Aboriginal male idleness, the controversy over Flynn of the Inland, the meaning of the Referendum of 1967, and the policyand practice of Indigenous child removal.
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